Jazzmania | |
---|---|
Directed by | Robert Z. Leonard |
Written by | Alfred A. Cohn (titles) |
Screenplay by | Edmund Goulding |
Story by | Edmund Goulding |
Starring | Mae Murray Rod La Rocque Jean Hersholt Lionel Belmore |
Cinematography | Oliver T. Marsh |
Production company | |
Distributed by | Metro Pictures |
Release date |
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Running time | 80 mins. |
Country | United States |
Language | Silent (English intertitles) |
Jazzmania is a 1923 American silent drama film directed by Robert Z. Leonard and starring his then-wife Mae Murray. In keeping with Murray's previous films and a few of her succeeding films, the movie possesses some of the most provocative attire worn by an actress in film up to that time. As with Fascination , Edmund Goulding wrote the original screen story and screenplay.
This article needs a plot summary.(December 2023) |
A print of Jazzmania is in the collection of George Eastman House. [1] [2] [3]
Clara Kimball Young was an American film actress who was popular in the early silent film era.
Edmund Goulding was a British screenwriter and film director. As an actor early in his career he was one of the 'Ghosts' in the 1922 silent film Three Live Ghosts alongside Norman Kerry and Cyril Chadwick. Also in the early 1920s he wrote several screenplays for star Mae Murray for films directed by her then husband Robert Z. Leonard. Goulding is best remembered for directing cultured dramas such as Love (1927), Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, The Constant Nymph (1943) with Joan Fontaine, and The Razor's Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer.
Peacock Alley is a 1922 American silent drama film starring Monte Blue and Mae Murray. The film was directed by Murray's husband at the time, Robert Z. Leonard. Set design for the film was done by Charles Cadwallader. The film premiered on November 9, 1921 at the Hotel Commodore in New York City.
Mademoiselle Midnight is a 1924 American silent drama film starring Mae Murray and directed by Murray's then husband, Robert Z. Leonard. The film was written by Carl Harbaugh and John Russell. The film was the final release of Metro under the Tiffany Productions banner, owned by the couple. A complete print of the film survives.
Married Flirts is a 1924 American silent drama film directed by Robert Vignola and starring Pauline Frederick, Mae Busch, and Conrad Nagel. The screenplay, written by Julia Ivers, is based on Louis Joseph Vance's 1923 best seller Mrs. Paramor. The drama was considered quite daring at the time as the story centered on husbands being lured away from their wives. One scene has well known Hollywood stars playing themselves at a party.
The Right to Love is a 1920 American silent drama film directed by George Fitzmaurice. It stars Mae Murray, David Powell and Holmes Herbert. The film is based on the French novel L'Homme qui assassina, by Claude Farrère and the play of the same name by Pierre Frondaie.
Fascination is a 1922 American silent drama film directed by Robert Z. Leonard and starring his then wife Mae Murray. The film is based on an original story by Edmund Goulding who was soon to be a prolific film director.
Broadway Rose is a 1922 American silent romantic drama film released by Metro Pictures and directed by Robert Z. Leonard. It stars Leonard's then-wife Mae Murray and Monte Blue. The film is based on an original story by Edmund Goulding written for star Murray, and was produced by Leonard's and Murray's production company Tiffany Pictures.
Enter Madame is a 1922 American silent romantic comedy film produced by Harry Garson for his star Clara Kimball Young. Wallace Worsley directed. The film was based on a 1920 Broadway play of the same name by Dolly Byrne and Gilda Varesi. Prints of the film exist in two or three European archives. The film was remade under the same name in 1935.
The Loves of Letty is a 1919 American silent drama film produced and distributed by Samuel Goldwyn and directed by Frank Lloyd. Based on the play Letty by Arthur Wing Pinero, the film features Pauline Frederick in the title role. It was originally considered a lost film, but a print with some deterioration has reportedly been found in a European collection.
The Moment Before is a 1916 American silent drama film starring Pauline Frederick. Based on the play The Moment of Death by Israel Zangwill, it was produced by Famous Players Film Company and directed by Robert G. Vignola.
The Easiest Way is a 1917 American silent film starring Clara Kimball Young and directed by Albert Capellani. It is based on a 1909 play, The Easiest Way by Eugene Walter, staged by David Belasco and starred Frances Starr as Laura Murdock. Belasco and Starr revived the play in 1921. It is not known whether the film currently survives.
Devil's Island is a 1926 American silent drama film produced and distributed by Chadwick Pictures and directed by Frank O'Connor. The film stars Pauline Frederick, Richard Tucker, and Marian Nixon.
Salvage is a lost 1921 American silent drama film directed by Henry King and starring Pauline Frederick. It was produced and distributed by the Robertson-Cole Company.
Nanette of the Wilds is a 1916 American drama silent film directed by Joseph Kaufman and written by Willard Mack. The film stars Pauline Frederick, Willard Mack, Macey Harlam, Charles Brandt, Frank Joyner and Daniel Pennell. The film was released on November 26, 1916, by Paramount Pictures.
Charge It is a 1921 American silent drama film directed by Harry Garson and starring Clara Kimball Young.
What No Man Knows is a 1921 silent film drama produced and directed by Harry Garson and starring Clara Kimball Young.
The Cambric Mask is a 1919 American silent drama film directed by Tom Terriss and starring Alice Joyce and Maurice Costello. It was produced and distributed by the Vitagraph Company of America.
Princess Virtue is a 1917 American silent drama film directed by Robert Z. Leonard and starring Mae Murray, Lule Warrenton and Wheeler Oakman. An incomplete copy was found and kept in the Library of Congress. Prints and/or fragments were found in the Dawson Film Find in 1978.