I Live My Life | |
---|---|
Directed by | W. S. Van Dyke |
Written by | Gottfried Reinhardt Ethel Borden |
Screenplay by | Joseph L. Mankiewicz |
Based on | "Claustrophobia" 1926 in Scribner's Magazine by Abbe Carter Goodloe |
Produced by | Bernard H. Hyman |
Starring | Joan Crawford Brian Aherne Frank Morgan Aline MacMahon |
Cinematography | George J. Folsey William H. Daniels (uncredited) |
Edited by | Tom Held |
Music by | Dimitri Tiomkin |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $586,000 [1] |
Box office | $1,478,000 [1] |
I Live My Life is a 1935 American comedy-drama film starring Joan Crawford, Brian Aherne and Frank Morgan. It is based on the story "Claustrophobia" by A. Carter Goodloe.
Bored socialite Kay Bentley travels to Greece on her wealthy father's yacht. While on land, she meets and begins a romance with idealistic archaeologist Terry O'Neill, who challenges her beliefs. However, Kay is not serious about him and tells him that she is Ann Morrison, secretary to the man who is actually her father.
After Kay returns to New York, Terry travels there to resume their affair but Kay harshly rejects him. When Terry learns her true identity, he excoriates her and storms away. However, his message causes Kay to reconsider her opinion of him, and she attends his lecture in order to see him again. They continue to bicker regarding her elevated social status and circle of elitist friends.
When Kay learns that her father has lost his fortune, she plans to marry her original fiancé, a man whose wealth will permit her to continue her life of privilege. However, her father is able to rescue his financial situation and Kay agrees to marry Terry. Her father hires Terry as an executive, but he is quickly bored with the position and feels claustrophobic in his office. Terry yearns to return to Greece and resume his archaeological work, but Kay balks at the notion of abandoning her comfortable life in New York. However, she soon changes her mind and realizes that she wants to be with Terry wherever he wants to live.
According to MGM records, the film earned $921,000 in the U.S. and Canada and $557,000 in other markets, resulting in a profit of $384,000. [1]
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Mommie Dearest is a memoir and exposé written by Christina Crawford, the adopted daughter of Academy Award winning actress Joan Crawford. Officially released by William Morrow and Company on November 10, 1978, the book attracted much controversy for its portrayal of Joan Crawford as a cruel, unbalanced, and alcoholic mother, with Crawford's other twin daughters, household staff, and family friends denouncing it as sensationalized fiction. It was turned into a 1981 film of the same title starring Faye Dunaway.
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The Secret Storm is an American television soap opera that aired on CBS from February 1, 1954, to February 8, 1974. It was created by Roy Winsor, who also created the long-running soap operas Search for Tomorrow and Love of Life. Gloria Monty, of General Hospital fame, was a longtime director of the series.
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Mommie Dearest is a 1981 American biographical psychological drama film directed by Frank Perry and starring Faye Dunaway, Steve Forrest, Mara Hobel, and Diana Scarwid, with supporting performances from Xander Berkeley in his feature film debut along with Rutanya Alda and Jocelyn Brando. Adapted from Christina Crawford's 1978 autobiography of the same name, the film follows her and her brother Christopher's upbringing under their adoptive mother, actress Joan Crawford, depicting her as abusive, controlling, and manipulative, prioritizing her Hollywood career over her family.
It's a Great Feeling is a 1949 American Technicolor musical comedy film starring Doris Day, Jack Carson and Dennis Morgan in a parody of what goes on behind the scenes in Hollywood movie making. The screenplay by Jack Rose and Mel Shavelson was based upon a story by I. A. L. Diamond. The film was directed by David Butler, produced by Alex Gottlieb and distributed by Warner Bros.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Robert Montgomery, Joan Crawford and Clark Gable. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead.
Mannequin is a 1937 American drama film directed by Frank Borzage and starring Joan Crawford, Spencer Tracy, and Alan Curtis. Crawford plays Jessie, a young working class woman who seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind. She meets a self-made millionaire with whom she falls in love despite his financial problems.
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The Best of Everything is a 1959 American drama film directed by Jean Negulesco from a screenplay by Edith Sommer and Mann Rubin, based on the 1958 novel of the same name by Rona Jaffe. It stars Hope Lange, Stephen Boyd, Suzy Parker, Martha Hyer, Diane Baker, Brian Aherne, Robert Evans, Louis Jourdan, and Joan Crawford. The film follows the professional careers and private lives of three women who share a small apartment in New York City and work together at a paperback publishing firm. Alfred Newman wrote the musical score, the last under his longtime contract as 20th Century-Fox's musical director.
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The Man Who Lost Himself is a 1941 American comedy film directed by Edward Ludwig and starring Brian Aherne, Kay Francis and Nils Asther. Aherne plays a man who encounters his exact double and is later mistaken for the other man who is now dead. The film is based on the novel of the same name by Henry De Vere Stacpoole. The novel was also previously adapted to film in 1920. The new version shifts the setting from London of the original to New York, although it features several British actors.