Plot
In the early 1950s, wealthy rancher Richard Trevelyan sits on death row in a Texas prison. After he is granted a new trial that ends in a hung jury, he is freed.
Actress Shelley Carnes, on her way to a Texas dude ranch, meets ranchers J.D. and Myra Nolan, who lend her their car. Lost in a storm, she encounters Trevelyan by chance. The dude ranch is closed when Shelley arrives, and Liza McStringer, who operates the ranch with her troubled younger brother String, explains that she was the holdout juror who had allowed Trevelyan to be freed. As a result, she has been shunned by neighbors and friends.
Shelley bonds with String and is invited to stay. She learns that Loraine, the murder victim and wife of Trevelyan, was a wicked woman loathed by many. There is reason to believe that Loraine once had an affair with J.D., Trevelyan's business partner. Shelley finds Trevelyan brooding on a cliffside.
Shelley spends a night with the Nolans and is introduced to Harvey Turner, a woman-hungry neighbor who immediately makes advances. He also speaks ill of Loraine, suggesting that he was lucky to have escaped her clutches. Harvey later kidnaps Shelley, bringing her to a mysterious rendezvous with Trevelyan, his best friend who had requested that she be brought to him. Trevelyan and Shelley cannot resist each other and hurriedly marry.
Liza appears, uninvited, at the wedding reception, and accuses Trevelyan of the murder. That night, Shelley's fears cause her to flee to the safety of the dude ranch, where Liza confesses in a murderous rage that it was she, jealous and wanting Trevelyan for herself, who had killed Loraine. She is stopped from strangling Shelley by Trevelyan and by Harvey's arrival.
Liza and String flee in their car. Pursued by police, Liza plunges the car over a cliff but lives long enough to confess to a priest that Trevelyan had been right all along by claiming that everyone lied at his trial. He had been truthful when he said that he did not know how his wife had died. Tevelyan and Shelley drive away toward their honeymoon.
Reception
In a contemporary review for The New York Times , critic A. H. Weiler wrote: "The Brothers Warner apparently have not come up with the perfect romantic melodrama in 'Lightning Strikes Twice.' But ... they can be grateful for a professional cast, who work in some striking desert locales to provide a fair share of suspense and characterization. However, Director King Vidor, who is dealing with such fulminous elements as suspicion, crime and punishment, has not taken advantage of these potentially dramatic attributes. And, as a result, this story of a man harried by a murder he did not commit, is more often indirect and conversational than might be expected. ... 'Lightning Strikes Twice,' In short, is not explosive fare, but it does crackle on occasion." [2]
Critic John L. Scott of the Los Angeles Times called the film "a suspense drama with conversation—much conversation" and wrote: "Warners have assembled a top-drawer cast to play out the drama, which resolves too many times into a 'conversation piece.' Sparks fly here and there but not often enough to make the plot, concocted by Lenore Coffee from a novel by Margaret Echard, catch fire. ... 'Lightning Strikes Twice' is a well-made picture that could have benefited with more action and less talk." [1]
The film earned $1,144,000 ($785,000 domestically and $359,000 internationally), slightly more than its budget of $1,108,000, according to Warner Bros. records. [3]
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