Clarence Charles "Ducky" Nash was an American voice actor and impressionist. He is best remembered as the original voice of the Disney cartoon character Donald Duck. He was born in the rural community of Watonga, Oklahoma, and a street in that town is named in his honor. In 1993, he was posthumously made a Disney Legend for his contributions to Walt Disney films.
Walter Crawford Kelly Jr., commonly known as Walt Kelly, was an American animator and cartoonist, best known for the comic strip Pogo. He began his animation career in 1936 at Walt Disney Studios, contributing to Pinocchio, Fantasia, and Dumbo. In 1941, at the age of 28, Kelly transferred to work at Dell Comics, where he created Pogo, which eventually became his platform for political and philosophical commentary.
Pogo was a daily comic strip that was created by cartoonist Walt Kelly and syndicated to American newspapers from 1948 until 1975. Set in the Okefenokee Swamp in the Southeastern United States, Pogo followed the adventures of its anthropomorphic animal characters, including the title character, an opossum. The strip was written for both children and adults, with layers of social and political satire targeted to the latter. Pogo was distributed by the Post-Hall Syndicate. The strip earned Kelly a Reuben Award in 1951.
Ward Walrath Kimball was an American animator employed by Walt Disney Animation Studios. He was part of Walt Disney's main team of animators, known collectively as Disney's Nine Old Men. His films have been honored with two Academy Awards for Best Animated Short Film.
Franklin Rosborough Thomas was an American animator and pianist. He was one of Walt Disney's leading team of animators known as the Nine Old Men.
Harper Goff, born Ralph Harper Goff, was an American artist, musician, and actor. For many years, he was associated with The Walt Disney Company, in the process of which he contributed to various major films, as well as to the planning of the Disney theme parks. During World War II, he was also an advisor to the U.S. Army on camouflage.
Wayne Anthony Allwine was an American voice actor, sound editor and Foley artist. He was best remembered as the third official voice of Mickey Mouse in English and the first official casting following the establishment of Disney Character Voices International in 1988. To date, he holds the record for the longest-running voice actor to play Mickey Mouse, having performed the role for 32 years. He was notably married to Russi Taylor, who voiced Minnie Mouse.
Richard James Lundy was an American animator and film director who worked at several animation studios including The Walt Disney Company, MGM, and Hanna-Barbera. Lundy was a pioneer of personality animation and is best remembered as one of the creators of Donald Duck. Throughout his career he worked as a primary animator on at least 60 films, both short and feature-length, and directed 51 shorts.
Robert Fred Moore, was an American artist and animator for Walt Disney Animation Studios. Often called "Freddie," he was born and raised in Los Angeles, California. Despite limited formal art training, he rose to prominence at Disney very quickly in the early 1930s, due to his great natural talent and the tremendous appeal of his drawings. His drawings are still greatly admired by animators and animation fans.
George Edward Bruns was an American composer of music for film and television. His accolades include four Academy Award nominations and three Grammy Award nominations. He is mainly known for his compositions for numerous Disney films from the 1950s to the 1970s, among them Sleeping Beauty (1959), One Hundred and One Dalmatians, The Absent-Minded Professor, The Sword in the Stone (1963), The Jungle Book (1967), The Love Bug (1968), The Aristocats (1970), and Robin Hood (1973).
John Ryan Kinney was an American animator, director and producer of animated shorts. Kinney is the older brother of fellow Disney animator Dick Kinney.
One Hour in Wonderland is a 1950 television special made by Walt Disney Productions. It was first seen on Christmas Day, 1950, over NBC for Coca-Cola, and was Walt Disney's first television production. It featured Disney as host, with Bobby Driscoll, Kathryn Beaumont, Edgar Bergen & Charlie McCarthy, and other celebrities who worked with Disney, including the Firehouse Five Plus Two jazz band. This special was actually a promotional program for Disney's upcoming theatrical feature, Alice in Wonderland. Kathryn Beaumont, who voiced Alice, was dressed like her for this television special.
Clarence Leonard Hayes was an American jazz vocalist and banjo player. His regular banjo was a six string one, which is tuned as a guitar.
Melvin Edward Alton "Turk" Murphy was an American trombonist and bandleader, who played traditional and Dixieland jazz.
John James MacDonald was a Scottish-American Foley artist, voice actor, musician and conductor. He was the original head of the Disney sound effects department, and was also the 2nd official voice of Mickey Mouse from 1947 to 1976 and again in 1978 and 1987 after Walt Disney stopped playing the character and before Wayne Allwine became the third voice of Mickey in 1977.
The third wave of Walt Disney Treasures was released on May 18, 2004. It was originally planned to be released in December 2003, but was delayed for almost half a year in order to meet an increased demand with a higher number of tins produced. This wave was the first to have a certificate of authenticity with the individual number of the tin on it, replacing the number embossed on the tin. This was the final wave released with side straps.
Richard Huemer was an American animator in the Golden Age of Animation.
George Arthur Probert, Jr. was an American jazz clarinetist, soprano saxophonist, and bandleader active principally on the Dixieland jazz revival circuit. He was born in Los Angeles.
Robert Vernor Hammack, Jr. was an American musician, originally from Texas, whose principal instrument was jazz piano. He led a prolific career in Los Angeles as a pianist, organist, conductor, arranger, and composer in (i) live venues, (ii) broadcast studios for radio and television, and (iii) recording studios for records, radio, television, and film. Hammack flourished in a wide spectrum of genres that included dixieland, Blues, swing, sweet dance music (e.g., Lawrence Welk), easy listening, gospel, liturgical jazz, musical theatre, Tin Pan Alley, classical, and film score.
