Nancy Goes to Rio | |
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![]() Theatrical release poster | |
Directed by | Robert Z. Leonard |
Screenplay by | Sidney Sheldon |
Story by |
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Produced by | Joe Pasternak |
Starring | |
Cinematography | Ray June |
Edited by | Adrienne Fazan |
Music by | Original music: Conrad Salinger (uncredited) George Stoll (uncredited) Musical director: George Stoll |
Production company | |
Distributed by | Loew's, Inc. |
Release date |
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Running time | 100 minutes |
Country | United States |
Language | English |
Budget | $1.7 million [1] |
Box office | $2.9 million [1] |
Nancy Goes to Rio is a 1950 American Technicolor musical-comedy film directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Jane Hall, Frederick Kohner, and Ralph Block. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth, and Stoll.
The film stars Jane Powell, Ann Sothern, Barry Sullivan, Carmen Miranda, Louis Calhern, and Scotty Beckett.
On the closing night of a Broadway play, leading actress Frances Elliott (Ann Sothern) hosts a party attended by many guests, including her eccentric father Gregory (Louis Calhern), who is also an actor; her seventeen-year-old daughter, Nancy Barklay (Jane Powell), an aspiring actress; and Brazilian playwright Ricardo Domingos, who is considering starring Frances in his next play.
Frances eagerly pursues the part in Ricardo's play, and though she is virtually assured of the role, Ricardo asks her not publicize the news until a final decision is made. Later, Ricardo privately tells Frances' producer that Frances may not be right for the part and that he had a younger actress in mind. Then, when Ricardo meets Nancy, he instantly knows that he has found the perfect young woman for the role.
The next day, Frances sets sail for Rio de Janeiro, where she intends to vacation and devote herself to studying her lines. Gregory accompanies Frances to Rio, while Nancy, who is about to star in a small stock company play, goes to Connecticut. After observing Nancy's acting abilities, Ricardo offers her the part that he promised Frances. Nancy accepts the role, though she is unaware that Ricardo has already promised it to her mother.
Seeking the quiet she needs to study for the part, Nancy follows her mother and grandfather to Rio. On board the ship, businessman Paul Berten overhears Nancy rehearsing her lines and mistakenly concludes that she is a deserted wife and an expectant mother. Paul takes pity on Nancy and enlists the help of his business partner, Marina Rodrigues (Carmen Miranda), to counsel the young girl.
Nancy does not know that Paul is trying to help her and mistakes his paternal concern for a marriage proposal. She rejects Paul's apparent proposal, and bids him farewell when the ship reaches Rio.
Soon after she is reunited with her mother, Nancy overhears her rehearsing her lines and immediately realizes that they are studying for the same part. The revelation devastates Nancy and prompts her to bow out of the play. She does not tell her mother that she was set to star in Ricardo's play, and instead informs her that she is in an entirely different play.
Confusion abounds when Nancy later visits Paul at his office and tries to accept the marriage proposal she thought he had made. Paul is perplexed by her behavior, and still thinks that Nancy is pregnant and troubled. He sends her home to talk to her mother about her situation, but Nancy misunderstands him and thinks that he meant for her to discuss their impending marriage with her mother.
Marina follows Nancy to her mother's house, and privately tells Frances about Nancy's supposed pregnancy. The confusion is heightened when Frances misunderstands her daughter's anguish and concludes that she must be pregnant by Paul.
Frances demands a private meeting with Paul, during which he reveals his romantic attraction to Frances. Frances leaves Paul in disgust, but the situation is soon clarified when Paul tells Gregory that he had only just met Nancy on the boat. Gregory immediately recognizes Nancy's supposed predicament from the story of the play that Frances was reading, and explains the situation to Frances.
When Frances learns the truth about Paul, she changes her impression of him and they embark on a romance. After announcing her engagement to Paul, Frances withdraws from Ricardo's play and suggests Nancy as her replacement. All ends happily when the show opens in New York with Nancy in the starring role.
The working titles of this film were Ambassador to Brazil and His Excellency from Brazil.
