King Wallis Vidor was an American film director, film producer, and screenwriter whose 67-year film-making career successfully spanned the silent and sound eras. His works are distinguished by a vivid, humane, and sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of film-making conventions.
Leila Marie Koerber, known by her stage name Marie Dressler, was a Canadian-born stage and screen actress and comedian, who was popular in Hollywood in early silent and Depression-era film.
The Crowd is a 1928 American silent drama film directed by King Vidor and starring James Murray, Eleanor Boardman and Bert Roach. The feature film was nominated at the first Academy Award presentation in 1929 for several awards, including Unique and Artistic Production for MGM and Best Director for Vidor.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
The Citadel is a 1938 British drama film based on the 1937 novel of the same name by A. J. Cronin. The film was directed by King Vidor and produced by Victor Saville for Metro-Goldwyn-Mayer British at Denham Studios. It stars Robert Donat and Rosalind Russell. The film and book helped the creation of Britain's NHS in 1947.
Billy the Kid is a 1930 American pre-Code Western film directed in widescreen by King Vidor about the relationship between frontier outlaw Billy the Kid and lawman Pat Garrett. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Bardelys the Magnificent is a 1926 American silent romantic film directed by King Vidor and starring John Gilbert and Eleanor Boardman. The film is based on the 1906 novel of the same title by Rafael Sabatini. It was the second film of the 19-year-old John Wayne, who had a minor role.
Street Scene is a 1931 American pre-Code drama film produced by Samuel Goldwyn and directed by King Vidor. With a screenplay by Elmer Rice adapted from his Pulitzer Prize-winning play of the same name, Street Scene takes place on a New York City street from one evening until the following afternoon. Except for one scene which takes place inside a taxi, Vidor shot the entire film on a single set depicting half a city block of house fronts.
Our Daily Bread is a 1934 American drama film directed by King Vidor and starring Karen Morley, Tom Keene, and John Qualen. The film is a sequel to Vidor's silent classic The Crowd (1928), using the same characters although with different actors.
The Other Half is a 1919 American drama film directed by King Vidor. Produced by the Brentwood Corporation, the film starred Vidor’s wife Florence Vidor and featured comedienne Zasu Pitts.
Bud's Recruit is a 1918 American short comedy film directed by King Vidor. A print survives at the UCLA Film and Television Archive. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
The Sky Pilot is a 1921 American silent drama film based on the novel of the same name by Ralph Connor. It is directed by King Vidor and features Colleen Moore. In February 2020, the film was shown in a newly restored version at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
The Real Adventure is a 1922 American silent drama film directed by King Vidor, based on the best-selling novel by Henry Kitchell Webster that was serialized in 1915 and published as a book in 1916. A print of the film is held by the Cinémathèque de Toulous. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Wine of Youth is a 1924 American silent comedy drama film directed by King Vidor, and released by Metro-Goldwyn-Mayer, shortly after the merger which created MGM in April 1924. Vidor did not consider it important enough to mention in his autobiography, although it did advance the careers of three young stars-to-be: Ben Lyon, Eleanor Boardman, and William Haines.
La Bohème is a 1926 American silent drama film directed by King Vidor, based on the 1896 opera La bohème by Giacomo Puccini. Lillian Gish and John Gilbert star in a tragic romance in which a tubercular seamstress sacrifices her life so that her lover, a bohemian playwright, might pen his masterpiece. Gish, at the height of her influence with Metro-Goldwyn-Mayer studios, asserted significant control over the production, determining the story, director, cast, cinematography, and costume design. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
The Wedding Night is a 1935 American romantic tragedy film directed by King Vidor and starring Gary Cooper and Anna Sten. Written by Edith Fitzgerald and based on a story by Edwin H. Knopf, the film is about a financially strapped novelist who returns to his country home in Connecticut looking for inspiration for his next novel and becomes involved with a beautiful young Polish woman and her family.
The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
The Callahans and the Murphys is a 1927 American silent comedy film directed by George W. Hill. The film was based on a novel by Kathleen Norris, and was the first of several MGM films to star Marie Dressler and Polly Moran. The film was released on June 18, 1927, but subsequently withdrawn from distribution by MGM after protests were lodged by Irish-American organizations.
Why Girls Go Back Home is a lost 1926 American silent comedy drama film produced and distributed by Warner Bros. James Flood directed and Patsy Ruth Miller and Clive Brook starred. Myrna Loy has a feature role. The film is a sequel to Warner Bros.'s 1921 Why Girls Leave Home, which was a box office hit.
The Love Toy is a 1926 American silent comedy film directed by Erle C. Kenton and starring Lowell Sherman, Jane Winton, and Willard Louis. The film was produced and distributed by Warner Brothers.
