The Next Voice You Hear... | |
---|---|
Directed by | William A. Wellman |
Written by | Charles Schnee |
Based on | suggested by s story by George Sumner Albee |
Produced by | Dore Schary |
Starring | James Whitmore Nancy Davis |
Cinematography | William Mellor, A.S.C. |
Edited by | John Dunning |
Music by | David Raksin |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 83 minutes |
Country | United States |
Language | English |
Budget | $421,000 [1] |
Box office | $788,000 [1] |
The Next Voice You Hear... is a 1950 American drama film starring James Whitmore and Nancy Davis. [2] It was based on a short story of the same name by George Sumner Albee, published in a 1948 issue of Hearst's International Cosmopolitan . [3] [4] An exhaustive description of the making of the film is the subject of producer Dore Schary's book Case History of a Movie .
MGM's Leo the Lion stares forward but does not move his head or roar
"...neither was the Word of the Lord yet revealed unto him." First Book of Samuel Chapter III, Verse 7
THE NEXT VOICE YOU HEAR... The voice of God is heard on the radio, preempting all programming throughout the world and causing widespread hope and alarm. The story is told through Joe and Nancy Smith, a typical American couple, and the positive and negative reactions of other people.
The six messages (one for each day, Tuesday through Sunday, but "on the seventh day He rested.") that God speaks on the radio are read aloud, for the benefit of the film audience, by different characters in the film. The voice of God is never heard. [5]
"In the beginning was the Word: and the Word was with God: and the Word was God." John Chapter I, Verse I
MADE IN HOLLYWOOD, U.S.A. by Metro~Goldwyn~Mayer
Billy Bletcher | subscriber on Joe Smith's paper route who says, "Say, young man, ya mind if I read my own paper?" |
George Chandler | police officer on motorcycle who gives Joe Smith a traffic ticket and, a minute later, another ticket |
Frank Gerstle | Joe Smith's fellow worker at the plant who says in the locker room, "You really think they heard it in China?" |
Frank Cady | Joe Smith's bald-headed fellow worker at the plant who says in the locker room, "I don't like that talk about miracles" |
James Pierce | Joe Smith's fellow worker in the locker room at the plant |
Frankie Darro | newspaper delivery boy |
Wilson Wood [voice only] | radio announcer repeating God's message while Joe Smith, his wife and son are listening |
Thomas Browne Henry | doctor at the hospital who tells Joe Smith regarding his wife's labor pains, "It was false labor, all right" |
Chet Huntley [voice only] | radio newscaster describing the broadcast of the voice of God |
Cecil Brown [voice only] | himself, radio commentator offering evaluation of the voice of God |
Douglas Kennedy | Mitch, Joe Smith's old friend whom he runs into at a bar |
Marjorie Hoshelle | bar girl whom Mitch calls "Sweetie" and motions to sit with him and Joe Smith |
Lou Merrill [voice only] | radio announcer on the seventh day, as worshippers listen in church, expecting to hear God's voice |
Rhea Mitchell | woman sitting in church, listening to the broadcast, expecting to hear God's voice |
Sherry Jackson | little girl sitting in church, listening to the broadcast, expecting to hear God's voice |
Howard M. Mitchell | church usher helping to escort Mrs. Joe Smith out of the church as she goes into labor |
The New York Times review called the film "a compound of humor, sentiment and romance—and that element of mysticism which the average person can seldom resist." The reviewer praised the performances of Whitmore, Davis and Gray, who played their young son, but criticized the film's "smug and easy clichés that are used to propel the plot." [5]
Variety called the film an "unusual picture experience" that was "beautifully handled in the understanding writing, direction and playing." [6]
According to MGM records, the film earned $668,000 in the U.S. and Canada and $120,000 overseas, resulting in a profit to the studio of $367,000. [1]
The film's score was composed by David Raksin and conducted by Raksin and Johnny Green. The hymn-like theme used for the main and end titles would later be published as "Hasten the Day", with lyrics by Norman Corwin. [7]
Surviving portions of Raksin's score, excluding some source music, were released on compact disc in 2009 on the Film Score Monthly label.
Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine Women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.
Battleground is a 1949 American war film that follows a company in the 327th Glider Infantry Regiment, 101st Airborne Division as they fight in the siege of Bastogne during the Battle of the Bulge, in World War II. It stars Van Johnson, John Hodiak, Ricardo Montalbán, and George Murphy, features James Whitmore, and was directed by William A. Wellman from a script by Robert Pirosh.