The 1940 Universal film It's a Date , produced by Joe Pasternak, directed by William A. Seiter and starring Deanna Durbin and Kay Francis, was also based on Jane Hall, Frederick Kohner and Ralph Block's screen story. [2]
Despite the title and some colorful second-unit footage, the film was mostly filmed on MGM's soundstages. [3] The production makes use of lavish, elegant "New Look" gowns and colorful sets, typical of the top-notch MGM standards.
This was the final film of Ann Sothern's MGM contract; she soon appeared in a series of television sitcoms.
According to MGM records the film earned $1,839,000 in the US and Canada and $1,027,000 elsewhere, resulting in a loss of $52,000. [1] [4]
Bosley Crowther’s review of Nancy Goes to Rio critiques MGM’s attempt to mold Jane Powell into a young star similar to Deanna Durbin, placing her under the production of Joe Pasternak and giving her a script reminiscent of Durbin’s films. Crowther describes the movie as a weak remake of It's a Date (1940). He criticizes the plot as trivial and lacking strength, though he acknowledges a few pleasant songs and charismatic performances, particularly from Powell, Ann Sothern, and Louis Calhern. The film is praised for musical numbers like "Shine On, Harvest Moon", but is seen as dated and lacking substantial depth. Crowther also points out a misunderstanding in the plot that adds forced humor and notes that, while Powell is talented, she falls short of her potential in this type of film. [5]
Variety describes the movie as a light, sparkling musical with all the typical qualities of the genre, creating a vibrant spectacle. Director Robert Z. Leonard is praised for keeping the film's pace dynamic and avoiding heavy moments, ensuring the story remains escapist. The choreography by Nick Castle is also highlighted for adding visual value to the production. [6]
The St. Petersburg Times lauds Nancy Goes to Rio, noting its "cheerful songs, harmonious costumes, abundant laughter, and beautiful landscapes," making it a "thoroughly enjoyable" movie. However, the review mentions that the use of Technicolor did not flatter Ann Sothern, making her appear older, nor did it suit Carmen Miranda, who lost some of her charm. On the other hand, Technicolor was beneficial for Louis Calhern, who was older, and Jane Powell, who looked great on screen. [7]
Dave Kehr of the Chicago Reader considers Nancy Goes to Rio an interesting idea for an MGM musical, with the dynamic of a mother and daughter team of prospectors, but he points out that Robert Z. Leonard’s direction leaves the film lacking in charm. He mentions the cast, which includes Ann Sothern, Jane Powell, Barry Sullivan, Carmen Miranda (whose career was winding down), and Louis Calhern. Kehr also notes that the screenplay by Sidney Sheldon is responsible for the film, which he compares to The Other Side of Midnight (1950), suggesting that it lacks impact. [8]
The film was released on DVD along with Two Weeks with Love as part of the Classic Musicals from the Dream Factory, Vol. 3. The set also included several other Powell films, such as Hit the Deck and Deep in My Heart. This DVD was re-released on November 28, 2017 under the Warner Archive Collection on DVD.
Maria do Carmo Miranda da Cunha, known professionally as Carmen Miranda, was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature fruit hat outfit that she wore in her American films.
Jane Powell was an American actress, singer, and dancer who appeared in Metro-Goldwyn-Mayer musicals in the 1940s and 50s. With her soprano voice and girl-next-door image, Powell appeared in films, television and on the stage, performing in the musicals A Date with Judy (1948), Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Hit the Deck (1955).
Ann Sothern was an American actress who worked on stage, radio, film, and television, in a career that spanned nearly six decades. Sothern began her career in the late 1920s in bit parts in films. In 1930, she made her Broadway stage debut and soon worked her way up to starring roles. In 1939, MGM cast her as Maisie Ravier, a brash yet lovable Brooklyn showgirl. The character proved to be popular and spawned a successful film series and a network radio series.
Edna Mae Durbin, known professionally as Deanna Durbin, was a Canadian-born American singer and actress, who moved to the U.S. with her family in infancy. She appeared in musical films in the 1930s and 1940s. With the technical skill of a legitimate lyric soprano, she was known for singing opera and semi-classical music, which is today called classical crossover.
