Mae Murray was an American actress, dancer, film producer, and screenwriter. Murray rose to fame during the silent film era and was known as "The Girl with the Bee-Stung Lips" and "The Gardenia of the Screen".
Cléopâtre-Diane de Mérode was a French dancer of the Belle Époque. She has been referred to as the "first real celebrity icon" and the "first modern celebrity". She was also the first woman whose photographic image, due in particular to photographers Nadar and Léopold-Émile Reutlinger, was distributed worldwide.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
The Delicious Little Devil is a 1919 American silent comedy-drama film starring Mae Murray and Rudolph Valentino. A 35 mm print of the film is housed at the EYE Film Instituut Nederland, Nederlands Filmmuseum.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
True As Steel is a 1924 American silent drama film directed and written by Rupert Hughes which stars Aileen Pringle and Huntley Gordon. The film is about a married businesswoman who has an affair with a married colleague.
The Masked Bride is a 1925 American silent romantic drama film directed by Christy Cabanne and starring Mae Murray, Francis X. Bushman, and Basil Rathbone. It is currently a lost film.
Amarilly of Clothes-Line Alley is a 1918 American silent romantic comedy film starring Mary Pickford that was directed by Marshall Neilan and written by Frances Marion based upon a novel by Belle K. Maniates.
Peacock Alley is a 1930 American pre-Code musical romantic drama film directed by Marcel de Sano, and starring Mae Murray and George Barraud. The film is a remake of the 1922 silent film of the same name in which Murray also stars. Aside from Murray being cast in the lead, the remake was largely different from the 1922 silent film. While Murray's character in the 1922 film was named Cleo, she was renamed Claire Tree in this film. George Barraud replaced Monte Blue as the male lead, who is now named Clayton Stoddard.
Fascination is a 1922 American silent drama film directed by Robert Z. Leonard and starring his then wife Mae Murray. The film is based on an original story by Edmund Goulding who was soon to be a prolific film director.
Men is a 1924 American silent drama film directed by Dimitri Buchowetzki and starring Pola Negri that was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Wolves of the Rail is a 1918 American silent Western film produced, directed by, and starring William S. Hart. Thomas H. Ince assisted Hart in supervising the production.
Face Value is a 1918 American silent drama film starring Mae Murray and directed by Robert Z. Leonard. It was released by Universal Film and produced by their second tier production unit Bluebird.
Putting It Over is a lost 1919 American silent comedy film directed by Donald Crisp and starring Bryant Washburn. The film was produced by Famous Players–Lasky with distribution being handled by Paramount Pictures.
The Law and the Woman is a lost 1922 American silent drama film directed by Penrhyn Stanlaws and starring Betty Compson. This film is a version of Clyde Fitch's play The Woman in the Case and a remake of a 1916 silent version The Woman in the Case starring Pauline Frederick. Jesse Lasky produced.
The Amateur Wife is a 1920 American silent comedy-drama romance directed by Edward Dillon and written by Nalbro Bartley and Jane Murfin. The film stars Irene Castle, William P. Carleton, Arthur Rankin, S.J. Warrington, Alex Saskins and Augusta Anderson. The film was released on February 22, 1920, by Paramount Pictures.
The Prince Chap is a 1920 American silent drama film directed by William C. deMille and written by Olga Printzlau based upon the play of the same name by Edward Peple. The film stars Thomas Meighan, Charles Ogle, Kathlyn Williams, Casson Ferguson, Ann Forrest, Peaches Jackson, and Mae Giraci. The film was released in August 1920, by Paramount Pictures.
The Gilded Lily is a surviving 1921 American silent drama film directed by Robert Z. Leonard and written by Clara Beranger and Tom McNamara. The film stars Mae Murray, Lowell Sherman, Jason Robards, Sr., Charles K. Gerrard, and Leonora von Ottinger. The film was released on March 6, 1921, by Paramount Pictures.
Fashion Row is a 1923 American silent drama film directed by Robert Z. Leonard and starring Mae Murray in a dual role, Earle Foxe, and Freeman Wood. The film involves two Russian sisters emigrate to America. One tries to hide her peasant origins and rises in high society, while the other remains closer to her roots.
