One Hour with You is a 1932 American pre-Code musical comedy film about a married couple who are attracted to other people. It was produced and directed by Ernst Lubitsch "with the assistance of" George Cukor, and written by Samson Raphaelson from the play Only a Dream by Lothar Schmidt. It stars Maurice Chevalier, Jeanette MacDonald, Genevieve Tobin, Charlie Ruggles and Roland Young. A French-language version titled Une heure près de toi was produced simultaneously, with Lili Damita playing Tobin's role.
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
Nelson Ackerman Eddy was an American actor and baritone singer who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. A classically trained baritone, he is best remembered for the eight films in which he costarred with soprano Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world.
George Forrest was an American writer of music and lyrics for musical theatre best known for the show Kismet, adapted from the works of Alexander Borodin. He was also known professionally at times as Chet Forrest.
Robert Craig Wright was an American composer-lyricist for Hollywood and the musical theatre, best known for the Broadway musical and musical film Kismet, for which he and his professional and romantic partner George Forrest adapted themes by Alexander Borodin and added lyrics. Kismet was one of several Wright and Forrest creations that was commissioned by impresario Edwin Lester for the Los Angeles Civic Light Opera. Song of Norway, Gypsy Lady, Magdalena, and their adaptation of The Great Waltz were also commissioned by Lester for the LACLO. The LACLO passed most of these productions to Broadway.
Rose-Marie is an operetta-style musical with music by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II. The story is set in the Canadian Rocky Mountains and concerns Rose-Marie La Flemme, a French Canadian girl who loves miner Jim Kenyon. When Jim falls under suspicion for murder, her brother Emile plans for Rose-Marie to marry Edward Hawley, a city man.
I Married An Angel is a 1938 musical comedy by Rodgers and Hart. It was adapted from a play by Hungarian playwright János Vaszary, entitled Angyalt Vettem Felesegul. The book was by Richard Rodgers and Lorenz Hart, with music by Rodgers and lyrics by Hart. The story concerns a wealthy banker who, disillusioned with women, decides that the only mate for him would be an angel. An angel soon arrives, and he marries her, but finds out that her perfection and guilelessness are inconvenient.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
Sweethearts is a 1938 American Technicolor musical romance film directed by W.S. Van Dyke and starring Jeanette MacDonald and Nelson Eddy. The screenplay, by Dorothy Parker and Alan Campbell, uses the “play within a play” device: a Broadway production of the 1913 Victor Herbert operetta is the setting for another pair of sweethearts, the stars of the show. It was the first color film for Nelson or Jeanette. It was their first film together without uniforms or period costumes.
Herbert Pope Stothart was an American songwriter, arranger, conductor, and composer. He was nominated for twelve Academy Awards and won Best Original Score for The Wizard of Oz. Stothart was widely acknowledged as a prominent member of the top tier of Hollywood composers during the 1930s and 1940s.
"Rose Marie" is a popular song from the musical or operetta of the same name. The music was written by Rudolf Friml and Herbert Stothart, the lyrics by Otto Harbach and Oscar Hammerstein II, In the original Broadway production in 1924, the song was performed by Dennis King and Arthur Deagon, as the characters Jim Kenyon and Sergeant Malone.
The Merry Widow is a 1934 film adaptation of the 1905 operetta of the same name by Franz Lehár. The film was directed and produced by Ernst Lubitsch and stars Maurice Chevalier and Jeanette MacDonald. A French-language version was produced at the same time and released in France the same year as La veuve joyeuse. Lorenz Hart and Gus Kahn wrote new English lyrics for some of Lehar's songs under the musical direction of Herbert Stothart.
The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.
Rose Marie is a 1936 American musical Western film directed by W. S. Van Dyke and starring Jeanette MacDonald, Nelson Eddy and Reginald Owen. It is the second of three Metro-Goldwyn-Mayer film adaptations of the 1924 Broadway musical of the same name. A silent version was released in 1928 and a color film in 1954. All three versions are set in the Canadian wilderness. Portions of Rudolf Friml and Herbert Stothart's original score for the Broadway musical are included in both the 1936 and 1954 films.
The Firefly is a 1937 American historical musical film directed by Robert Z. Leonard and starring Jeanette MacDonald, Allan Jones and Warren William. The film is an adaptation of the operetta of the same name by composer Rudolf Friml and librettist Otto A. Harbach that premiered on Broadway in 1912. The film used nearly all of the music from the operetta but jettisoned the plot in favor of a new storyline set in Spain during the time of the Emperor Napoleon I. It added a new song, "The Donkey Serenade", which became extremely popular, as was one of the Friml songs, "Giannina Mia". The original release prints of the film were elaborately tinted with Sepia-Blue, Sepia-Orange and Sepia-Blue-Pink.
"I'll Tell the Man in the Street" is a song first introduced by Dennis King in the 1938 stage musical I Married an Angel.
Bitter Sweet is a 1940 American Technicolor musical film directed by W. S. Van Dyke, based on the operetta Bitter Sweet by Noël Coward. It was nominated for two Academy Awards, one for Best Cinematography and the other for Best Art Direction by Cedric Gibbons and John S. Detlie.
Broadway Serenade is a 1939 musical drama film distributed by MGM, produced and directed by Robert Z. Leonard. The screenplay was written by Charles Lederer, based on a story by Lew Lipton, John Taintor Foote and Hanns Kräly. The music score is by Herbert Stothart and Edward Ward.
Cairo is a 1942 musical comedy film made by MGM and Loew's, and directed by W. S. Van Dyke. The screenplay was written by John McClain, based on an idea by Ladislas Fodor about a news reporter shipwrecked in a torpedo attack, who teams up with a Hollywood singer and her maid to foil Nazi spies. The music score is by Herbert Stothart. This film was Jeanette MacDonald's last film on her MGM contract.
American actress/singer Jeanette MacDonald recorded over 50 songs during her film career for RCA Victor and its foreign counterparts. Due to the limited statistics released to the public, it is not certain how many songs and singles she has released or their exact popularity in music charts, although she has officially recorded eight studio albums and released seven compilation albums. Despite soundtracks for musical films not becoming a concept until the 1940s, many of her singles were re-recordings of songs she had performed in the movies ; her first "album" was the single "Dream Lover"/"March of the Grenadiers" (1930) on 78 rpm discs for The Love Parade. She also recorded a cover album of songs featured in Sigmund Romberg's Up in Central Park in 1945 with Robert Merrill, as well as non-English records during her 1931 European tour.