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at Metro-Goldwyn-Mayer, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
Athena is a 1954 American romantic musical comedy film directed by Richard Thorpe and starring Jane Powell, Edmund Purdom, Debbie Reynolds, Vic Damone, Louis Calhern, Steve Reeves, and Evelyn Varden. It was released by Metro-Goldwyn-Mayer.
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Lady Be Good is an American musical film directed by Norman Z. McLeod and starring Eleanor Powell, Ann Sothern, Robert Young, Lionel Barrymore, and Red Skelton. It was made by Metro-Goldwyn-Mayer and produced by Arthur Freed. This was the first of several films Powell made with Skelton. Powell received top billing, but Sothern and Young are the main stars. They play, respectively, Dixie Donegan, a would-be lyricist, and Eddie Crane, a struggling composer.
Down Argentine Way is a 1940 American musical film made in Technicolor by Twentieth Century Fox. It made a star of Betty Grable in her first leading role for the studio although she had already appeared in 31 films, and it introduced American audiences to Carmen Miranda. It also starred Don Ameche, The Nicholas Brothers, Charlotte Greenwood, and J. Carrol Naish.
I Love You Again is an MGM screwball comedy released in 1940. It was directed by W.S. Van Dyke and starred William Powell and Myrna Loy, all three of whom were prominently involved in the Thin Man film series.
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Rich, Young and Pretty is a 1951 American musical comedy film produced by Joe Pasternak for Metro-Goldwyn-Mayer and directed by Norman Taurog. Written by Dorothy Cooper and adapted as a screenplay by Cooper and Sidney Sheldon, it stars Jane Powell, Danielle Darrieux, Wendell Corey, and Fernando Lamas, features The Four Freshmen, and introduces Vic Damone. This was Darrieux's first Hollywood film since The Rage of Paris (1938).
Forever, Darling is a 1956 American fantasy romantic comedy film directed by Alexander Hall, written by Helen Deutsch, and starring Lucille Ball, Desi Arnaz, and James Mason. In the film, Ball stars as a wife who tries to save her struggling marriage to a chemical engineer (Arnaz) with the help of her guardian angel (Mason). Louis Calhern and Natalie Schafer co-star in supporting roles.
That Night in Rio is a 1941 American Technicolor musical comedy film directed by Irving Cummings and starring Alice Faye, Don Ameche and Carmen Miranda. It was produced and distributed by Hollywood Twentieth Century Fox. It is one of several film adaptations of the 1934 play The Red Cat by Rudolf Lothar and Hans Adler. Others are Folies Bergère de Paris (1935) and On the Riviera (1951).
Small Town Girl is a 1953 American musical film directed by László Kardos and starring Jane Powell, Farley Granger, and Ann Miller. Busby Berkeley choreographed several dance numbers. Bobby Van performed the memorable "Street Dance", in which he hopped all around town. The film features song performances by Nat King Cole. The film was nominated for the Academy Award for Best Original Song, "My Flaming Heart", with music by Nicholas Brodszky and lyrics by Leo Robin. It has no relation to the 1936 MGM film of the same title.
It Started with Eve is a 1941 American musical romantic comedy film directed by Henry Koster and starring Deanna Durbin, Robert Cummings, and Charles Laughton. The film received an Oscar nomination for Best Original Music Score. The film is considered by some critics to be Durbin's best film, and the last in which she worked with the producer and director who groomed her for stardom. It Started with Eve was remade in 1964 as I'd Rather Be Rich.
I'll Be Yours is a 1947 American musical comedy film directed by William A. Seiter and starring Deanna Durbin. Based on the play A jó tündér by Ferenc Molnár, the film is about a small-town girl who tells a fib to a wealthy businessman, which then creates complications. The play had earlier been adapted for the 1935 film The Good Fairy by Preston Sturges.
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Du Barry Was a Lady is a 1943 American musical comedy film directed by Roy Del Ruth, starring Red Skelton, Lucille Ball, Gene Kelly, and Tommy Dorsey and His Orchestra. It is based on the 1939 stage musical of the same name. Shot in Technicolor, the film was produced and distributed by Metro-Goldwyn-Mayer.