Show People | |
---|---|
Directed by | King Vidor |
Written by | Agnes Christine Johnston (treatment) Laurence Stallings (treatment) Wanda Tuchock (continuity) Ralph Spence (titles) |
Produced by | Marion Davies King Vidor Irving Thalberg (uncredited) |
Starring | Marion Davies William Haines |
Cinematography | John Arnold |
Edited by | Hugh Wynn |
Music by | William Axt (uncredited) |
Production company | Cosmopolitan Productions (uncredited) |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 79 minutes |
Country | United States |
Languages | Sound film (Synchronized) English intertitles |
Budget | $431,000 [1] |
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin (who appears twice), Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies (to a decidedly unimpressed reaction by herself in character as Peggy Pepper).
The film is a lighthearted look at Hollywood at the end of the silent film era (it was released the year after breakthrough talking picture The Jazz Singer ), and is considered Davies' best role. Show People features no audible dialog but was released with a Movietone soundtrack with a synchronized musical score and sound effects. The film was re-released in the 1980s, with a new orchestral score by Carl Davis.
In 2003, Show People was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is currently available on DVD on-demand as part of the Warner Archive collection. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career. [2]
Young Peggy Pepper (Marion Davies) wants to be in motion pictures, so her father (Dell Henderson) drives her across the country from their home in Georgia to Hollywood. After some initial disillusionment, she meets Billy Boone (William Haines) in a studio commissary; he tells her to show up at his set if she wants work. Peggy goes, gets sprayed with seltzer water at her first entrance, and is at first shocked and dismayed to find she is doing slapstick comedy in low-budget "Comet" productions, but she decides to "take it on the chin" and, with Billy's loving support, becomes a success.
Soon enough, Peggy is signed to a contract by the prestigious "High Art" studio and, as "Patricia Pepoire", becomes a real movie star. She has fulfilled her dream of playing serious, dramatic roles, but she cuts off contact with Billy and the old comedy troupe, and soon becomes so conceited that her boring performances begin to drive away her public. On the day of her marriage to her co-star, phony-count Andre Telfair (Paul Ralli), Billy bursts in and, by means of another spritz of seltzer in her face, as well as a custard pie in Andre's, brings her to her senses, rescuing her career and their mutual happiness.
This film featured a theme song entitled "Cross Roads" which was composed by William Axt, David Mendoza and Raymond Klages.
Uncredited cameos
Show People offers a comic look at 1920s Hollywood and stardom. The main character of Peggy Pepper, who becomes the self-important dramatic star, Patricia Pepoire, was based on the careers of silent divas Gloria Swanson and Mae Murray. When asked, Davies supposedly told Murray the character was based on Swanson. Davies also told Swanson the character was based on Murray, but Swanson did not care since she had no inclination to see the film. As such, the film is a comic romp for Davies. Lucille Ball repeatedly cited Davies as a major comedic influence, and Ball's subsequent facial techniques and comic behaviors evident in I Love Lucy are quite apparent in Davies' performance in this film. The character of Andre Paul Ralli was seen at the time as being a satire of John Gilbert. [3]
The film has a remarkable number of cameo appearances from some of the top stars of the day, including Charlie Chaplin, Douglas Fairbanks, William S. Hart, Norma Talmadge, Leatrice Joy, Lew Cody, Eleanor Boardman, and others. Many agreed to appear out of friendship with Davies, Hearst, and director Vidor, and the positive publicity value of cooperating with Hearst and MGM also played a factor. Both Marion Davies and King Vidor also made cameo appearances as themselves. [4]
In one of the film's more famous sequences, the script originally called for Davies to get hit in the face with a pie after being tricked appearing in a slapstick comedy movie. William Randolph Hearst objected to this, fearing for Marion Davies' dignity, and as a compromise, the scene was changed (without Hearst's knowledge) to have Davies get hit in the face with spray from a seltzer bottle. [5]
Vidor had wanted James Murray for the role of Billy Boone, but he was unavailable. Davies jumped at the chance to cast close friend William Haines in the role and agreed to Haines's receiving billing above the title with her. This was the only silent film in which Davies shared star billing. Once again, the reviews raved about Davies' comedic touch, and the film was a huge hit at the box office. [6]
The closing scene on the set of a war movie may be a nod to King Vidor's The Big Parade , a smash hit made in 1925, but more closely resembles the Davies film Marianne .
King Wallis Vidor was an American film director, film producer, and screenwriter whose 67-year film-making career successfully spanned the silent and sound eras. His works are distinguished by a vivid, humane, and sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of film-making conventions.
Sunset Boulevard is a 1950 American black comedy film noir directed by Billy Wilder and co-written by Wilder and Charles Brackett. It was named after a major street that runs through Hollywood.
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Charles William Haines was an American actor and interior designer.
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The Patsy is a 1928 American silent comedy-drama film directed by King Vidor, co-produced by and starring Marion Davies for Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. It was based on a play of the same name by Barry Conners, and served as Marie Dressler's comeback film after a long slump in her film career. Davies played the dowdy and downtrodden Patricia, the younger daughter in a household ruled by an imperious mother (Dressler) and selfish sister.
Cosmopolitan Productions, also often referred to as Cosmopolitan Pictures, was an American film company based in New York City from 1918 to 1923 and Hollywood until 1938.
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The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
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