Carole Lombard was an American actress. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema.
Viva Villa! is a 1934 American pre-Code film directed by Jack Conway and starring Wallace Beery as Mexican revolutionary Pancho Villa. The screenplay was written by Ben Hecht, adapted from the 1933 book Viva Villa! by Edgecumb Pinchon and O. B. Stade. The film was shot on location in Mexico and produced by David O. Selznick. There was uncredited assistance with the script by Howard Hawks, James Kevin McGuinness, and Howard Emmett Rogers. Hawks and William A. Wellman were also uncredited directors on the film.
Ben Hecht was an American screenwriter, director, producer, playwright, journalist, and novelist. A journalist in his youth, he went on to write 35 books and some of the most enjoyed screenplays and plays in America. He received screen credits, alone or in collaboration, for the stories or screenplays of some seventy films.
My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. The screenplay for My Man Godfrey was written by Morrie Ryskind and Eric S. Hatch, with uncredited contributions by La Cava, based on Hatch's 1935 novel, 1101 Park Avenue. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore, Carole Lombard, Walter Connolly, and Roscoe Karns. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name—itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland—with uncredited contributions from Gene Fowler and Preston Sturges.
Budd Schulberg was an American screenwriter, television producer, novelist and sports writer. He was known for his novels What Makes Sammy Run? (1941) and The Harder They Fall (1947), as well as his screenplays for On the Waterfront (1954) and A Face in the Crowd (1957), receiving an Academy Award for the former.
Max Everitt Rosenbloom was an American professional boxer, actor, and television personality. Nicknamed "Slapsie Maxie", he was inducted into The Ring's Boxing Hall of Fame in 1972, the International Jewish Sports Hall of Fame in 1984, the World Boxing Hall of Fame in 1985, and the International Boxing Hall of Fame in 1993. He was sometimes billed as Slapsie Maxie Rosenbloom for film appearances.
Gone to Earth is a 1950 British Technicolor film created by the director-writer team of Michael Powell and Emeric Pressburger. It stars Jennifer Jones, David Farrar, Cyril Cusack and Esmond Knight. The film was significantly changed for the American market by David O. Selznick and retitled The Wild Heart in 1952.
Mr. & Mrs. Smith is a 1941 American screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale, and Lucile Watson.
John Cromwell was an American film and stage director and actor. His films spanned the early days of sound to film noir in the early 1950s, by which time his directing career was almost terminated by the Hollywood blacklist.
The Plastic Age is a 1925 American black-and-white silent romantic comedy film directed by Wesley Ruggles and starring Clara Bow, Donald Keith, and Gilbert Roland. The film was based on a best-selling novel from 1924 of the same name, written by Percy Marks, a Brown University English instructor who chronicled the life of the fast-set of that university and used the fictitious Sanford College as a backdrop. The Plastic Age is known to most silent film fans as the very first hit of Clara Bow's career, and helped jumpstart her fast rise to stardom. Frederica Sagor Maas and Eve Unsell adapted the book for the screen.
A Star Is Born is a 1937 American Technicolor drama film produced by David O. Selznick, directed by William A. Wellman from a script by Wellman, Robert Carson, Dorothy Parker, and Alan Campbell, and starring Janet Gaynor as an aspiring Hollywood actress, and Fredric March as a fading movie star who helps launch her career. The supporting cast features Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, and Owen Moore. At the 10th Academy Awards, it became the first color film to be nominated for the Academy Award for Best Picture.
A Star Is Born is a 1954 American musical tragedy film directed by George Cukor, written by Moss Hart, and starring Judy Garland and James Mason. Hart's screenplay is an adaptation of the original 1937 film, based on the original screenplay by Robert Carson, Dorothy Parker and Alan Campbell, and from the same story by William A. Wellman and Carson, with uncredited input from six additional writers—David O. Selznick, Ben Hecht, Ring Lardner Jr., John Lee Mahin, Budd Schulberg and Adela Rogers St. Johns.
Living It Up is a 1954 American comedy film starring Dean Martin and Jerry Lewis which was released by Paramount Pictures.
Hazel Flagg is a 1953 musical, book by Ben Hecht, based on a story by James H. Street. The lyrics are by Bob Hilliard, and music by Jule Styne. The musical is based on the 1937 screwball comedy film Nothing Sacred, the primary screenwriter of which was Ben Hecht.
Made for Each Other is a 1939 American romantic comedy film directed by John Cromwell, produced by David O. Selznick, and starring Carole Lombard, James Stewart, and Charles Coburn. Lombard and Stewart portray a couple who get married after only knowing each other for one day.
Fools for Scandal is a 1938 screwball comedy film starring Carole Lombard and Fernand Gravet, featuring Ralph Bellamy, Allen Jenkins, Isabel Jeans, Marie Wilson and Marcia Ralston, and produced and directed by Mervyn LeRoy. It was written by Herbert Fields and Joseph Fields with additional dialogue by Irving Brecher, and uncredited contributions by others based on the unproduced 1936 play Return Engagement by Nancy Hamilton, James Shute and Rosemary Casey. The songs are by Richard Rodgers and Lorenz Hart.
The Campus Vamp is a 1928 American silent comedy short starring Daphne Pollard and Johnny Burke. "This early Mack Sennett comedy features a young Carole Lombard as well as the early two color Technicolor film" for a beach sequence that includes a game of beach baseball.
The Scarlett O'Hara War is a 1980 American made-for-television drama film directed by John Erman. It is based on the 1979 novel Moviola by Garson Kanin. Set in late 1930s Hollywood, it is about the search for the actress to play Scarlett O'Hara in the much anticipated film adaptation of Gone with the Wind (1939). This film premiered as the finale of a three-night TV miniseries on NBC called Moviola: A Hollywood Saga.
Journalism has been depicted frequently throughout the 20th century in American pop culture media, such as motion pictures and television. For decades, movies about journalism either have criticized bad journalism or celebrated good journalism. Since the 1930s, more than 100 films have had a journalism theme or recounted journalism history. Because of the early 20th century beginnings in the newspaper industry in the United States, these films focused on the print industry. After the 1976 release of “All the President's Men,” an increased number of young people inspired by the watchdog and investigative function of newspapers entered journalism programs at colleges and universities. As television and radio news launched into prominence in the 1960s and later, more movies about broadcast journalism were produced.
