Love Never Dies | |
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Directed by | King Vidor |
Written by | King Vidor (adaptation) |
Based on | "The Cottage of Delight" by William Nathaniel Harben |
Produced by | Cathrine Curtis |
Starring | Lloyd Hughes |
Cinematography | Max Dupont |
Distributed by | Associated Producers |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
Love Never Dies is a 1921 American silent drama film directed by King Vidor. [1] Prints of the film survive in several film archives. [2]
As described in a film magazine, [3] John Trott (Hughes) overcomes the bad influence of a wretched home, becomes successful as a contracting engineer, and marries the beautiful Tilly Whaley (Bellamy). They settle down to a happy existence in their own cottage. Then a specter of his past appears, a drunken mother, and during his absence his wife is rushed home by her sanctimonious father Ezekiel Whaley (Brownlee) and is granted a divorce. John, accompanied by his foster sister, goes to a distant city. En route, the train is wrecked and he reports himself and the child killed. His wife marries a former sweetheart. Years later, John returns to the town and old love is renewed. The jealous husband attempts to kill John but is whipped in the encounter. The husband then decides to kill himself and is successful, despite John's valiant attempt to stop him. The couple are then reunited in their "cottage of delight."
Vidor’s spectacular cattle stampede in his previous picture The Sky Pilot (1921) was admired by critics. Hoping to capitalize on that success, Vidor designed and built an elaborate model replica of a train and trestle and used it to stage a dramatic derailment. Impressed by this special effect demonstration, Thomas H. Ince agreed to finance the completion of Love Never Dies. [4] [5]
King Wallis Vidor was an American film director, film producer, and screenwriter whose 67-year film-making career successfully spanned the silent and sound eras. His works are distinguished by a vivid, humane, and sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of film-making conventions.
The Other Half is a 1919 American drama film directed by King Vidor. Produced by the Brentwood Corporation, the film starred Vidor’s wife Florence Vidor and featured comedienne Zasu Pitts.
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The Turn in the Road is a 1919 American silent drama film directed by King Vidor. His first feature film, the production was financed by the Brentwood Film Corporation and the title and the scenario based on a Christian Science religious tract. No print of this film is known to exist, which suggests that it is a lost film.
Better Times is a 1919 American silent comedy film directed by King Vidor. A print survives in the EYE Institut Filmmuseum Nederlands. Produced by the Brentwood Corporation, the film stars the then unknown Zasu Pitts in an early screen appearance.
Poor Relations is a 1919 American silent drama film directed by King Vidor. Produced by the Brentwood Corporation, the film starred Vidor’s wife Florence Vidor and featured comedienne Zasu Pitts.
The Family Honor is a 1920 American silent comedy-romance film directed by King Vidor and starring Florence Vidor. A copy of the film is in a French archive.
The Jack-Knife Man is a 1920 American silent drama film directed by King Vidor and his debut film with First National. A story of Christian charity and the virtues of self-help, the work reflects his "Creed and Pledge", a declaration of his artistic principles published the same year. Prints of the film survive in several film archives.
The Sky Pilot is a 1921 American silent drama film based on the novel of the same name by Ralph Connor. It is directed by King Vidor and features Colleen Moore. In February 2020, the film was shown in a newly restored version at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Dusk to Dawn is a 1922 American silent drama film directed by King Vidor. It is unknown whether any recording of the film survives; it may be a lost film.
Conquering the Woman is a 1922 American silent drama film directed by King Vidor. A print of the film exists at the Cinematheque Royale de Belgique in Belgium.
Peg o' My Heart is a 1922 American silent drama film directed by King Vidor and starring Laurette Taylor. It is based on the 1912 play written by Taylor's husband J. Hartley Manners. The play starred Laurette Taylor and famously ran a record number of performances on Broadway. Six reels of the original eight reels survive at the Library of Congress.
The Woman of Bronze is a 1923 American silent drama film directed by King Vidor and distributed through Metro Pictures. It is based on a 1920 Broadway play by Henry Kistemaeckers which starred Margaret Anglin, John Halliday, and Mary Fowler. The film version is considered to be lost.
Three Wise Fools is a 1923 American silent drama film directed by King Vidor. A print of the film exists at the Cinematheque Royale de Belgique. It showed in Germany at the Union-Theater Nollendorf, Berlin, on November 10, 1924. The cinema was built in 1913 by Joe Goldsoll, who was president of Goldwyn Pictures from 1922-1924.
Happiness is a 1924 American silent comedy film directed by King Vidor, and starring stage actress Laurette Taylor in one of her rare film appearances. The film is based on the 1914 Broadway play of the same name written by Taylor's husband J. Hartley Manners. This film is preserved at George Eastman House and Gosfilmofond Moscow.
Wine of Youth is a 1924 American silent comedy drama film directed by King Vidor, and released by Metro-Goldwyn-Mayer, shortly after the merger which created MGM in April 1924. Vidor did not consider it important enough to mention in his autobiography, although it did advance the careers of three young stars-to-be: Ben Lyon, Eleanor Boardman, and William Haines.
His Hour is a 1924 American silent drama film directed by King Vidor. This film was the follow-up to Samuel Goldwyn's Three Weeks, written by Elinor Glyn, and starring Aileen Pringle, one of the biggest moneymakers at the time of the Metro-Goldwyn-Meyer amalgamation.
Proud Flesh is a 1925 American silent comedy-drama film directed by King Vidor and starring Eleanor Boardman, Pat O'Malley, and Harrison Ford in a romantic triangle.
La Bohème is a 1926 American silent drama film directed by King Vidor, based on the 1896 opera La Bohème by Giacomo Puccini. Lillian Gish and John Gilbert star in a tragic romance in which a tubercular seamstress sacrifices her life so that her lover, a bohemian playwright, might pen his masterpiece. Gish, at the height of her influence with Metro-Goldwyn-Mayer studios, asserted significant control over the production, determining the story, director, cast, cinematography, and costume design. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
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