Anthony Slide | |
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Born | Birmingham, England | 7 November 1944
Occupation | Writer |
Genre | Film |
Website | |
anthonyslide |
Anthony Slide (born 7 November 1944) is an English writer who has produced more than seventy books and edited a further 150 on the history of popular entertainment. He wrote a "letter from Hollywood" for the British Film Review magazine from 1979 to 1994, and he wrote a monthly book review column for Classic Images from 1989 to 2001. He is a member of the editorial board of the American Film Institute Catalog.
Born in Birmingham, England, on 7 November 1944, Slide began his professional involvement with the cultural and historical field of films in the mid-1960s, serving as honorary secretary of the Society for Film History Research and co-founding and serving as the first editor of the newsletter of the still-active Cinema Theatre Association. In 1968, he became assistant editor of International Film Guide and editorial assistant on the film publications of Tantivy Press. That same year, he co-founded The Silent Picture a quarterly devoted to the art and history of the silent film, which he edited until its demise in 1974. In 1970, in conjunction with the London Film Festival, Slide organized Britain's, and the world's, first silent film festival, an eighteen-day event at the National Film Theatre.
In 1971, Slide was named a Louis B. Mayer Research Associate with the American Film Institute's Center for Advanced Film Studies in Beverly Hills. The following year, he went to Washington, D.C. to set up the American Film Institute Catalog: Feature Films, 1911–1920, and subsequently became the AFI's associate film archivist. In 1975, he moved to Los Angeles, becoming resident film historian of the Academy of Motion Picture Arts and Sciences, responsible for most of its educational and cultural activities. He left the Academy in 1986 and co-owned Producers Library Service, one of the two oldest and largest independent stock footage libraries in the United States from 1986–1990. He is now an independent film scholar, archivist and consultant.
Slide published his first book, Early American Cinema, in 1970 (it was subsequently revised and rewritten in 1994), and since then has been a prolific writer on little known areas of entertainment history. Among his most prominent works are The Big V: A History of the Vitagraph Company (1976, revised 1987), Great Pretenders: A History of Female and Male Impersonation in the Performing Arts (1986), Nitrate Won’t Wait: A History of Film Preservation in the United States (1992), Before Video: A History of the Non-Theatrical Film (1992), The Hollywood Novel (1995), DeToth on DeToth: Put the Drama in Front of the Camera (1997), Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses (2002), and Lost Gay Novels (2003).
He was the first to document the prominence of women directors in the American silent film industry with Early Women Directors (1977), which was subsequently revised and rewritten as The Silent Feminists (1996). Slide went on to edit The Memoirs of Alice Guy Blaché (1986), the autobiography of the world's first female director, and to write Lois Weber: The Director Who Lost Her Way in History (1996), the first and only biography of America's first native-born woman director.
Slide's 1986 work, The American Film Industry: A Historical Dictionary was named outstanding reference source of the year by the American Library Association. The sequel volume, The International Film Industry: A Historical Dictionary (1989) was named outstanding academic book of the year by Choice magazine. The Encyclopedia of Vaudeville (1994) was named outstanding academic book of the year by Choice magazine, a best reference book of the year by Library Journal and outstanding reference source of the year by the American Library Association.
His work as a writer and editor led Charles Champlin of the Los Angeles Times in to describe Slide as “a one-man publishing phenomenon". [1] However, writing and editing are not his only attributes. He is a frequent “talking head” on film, television and DVD documentaries. He has provided commentary for DVD releases from 20th Century Fox and Warner Bros. He has also produced, written and directed a number of documentaries on silent film personalities: Portrait of Blanche Sweet (1982), Vi [Viola Dana]: Portrait of a Silent Star (1988), Karl Brown's Adventures with D.W. Griffith (1990), and The Silent Feminists: America’s First Women Directors (1993). Slide is also known as an appraiser of entertainment memorabilia, with a client list ranging from Ralph Edwards Productions to Gregory Peck.
Slide conducted oral histories with many silent film celebrities, and these are available at the Academy of Motion Picture Arts and Sciences and elsewhere.
In 1990, Slide was awarded an honorary doctorate of letters by Bowling Green University. At that time, he was hailed by Lillian Gish, on whom he had compiled a monograph for the British Film Institute back in 1969, as "our preeminent historian of the silent film.”
A silent film is a film with no synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of title cards.
Wings is a 1927 American silent film known for winning the first Academy Award for Best Picture. The film stars Clara Bow, Charles "Buddy" Rogers, and Richard Arlen. Rogers and Arlen portray World War I combat pilots in a romantic rivalry over a woman. It was produced by Lucien Hubbard, directed by William A. Wellman, and released by Paramount Famous Lasky Corporation. Gary Cooper appears in a small role, which helped launch his career in Hollywood.
