Topper is a 1937 American supernatural comedy film directed by Norman Z. McLeod, starring Constance Bennett and Cary Grant and featuring Roland Young. It tells the story of a stuffy, stuck-in-his-ways man who is haunted by the ghosts of a fun-loving married couple.
Lee Patrick was an American actress whose career began in 1922 on the New York stage with her role in The Bunch and Judy which headlined Adele Astaire and featured Adele's brother Fred Astaire.
A Woman Rebels is a 1936 American historical drama film adapted from the 1930 novel Portrait of a Rebel by Netta Syrett and starring Katharine Hepburn as Pamela Thistlewaite, who rebels against the social mores of Victorian England. The film was directed by Mark Sandrich; it was the film debut of Van Heflin, and the second last film of David Manners.
After Office Hours is a 1935 crime drama film directed by Robert Z. Leonard and starring Clark Gable and Constance Bennett. The screenplay was written by Herman Mankiewicz.
Night After Night is a 1932 American pre-Code drama film starring George Raft, Constance Cummings, and Mae West in her first movie role. Others in the cast include Wynne Gibson, Alison Skipworth, Roscoe Karns, Louis Calhern, and Bradley Page. Directed by Archie Mayo, it was adapted for the screen by Vincent Lawrence and Kathryn Scola, based on the Cosmopolitan magazine story Single Night by Louis Bromfield, with West allowed to contribute to her lines of dialogue.
Vacation in Reno is a 1946 American comedy film directed by Leslie Goodwins and starring Jack Haley, Anne Jeffreys, Iris Adrian, Wally Brown, Alan Carney, and Morgan Conway.
When Ladies Meet is a 1941 American romantic comedy film directed by Robert Z. Leonard and starring Joan Crawford, Robert Taylor, Greer Garson, Herbert Marshall and Spring Byington. The screenplay by S.K. Lauren and Anita Loos was based upon a 1932 play by Rachel Crothers. Made by Metro-Goldwyn-Mayer, director Leonard also coproduced along with Orville O. Dull. The film was a remake of the 1933 pre-Code film of the same name, which had starred Ann Harding, Myrna Loy, Robert Montgomery and Frank Morgan in the roles played by Garson, Crawford, Taylor and Marshall.
Mother Wore Tights is a 1947 American Technicolor musical film starring Betty Grable and Dan Dailey as married vaudeville performers, directed by Walter Lang.
Our Betters is a 1933 American pre-Code satirical comedy film directed by George Cukor and starring Constance Bennett, Anita Louise and Gilbert Roland. The screenplay by Jane Murfin and Harry Wagstaff Gribble is based on the 1917 play of the same title by Somerset Maugham. Tommy Atkins worked as assistant director, while the sets were designed by the art director Van Nest Polglase.
Rockabye is a 1932 American pre-Code drama film starring Constance Bennett, Joel McCrea, and Paul Lukas. The final version was directed by George Cukor after studio executives decided that the original film as directed by George Fitzmaurice was unreleasable. The screenplay by Jane Murfin is based on an unpublished play written by Lucia Bronder, based on her original short story.
One More River is a 1934 American drama film mystery directed by James Whale. It was produced and distributed by Universal Pictures and starred Colin Clive, Diana Wynyard and stage actress Mrs Patrick Campbell in one of her very few films. The film marked Jane Wyatt's screen debut. It is based on the 1933 novel of the same title by John Galsworthy.
Three Faces East is a 1930 American pre-Code film directed by Roy Del Ruth and starring Constance Bennett and Erich von Stroheim. Produced by Daryl Zanuck and released by Warner Brothers it is based on a 1918 Broadway play about World War I spies, Three Faces East, by Anthony Paul Kelly. It was filmed as a silent in 1926. A later remake in 1940 starred Boris Karloff and Margaret Lindsay was titled British Intelligence.
Once a Lady is a 1931 American Pre-Code drama film directed by Guthrie McClintic and starring Ruth Chatterton, Ivor Novello and Jill Esmond. The film, produced and distributed by Paramount Pictures, is a remake of the Pola Negri silent film Three Sinners (1928). The film was the final attempt by British matinée idol Novello to establish himself in Hollywood.
Riptide is a 1934 American pre-Code romantic drama film starring Norma Shearer, Robert Montgomery and Herbert Marshall, written and directed by Edmund Goulding, and released by Metro-Goldwyn-Mayer.
Bought is a 1931 American Pre-Code drama film produced and released by Warner Bros. and directed by Archie Mayo. The movie stars Constance Bennett and features Ben Lyon, Richard Bennett and Dorothy Peterson. It is based on the 1930 novel Jackdaw's Strut by Harriet Henry.
Kathleen is a 1941 American comedy drama film directed by Harold S. Bucquet starring Shirley Temple, Herbert Marshall, Laraine Day and Gail Patrick. It was Temple's first comeback role since "retiring" from the screen a year earlier. It was the only movie she made for Metro-Goldwyn-Mayer.
Law of the Tropics is a 1941 American drama film directed by Ray Enright and starring Constance Bennett, Jeffrey Lynn and Regis Toomey. By the time Bennett made the film, her career was in steep decline. It was produced and distributed by Warner Brothers.
Other Men's Wives is a lost 1919 American silent drama film directed by Victor Schertzinger and written by C. Gardner Sullivan. The film stars Dorothy Dalton, Forrest Stanley, Holmes Herbert, Dell Boone, Elsa Lorimer, and Hal Clements. The film was released on June 15, 1919, by Paramount Pictures.
Before Morning is a 1933 American pre-Code crime drama directed by Arthur Hoerl, and starring Leo Carrillo, Lora Baxter, and Taylor Holmes. The film was adapted for the screen by Arthur Hoerl, from the 1933 Broadway play of the same name by Edward and Edna Riley.
Wandering Fires is a 1925 American silent drama film produced and directed by Maurice Campbell and stars Constance Bennett. It was distributed in the United States by Arrow Film Corporation and in the United Kingdom by Film Booking Offices of America. Campbell's wife, stage star Henrietta Crosman, appears in the film.
