Rose Marie | |
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Directed by | W. S. Van Dyke |
Screenplay by | |
Based on | |
Produced by | Hunt Stromberg |
Starring | |
Cinematography | William H. Daniels |
Edited by | Blanche Sewell |
Music by | |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 102 minutes |
Country | United States |
Language | English |
Budget | $875,000 [1] |
Box office | $3,515,000 [1] |
Rose Marie is a 1936 American musical Western film directed by W. S. Van Dyke and starring Jeanette MacDonald, Nelson Eddy and Reginald Owen. It is the second of three Metro-Goldwyn-Mayer film adaptations of the 1924 Broadway musical of the same name. A silent version was released in 1928 and a color film in 1954. All three versions are set in the Canadian wilderness. Portions of Rudolf Friml and Herbert Stothart's original score for the Broadway musical are included in both the 1936 and 1954 films.
Although the stage version's original plot was changed and most of its songs were omitted, the 1936 film was a great success and became perhaps MacDonald's and Eddy's best-known film. Their duet "Indian Love Call" was a major hit and remained a signature song throughout their careers. [2]
Marie de Flor is a Canadian soprano performing in Roméo et Juliette in Montreal with the premier of Quebec in the audience. Inviting the premier and his entourage to dinner after the performance, she learns from a man named Boniface that her brother Jack, supposedly in prison for armed robbery, was wounded as he escaped from prison and has killed a Mountie in the process. She departs for the Canadian wilderness with Boniface, hoping to help Jack. At the same time, Sergeant Bruce of the Mounties reports to headquarters and receives his latest mission: he must find Jack Flower, believed to be hiding near Lake Chibougam.
Marie and Boniface reach an outpost near Lake Chibougam, where Boniface disappears with Marie's money. Marie falls in with Sergeant Bruce, but Marie cannot tell him the truth for fear of compromising Jack. Marie sings at a local cafe to earn some money but fails to attract any tips.
Bruce insists that Marie report Boniface's theft, but she cannot admit her real identity, calling herself Rose. However, Bruce has recognized her via her voice. They travel together to an Indian ceremony that night. Bruce, despite his strong sense of duty, proves to be a womanizer, and they sing together. Marie finds Boniface and they leave together. However, Bruce has discovered that she is really Jack's sister and pursues her, knowing that she will lead him to Jack.
Boniface and Marie travel on horseback to Hayman's Landing, where Jack is hiding. Sergeant Bruce, who has been following her, rescues her from drowning as they cross a deep river, and Boniface flees to the forest.
Marie haughtily refuses the Sergeant's help but realizes that she will not reach Jack without his help. She and the sergeant travel together for the next three days before she leaves him with a new guide.
Marie finds Jack being nursed by Boniface's mother and tries to persuade him to reform. She gives him money to escape and begin a new life, but Bruce appears and arrests Jack. Marie pleads with the sergeant to release Jack, but he refuses.
No more is heard of Jack, but Marie, although unwell, returns to opera performance. She performs the title role in the opera Tosca . She imagines that she hears "Indian Love Call" throughout the opera and collapses on the stage just before the final curtain. She retires to a mountain lodge and refuses to sing for six months. Her manager Myerson visits and expresses his disappointment that she will not sing again. After he leaves, she begins singing "Indian Love Call". Myerson urges Sergeant Bruce, who has been waiting in the foyer, to join her, and they sing together.
An extra in the film named Robert Barr Miller, who appears in the credits under his real name, was sought by authorities for robbery and murder in northern California. [3]
While footage of the Mounties in boot camp was filmed in Canada, location filming with the lead actors occurred at Lake Tahoe. The film was originally slated to be in color, but makeup man Fred Phillips explained that when it was decided to film in black and white, the studio ordered him to change Eddy's makeup in a negative fashion. Phillips stated that orders were sent by Louis B. Mayer, who was angry at Eddy for his personal involvement in MacDonald's life. [4]
Rose Marie grossed a worldwide total of $3,515,000 ($1,695,000 in the US & Canada, and $1,820,000 internationally). It made a profit of $820,000. [1]
In a contemporary review for The New York Times , critic Frank S. Nugent called Rose Marie "[a]s blithely melodious and rich in scenic beauty as any picture that has come from Hollywood" and wrote: "... Jeanette MacDonald and Nelson Eddy sing an operetta's love songs and we care not who may write its book. In splendid voice, whether singing solo or in duet, they prove to be fully as delightful a combination here as they were in the film of Victor Herbert's Naughty Marietta, which was so welcome a contribution to last year's film calendar." [5]
The film is recognized by American Film Institute in these lists:
San Francisco is a 1936 American musical-drama disaster film directed by W. S. Van Dyke, based on the April 18, 1906 San Francisco earthquake. The film stars Clark Gable, Jeanette MacDonald and Spencer Tracy. MacDonald's singing helped make this film a major hit, coming on the heels of her other 1936 blockbuster, Rose Marie.