Robert Earl Wise was an American film director, producer, and editor. He won the Academy Awards for Best Director and Best Picture for his musical films West Side Story (1961) and The Sound of Music (1965). He was also nominated for Best Film Editing for Citizen Kane (1941) and directed and produced The Sand Pebbles (1966), which was nominated for Best Picture.
The Last Picture Show is a 1971 American coming-of-age drama film directed and co-written by Peter Bogdanovich, adapted from the semi-autobiographical 1966 novel The Last Picture Show by Larry McMurtry. The film's ensemble cast includes Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, and Cybill Shepherd. Set in a small town in northern Texas from November 1951 to October 1952, it is a story of two high-school seniors and long-time friends, Sonny Crawford (Bottoms) and Duane Jackson (Bridges).
Harold Clayton Lloyd, Sr. was an American actor, comedian, and stunt performer who appeared in many silent comedy films.
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Herbert Brenon was an Irish-born U.S. film director, actor and screenwriter during the era of silent films through the 1930s.
A lost film is a feature or short film that no longer exists in any studio archive, private collection or public archive.
Rudolf "Rudi" Fehr, A.C.E. was a German-born, American film editor and studio executive. He had more than thirty credits as an editor of feature films including Key Largo (1946), Dial M for Murder (1954), and Prizzi's Honor (1985). He worked for more than forty years for the Warner Brothers film studio, where he was the Head of Post-production from 1955 through 1976. Fehr was instrumental in establishing the 1967 "sister city" connection between Los Angeles and Berlin, which he had fled in the 1930s.
Florence Lois Weber was an American silent film actress, screenwriter, producer and director. She is identified in some historical references as among "the most important and prolific film directors in the era of silent films". Film historian Anthony Slide has also asserted, "Along with D. W. Griffith, Weber was the American cinema's first genuine auteur, a filmmaker involved in all aspects of production and one who utilized the motion picture to put across her own ideas and philosophies".
Charles Davenport Champlin was an American film critic and writer.
Jonathan Livingston Seagull is a 1973 American drama film directed by Hall Bartlett, adapted from the 1970 novella of the same name by Richard Bach. The film tells the story of a young seabird who, after being cast out by his stern flock, goes on an odyssey to discover how to break the limits of his own flying speed. The film was produced by filming actual seagulls, then superimposing human dialogue over it. The film's voice actors included James Franciscus in the title role, and Philip Ahn as his mentor, Chang.
Mel Watkins is an American critic and author. A former staff member at The New York Times, he has written extensively about comedy and African-American literature and has often appeared as a commentator in television documentaries about entertainment history and performers such as Chris Rock and Richard Pryor.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
The Motion Picture Guide is a film reference work first published by Cinebooks in 1985. It was written by Jay Robert Nash, Stanley Ralph Ross, and Robert B. Connelly. It was annually updated through new volumes and had a CD-ROM version, which was eventually incorporated into Microsoft Cinemania.
Jack Murray was an American film editor with about 55 feature film credits between 1929 and 1961. Fifteen of these films were with the director John Ford. Their credited collaborations commenced with The Prisoner of Shark Island (1936), which was produced when both men were working at the 20th Century Fox studio. It encompassed such well-known films as The Quiet Man (1952) and The Searchers (1956), and ended only with Murray's death in 1961.
St. Elmo is a 1914 American silent drama film produced by the Balboa Amusement Producing Company and distributed by William Fox's Box Office Attractions Company. It was the first feature-length film adaptation of Augusta Jane Evans's 1866 novel of the same name. The story follows the life of the title character, who kills his cousin over the love of Agnes, falls from grace, and eventually finds redemption and love with Edna. It is disputed who directed the film; many sources credit Bertram Bracken, while others list St. Elmo as J. Gordon Edwards's directorial debut.
Milton R. Shefter is a Los Angeles-based film and media-asset archivist and preservationist. He is best known for the creation, design, and management of the extensive Paramount Pictures Asset Protection Program, and for co-authoring the 2007 report from the Science and Technology Council of the Academy of Motion Picture Arts and Sciences, The Digital Dilemma, as well as its 2012 followup, The Digital Dilemma 2.
The Right to Be Happy is a 1916 American silent Christmas fantasy film directed by Rupert Julian. The film is based on the 1843 novella A Christmas Carol by Charles Dickens. The movie stars Rupert Julian as Ebenezer Scrooge and Claire McDowell as Mrs. Cratchit.