Wine of Youth | |
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![]() Film poster | |
Directed by | King Vidor |
Written by | Carey Wilson |
Based on | Wine of Youth by Rachel Crothers |
Produced by | King Vidor Louis B. Mayer |
Starring | Eleanor Boardman William Haines Creighton Hale Niles Welch |
Cinematography | John J. Mescall |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 72 minutes |
Country | United States |
Language | Silent (English intertitles) |
Wine of Youth is a 1924 American silent comedy drama film directed by King Vidor, [1] and released by Metro-Goldwyn-Mayer, shortly after the merger which created MGM in April 1924. Vidor did not consider it important enough to mention in his autobiography, [2] although it did advance the careers of three young stars-to-be: Ben Lyon, Eleanor Boardman, and William Haines.
An early "flapper" romance set during the Jazz Age and made following the box-office popularity of Flaming Youth (1923), the film tests the limits of presenting unconventional social behavior among American youth and then ends with a paean to parental authority. [3]
Mary (Eleanor Boardman) is a girl wooed by two suitors but made afraid of marriage by the quarreling of her parents. Eventually, she accepts Lynn (Ben Lyon), the more refined and poised of the two suitors.
Vidor's arrival at the newly amalgamated Metro-Goldwyn-Mayer would mark the beginning of a 20-year association with the studio. Wine of Youth is his first film appear under M-G-M. [4]
Wine of Youth is the first of four films that preceded Vidor's groundbreaking war epic The Big Parade (1925). In substance, these four "Jazz Age flaming youth pictures," of which three survive, bear little resemblance to the work to emerge in the late 1920s. [4]
The film opens by contrasting the courtship rituals that characterized the mothers and grandmothers of the female "flappers" in the post-World War I period. The young women of the earlier Victorian Era swoon while reclining in their parent's parlor with their beaux and declare that "there's never been so great a love as ours." In contrast, the liberated flappers reject these conventions and organize a faux honeymoon with their boyfriends in the forest. They drink alcohol, smoke cigarettes, and cavort sexually, images very appealing to urban youth of that era. (Vidor described the movie as an "exploitation piece".)
Having defied conventionality and flirted with her virginity, the protagonist, Mary, discovers a new and genuine desire for her future husband that returns her to the fold: "There's never been so great a love as ours." Ostensibly an effort to present the virtues of a trial marriage - to discover "how a man is in everyday life before you give him your all" - Vidor contended that “there were so many restrictions and inhibitions that it really took the guts out of the idea.” [5]
The film is preserved at George Eastman House, Rochester New York. [6] In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career. [7]
King Wallis Vidor was an American film director, film producer, and screenwriter whose 67-year film-making career successfully spanned the silent and sound eras. His works are distinguished by a vivid, humane, and sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of film-making conventions.
John Gilbert was an American actor, screenwriter and director. He rose to fame during the silent era and became a popular leading man known as "The Great Lover". His breakthrough came in 1925 with his starring roles in The Merry Widow and The Big Parade. At the height of his career, Gilbert rivaled Rudolph Valentino as a box office draw.
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The Wife of the Centaur is a 1924 American silent drama film directed by King Vidor, and released by Metro-Goldwyn-Mayer shortly after it formed from a merger of Metro Pictures, Goldwyn Pictures, and Mayer Pictures in April 1924. Metro had acquired the movie rights to Cyril Hume's debut novel Wife of a Centaur in November. A novelist imagines that he has been reincarnated as a creature from Greek mythology and becomes entangled in a love triangle.
Proud Flesh is a 1925 American silent comedy-drama film directed by King Vidor and starring Eleanor Boardman, Pat O'Malley, and Harrison Ford in a romantic triangle.
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The Patsy is a 1928 American silent comedy-drama film directed by King Vidor, co-produced by and starring Marion Davies for Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. It was based on a play of the same name by Barry Conners, and served as Marie Dressler's comeback film after a long slump in her film career. Davies played the dowdy and downtrodden Patricia, the younger daughter in a household ruled by an imperious mother (Dressler) and selfish sister.