The Dove is a 1927 American silent romantic drama film directed by Roland West based on a 1925 Broadway play by Willard Mack and starring Norma Talmadge, Noah Beery, and Gilbert Roland.
Coquette is a 1929 American pre-Code drama film, starring Mary Pickford. The film was a box office success. For her role, Pickford won the second Academy Award for Best Actress.
Madge Bellamy was an American stage and film actress. She was a popular leading lady in the 1920s and early 1930s. Bellamy's career declined in the sound era and ended following a romantic scandal in the 1940s.
Henry Byron Warner was an English film and theatre actor. He was popular during the silent era and played Jesus Christ in The King of Kings. In later years, he successfully moved into supporting roles and appeared in numerous films directed by Frank Capra. Warner's most recognizable role to modern audiences is Mr. Gower in It's a Wonderful Life, directed by Capra. He appeared in the original 1937 version of Lost Horizon as Chang, for which he was nominated for the Academy Award for Best Supporting Actor.
Carmel Myers was an American actress who achieved her greatest successes in silent film.
The Trial of Mary Dugan is a play written by Bayard Veiller.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
Bayard Veiller was an American playwright, screenwriter, producer and film director. He wrote for 32 films between 1915 and 1941.
The Thirteenth Chair is a 1929 American mystery film directed by Tod Browning. The picture is based on a 1916 play of the same name by Bayard Veiller. It stars Conrad Nagel, Leila Hyams and Margaret Wycherly.
The Waning Sex is a 1926 American silent romantic comedy film directed by Robert Z. Leonard. Based on the 1923 play of the same name by Fanny and Frederic Hatton, the film starred Norma Shearer and Conrad Nagel.
After Midnight is a 1927 American silent drama film written and directed by Monta Bell. The film stars are Norma Shearer and Gwen Lee. A copy of After Midnight is housed in the Cinémathèque Française.
Within the Law is a 1923 American silent drama film directed by Frank Lloyd and starring Norma Talmadge. In 2009, the film was released on DVD along with Talmadge's 1926 film Kiki. Jane Cowl had starred in the original 1912 Broadway production of Bayard Veiller's play of the same name about a young woman who is sent to prison and comes out seeking revenge.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Within the Law is a play written by Bayard Veiller. It is the story of Mary Turner, a sales clerk who is wrongly accused of stealing and sent to prison. Upon her release, Turner sets up a gang that engages in shady activities that are just "within the law". After the police try to entrap her, she is mistakenly accused again, this time for murder, but she is vindicated when the real killer confesses.
The Trial of Mary Dugan is a 1941 American drama thriller film directed by Norman Z. McLeod and starring Laraine Day, Robert Young, Tom Conway, Frieda Inescort, John Litel and Marsha Hunt. The screenplay was written by Bayard Veiller based on his 1927 play of the same name. It had previously been made as a 1929 MGM movie starring Norma Shearer in her first all-talking role. There are significant differences in the two movie versions. The 1941 remake was released on February 14, 1941, by Metro-Goldwyn-Mayer.
Mary Doran was an American actress. She appeared in more than 80 films from 1927 to 1944.
The Trial of Mary Dugan is a 1931 American drama film directed by Marcel De Sano and Gregorio Martínez Sierra and starring José Crespo, Adrienne D'Ambricourt and Juan de Landa.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
The Trial of Mary Dugan may refer to:
