Mae Murray was an American actress, dancer, film producer, and screenwriter. Murray rose to fame during the silent film era and was known as "The Girl with the Bee-Stung Lips" and "The Gardenia of the Screen".
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Robert Zigler Leonard was an American film director, actor, producer, and screenwriter.
James Cornelius Kirkwood Sr. was an American actor and director.
Charles K. Gerrard, also known as Charles Kavanagh, was an Irish-American motion-picture actor, and the elder brother of actor and film director Douglas Gerrard.
Tiffany Pictures, which also became Tiffany-Stahl Productions for a time, was a Hollywood motion picture studio in operation from 1921 until 1932. It is considered a Poverty Row studio, whose films had lower budgets, lesser-known stars, and overall lower production values than major studios.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
Broken Barriers is a 1924 American silent drama film starring James Kirkwood, Norma Shearer, and Adolphe Menjou. Directed by Reginald Barker, the film is based upon the novel of the same name by Meredith Nicholson.
Peacock Alley is a 1922 American silent drama film starring Monte Blue and Mae Murray. The film was directed by Murray's husband at the time, Robert Z. Leonard. Set design for the film was done by Charles Cadwallader. The film premiered on November 9, 1921 at the Hotel Commodore in New York City.
Peacock Alley is a 1930 American pre-Code musical romantic drama film directed by Marcel de Sano, and starring Mae Murray and George Barraud. The film is a remake of the 1922 silent film of the same name in which Murray also stars. Aside from Murray being cast in the lead, the remake was largely different from the 1922 silent film. While Murray's character in the 1922 film was named Cleo, she was renamed Claire Tree in this film. George Barraud replaced Monte Blue as the male lead, who is now named Clayton Stoddard.
Love is an extant American 1920 silent era romance drama film starring Louise Glaum, James Kirkwood, and Joseph Kilgour. Directed by Wesley Ruggles and produced by J. Parker Read, Jr., the screenplay was adapted by Louis Joseph Vance based on a story by Carol Kapleau.
The Dramatic Life of Abraham Lincoln is a 1924 American feature film directed by Phil Rosen and written by Frances Marion. By the date of release, the film's title was shortened to Abraham Lincoln, since the previous title was regarded as cumbersome.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Face Value is a 1918 American silent drama film starring Mae Murray and directed by Robert Z. Leonard. It was released by Universal Film and produced by their second tier production unit Bluebird.
The Heart of Jennifer is a 1915 American silent drama film directed by James Kirkwood, Sr. and written by Edith Barnard Delano. The film stars Hazel Dawn, James Kirkwood, Sr., Irene Howley, Russell Bassett, and Harry C. Browne. The film was released on August 30, 1915, by Paramount Pictures.
A Mormon Maid is a 1917 American silent drama film directed by Robert Z. Leonard and written by Charles Sarver and Paul West. While traveling westward with her family, Dora must face the proposal to become a Mormon elder's sixth wife. The film stars Mae Murray, Frank Borzage, Hobart Bosworth, Edythe Chapman, Noah Beery, Sr., and Richard Henry Cummings. The film was released on April 22, 1917, by Paramount Pictures. The film survives complete.
The Gilded Lily is a surviving 1921 American silent drama film directed by Robert Z. Leonard and written by Clara Beranger and Tom McNamara. The film stars Mae Murray, Lowell Sherman, Jason Robards, Sr., Charles K. Gerrard, and Leonora von Ottinger. The film was released on March 6, 1921, by Paramount Pictures.
The Top of the World is a 1925 American silent drama film directed by George Melford and starring James Kirkwood, Sr., Anna Q. Nilsson, Joseph Kilgour, Mary Mersch, Raymond Hatton, Sheldon Lewis, and Charles A. Post. Based on a 1920 novel of the same title by Ethel M. Dell, the screenplay was written by Jack Cunningham. It was released on February 9, 1925, by Paramount Pictures.
Over the Hill is a 1931 American Pre-Code black-and-white melodrama film directed by Henry King for Fox Film Corporation. Starring Mae Marsh, James Dunn, Sally Eilers, and Olin Howland, the story concerns a young mother who devotedly cares for her children but when they grow up, most of them turn their backs on her and she has no choice but to go live in the poorhouse. The film is a remake of the 1920 silent film Over the Hill to the Poorhouse, which had been a major box-office hit for Fox. The story was based on a pair of poems by Will Carleton. Over the Hill also inspired the South Korean film adaptation Over the Ridge (1968). The production marked Marsh's first sound film and the second pairing of Dunn and Eilers, who had achieved celebrity in Fox's Bad Girl released earlier in the year.
Fashion Row is a 1923 American silent drama film directed by Robert Z. Leonard and starring Mae Murray in a dual role, Earle Foxe, and Freeman Wood. The film involves two Russian sisters emigrate to America. One tries to hide her peasant origins and rises in high society, while the other remains closer to her roots.
