Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
George Brent was an Irish-American stage, film, and television actor. He is best remembered for the eleven films he made with Bette Davis, which included Jezebel and Dark Victory.
So Big is a 1924 novel written by Edna Ferber. The book was inspired by the life of Antje Paarlberg in the Dutch community of South Holland, Illinois, a Chicago suburb. It was a best-seller in the United States and won the Pulitzer Prize for the Novel in 1925.
Ricardo Cortez was an American actor and film director. He was also credited as Jack Crane early in his acting career.
The File on Thelma Jordon is a 1950 American film noir drama film directed by Robert Siodmak and starring Barbara Stanwyck and Wendell Corey. The screenplay by Ketti Frings, based on an unpublished short story by Marty Holland, concerns a woman who pretends to fall in love with an assistant district attorney and uses him to escape conviction for the murder of her wealthy aunt.
The Man with a Cloak is a 1951 American film noir crime-thriller-drama directed by Fletcher Markle and starring Joseph Cotten, Barbara Stanwyck, Louis Calhern, and Leslie Caron, and based on "The Gentleman from Paris", a short story by John Dickson Carr.
Night Nurse is a 1931 American pre-Code crime drama mystery film produced and distributed by Warner Bros. directed by William A. Wellman, and starring Barbara Stanwyck, Ben Lyon, Joan Blondell and Clark Gable. The film is based on the 1930 novel of the same name by Dora Macy, the pen name of Grace Perkins. The film was considered risqué at the time of its release, particularly the scenes where Stanwyck and Blondell are shown in their lingerie. Clark Gable portrays a viciously violent chauffeur who is gradually starving two little girls to death after having already purposely run over their slightly older sister with a limousine, killing her.
Barbara Stanwyck was a prolific American actress and dancer who appeared in a total of 95 theatrically released full-length motion pictures. Orphaned before she was old enough to attend school, she became fascinated by the burgeoning film industry, and actress Pearl White in particular, whom she would mimic on the playgrounds. "Pearl White was my goddess, and her courage, her grace, and her triumphs lifted me out of this world."
Golden Boy is a 1939 American drama romance sports film directed by Rouben Mamoulian and starring Barbara Stanwyck, Adolphe Menjou and William Holden. It is based on the 1937 play of the same title by Clifford Odets.
No More Ladies is a 1935 American romantic comedy film directed by Edward H. Griffith. The film stars Joan Crawford and Robert Montgomery, and co-stars Charlie Ruggles, Franchot Tone, and Edna May Oliver. The screenplay credited to Donald Ogden Stewart and Horace Jackson is based on a stage comedy of the same name by A.E. Thomas.
Ladies They Talk About is a 1933 pre-Code American crime drama directed by Howard Bretherton and William Keighley, and starring Barbara Stanwyck, Preston Foster, and Lyle Talbot. The film is about an attractive woman who is a member of a bank-robbery gang. It is based on the play Gangstress, or Women in Prison by Dorothy Mackaye and Carlton Miles. In 1928, Dorothy Mackaye, #440960, served less than ten months of a one- to three-year sentence in San Quentin State Prison.
Gambling Lady is a 1934 American pre-Code romantic drama film directed by Archie Mayo, and starring Barbara Stanwyck, Joel McCrea and Pat O'Brien.
Annie Oakley is a 1935 American Western film directed by George Stevens and starring Barbara Stanwyck, Preston Foster, Melvyn Douglas and Moroni Olsen. The film is based on the life of Annie Oakley.
Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story by Edith Fitzgerald and Robert Riskin. The film focuses on a pair of lovers, commercial illustrator Helen Bauer and advertising writer Don Peterson, who have been living together quite happily for some time. One night, after hiding in Helen's bedroom until their party guests have all left, Don announces that he is tired of sneaking around. He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. Her predictions of trouble—increased by the stresses of opening their own advertising agency—come true, but in the end, with the serendipitous intervention of their perpetually inebriated friend, Van, they reconcile and resume the mixed blessings of wedded bliss.
So Big is a 1932 pre-Code American drama film directed by William A. Wellman and starring Barbara Stanwyck. The screenplay by J. Grubb Alexander and Robert Lord is based on the 1924 Pulitzer Prize-winning novel of the same name, by Edna Ferber.
The Lady Gambles is a 1949 American film noir drama film directed by Michael Gordon and starring Barbara Stanwyck, Robert Preston and Stephen McNally.
Forbidden is a 1932 American pre-Code melodrama film directed by Frank Capra and starring Barbara Stanwyck, Adolphe Menjou, and Ralph Bellamy. An original story inspired by the 1931 novel Back Street by Fannie Hurst, with a screenplay by Jo Swerling, the film is about a young librarian who falls in love with a married man while on a sea cruise.
A Lost Lady is a 1934 American drama film directed by Alfred E. Green and starring by Barbara Stanwyck, Frank Morgan, and Ricardo Cortez. Based on the 1923 novel A Lost Lady by Willa Cather, with a screenplay by Gene Markey and Kathryn Scola, the film is about a woman whose fiancé is murdered by his mistress' husband two days before their wedding. Her uncle sends her away to the mountains, where she meets a man who looks after her and eventually proposes. She accepts even though she does not love him.
Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence. The film was also made in a Spanish language version, titled, Carne de Cabaret, directed by Christy Cabanne.
Illicit is a 1931 American pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.