Naughty Marietta is a 1935 American romantic musical film based on the 1910 operetta of the same name by Victor Herbert. Jeanette MacDonald stars as a princess who flees an arranged marriage. She sails for New Orleans and is rescued from pirates by Captain Richard Warrington. Five of Herbert's most famous songs come from the score of Naughty Marietta, with words by lyricist Rida Johnson Young: "Ah! Sweet Mystery of Life", "Italian Street Song", "Neath the Southern Moon", "I'm Falling in Love with Someone" and "Tramp! Tramp! Tramp! ". Additional lyrics for several of Herbert's songs were penned for the film by Gus Kahn. The film was written by Frances Goodrich, Albert Hackett, John Lee Mahin and Rida Johnson Young.
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
Allan Jones was an American tenor and actor.
Nelson Ackerman Eddy was an American actor and baritone singer who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. A classically trained baritone, he is best remembered for the eight films in which he costarred with soprano Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world.
Rose-Marie is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon. When Jim falls under suspicion for murder, her brother Emile plans for Rose-Marie to marry Edward Hawley, a city man.
Sharon Rich is an American author and film historian, best known for the biography Sweethearts about 1930s singing stars Jeanette MacDonald and Nelson Eddy.
Gene Raymond was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a singer, composer, screenwriter, director, producer, and decorated military pilot.
Rose Marie (1923–2017) was an American actress.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
"Rose Marie" is a popular song from the musical or operetta of the same name. The music was written by Rudolf Friml and Herbert Stothart, the lyrics by Otto Harbach and Oscar Hammerstein II, In the original Broadway production in 1924, the song was performed by Dennis King and Arthur Deagon, as the characters Jim Kenyon and Sergeant Malone.
Rose Marie is a 1954 American musical western film adaptation of the 1924 operetta of the same name, the third to be filmed by Metro-Goldwyn-Mayer, following a 1928 silent movie and the best-known of the three, the 1936 Jeanette MacDonald-Nelson Eddy version. It is directed by Mervyn LeRoy and stars Ann Blyth, Howard Keel and Fernando Lamas. This version is filmed in the Canadian Rockies in CinemaScope. It was MGM's first US produced film in the new widescreen medium, and the first movie musical of any studio to be released in this format. It was part of a revival of large-budget operetta films produced in the mid-1950s.
The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.
Bitter Sweet is a 1940 American Technicolor musical film directed by W. S. Van Dyke, based on the operetta Bitter Sweet by Noël Coward. It was nominated for two Academy Awards, one for Best Cinematography and the other for Best Art Direction by Cedric Gibbons and John S. Detlie.
"Indian Love Call" is a popular song from Rose-Marie, a 1924 operetta-style Broadway musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. Originally written for Mary Ellis, the song achieved continued popularity under other artists and has been called Friml's best-remembered work.
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie. The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
I Married an Angel is a 1942 American musical film based on the 1938 musical comedy of the same name by Rodgers and Hart. The film was directed by W. S. Van Dyke and starred Jeanette MacDonald and Nelson Eddy, who were then a popular onscreen couple. Supporting cast members included Edward Everett Horton, Binnie Barnes, Reginald Owen, Douglass Dumbrille, Mona Maris, and Odette Myrtil.
American actress/singer Jeanette MacDonald recorded over 50 songs during her film career for RCA Victor and its foreign counterparts. Due to the limited statistics released to the public, it is not certain how many songs and singles she has released or their exact popularity in music charts, although she has officially recorded eight studio albums and released seven compilation albums. Despite soundtracks for musical films not becoming a concept until the 1940s, many of her singles were re-recordings of songs she had performed in the movies ; her first "album" was the single "Dream Lover"/"March of the Grenadiers" (1930) on 78 rpm discs for The Love Parade. She also recorded a cover album of songs featured in Sigmund Romberg's Up in Central Park in 1945 with Robert Merrill, as well as non-English records during her 1931 European tour.
The following features lists of the film, television and stage performances of actress and singer Jeanette MacDonald. She is best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy, but she starred in 29 feature films between 1929 and 1950, from operas to dramas to romantic comedies.
Jeanette MacDonald (1903–1965) and Nelson Eddy (1901–1967) were a popular screen couple in the 1930s and '40s, specializing in musicals. They starred in eight films together, all for Metro-Goldwyn-Mayer. Eddy was an opera singer before he became a film star, while MacDonald turned to opera later in her career. Their best-known onscreen duet is "Indian Love Call", from Rose Marie.