The Bad and the Beautiful is a 1952 American melodrama that tells the story of a film producer who alienates everyone around him. The film was directed by Vincente Minnelli, written by George Bradshaw and Charles Schnee, and stars Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Barry Sullivan, Gloria Grahame and Gilbert Roland. The Bad and the Beautiful won five Academy Awards out of six nominations in 1952, a record for the most awards for a movie that was not nominated for Best Picture or for Best Director.
Isadore "Dore" Schary was an American playwright, director, and producer for the stage and a prolific screenwriter and producer of motion pictures. He directed one feature film, Act One, the film biography of his friend, playwright and theatre director Moss Hart. He became head of production at Metro-Goldwyn-Mayer and replaced Louis B. Mayer as president of the studio in 1951.
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The Red Badge of Courage is a 1951 American war film made by MGM. Directed by John Huston, it was produced by Gottfried Reinhardt with Dore Schary as executive producer. The screenplay is by John Huston, adapted by Albert Band from Stephen Crane's 1895 novel of the same name. The cinematography is by Harold Rosson, and the music score by Bronislau Kaper. The making of this film is the subject of Lillian Ross's 1952 book Picture, originally in The New Yorker.
Athena is a 1954 American romantic musical comedy film directed by Richard Thorpe and starring Jane Powell, Edmund Purdom, Debbie Reynolds, Vic Damone, Louis Calhern, Steve Reeves, and Evelyn Varden. It was released by Metro-Goldwyn-Mayer.
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The Prodigal is a 1955 Eastmancolor biblical epic CinemaScope film made by MGM starring Lana Turner and Edmund Purdom. It was based on the New Testament parable about a selfish son who leaves his family to pursue a life of pleasure. The film also features James Mitchell, Louis Calhern, Joseph Wiseman, Cecil Kellaway, Audrey Dalton, and Walter Hampden. Dancer Taina Elg made her film debut in The Prodigal.
Charles Schnee was an American screenwriter and film producer. He wrote the scripts for the Westerns Red River (1948) and The Furies (1950), the social melodrama They Live by Night (1949), and the cynical Hollywood saga The Bad and the Beautiful (1952), for which he won an Academy Award.
The Man with a Cloak is a 1951 American film noir crime-thriller-drama directed by Fletcher Markle and starring Joseph Cotten, Barbara Stanwyck, Louis Calhern, and Leslie Caron, and based on "The Gentleman from Paris", a short story by John Dickson Carr.
Right Cross is a 1950 American sports drama film released by Metro-Goldwyn-Mayer, directed by John Sturges, written by Charles Schnee and starring June Allyson, Ricardo Montalbán, Dick Powell, Lionel Barrymore and Marilyn Monroe.
Big Leaguer is a 1953 American sports drama film starring Edward G. Robinson and was the first film directed by Robert Aldrich.
The Hoaxters is a 1952 American documentary film about the threat posed by communism to the American way of life. It was nominated for an Academy Award for Best Documentary Feature. The Warner Home Video DVD release of the 1998 CNN documentary The Cold War in 2012 included this film as a special feature. According to MGM records, the film earned $167,000 in the US and Canada and $10,000 elsewhere.
Please Believe Me is a 1949 American romantic comedy film directed by Norman Taurog, and starring Deborah Kerr, Robert Walker, Mark Stevens and Peter Lawford.
Gambling House is a 1951 American film noir crime film directed by Ted Tetzlaff and starring Victor Mature, Terry Moore and William Bendix.
Benjamin Thau was an American businessman who became vice-president of the Hollywood film studio Metro-Goldwyn-Mayer (MGM), a subsidiary of the Loew's theater chain. From 1928 he was in charge of casting, in the business of discovering and developing talented performers. He was known for his quiet and calming influence with often temperamental stars. Towards the end of his career he was head of the studio from 1956 to 1958.
Joe Smith, American is a 1942 American spy film directed by Richard Thorpe and stars Robert Young and Marsha Hunt. The film, loosely based on the story of Herman W. Lang, and the theft of plans of a top-secret bombsight, is the account of a worker at an aviation factory who is kidnapped by enemy spies. The opening credits contained the following written prologue: "This story is about a man who defended his country. His name is Joe Smith. He is an American. This picture is a tribute to all Joe Smiths."