Lilly Turner | |
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Directed by | William A. Wellman |
Written by | George Abbott (play) Gene Markey Kathryn Scola |
Based on | Lilly Turner 1932 play by Phillip Dunning and George Abbott |
Produced by | Hal B. Wallis (uncredited) |
Starring | Ruth Chatterton George Brent Frank McHugh |
Production company | |
Distributed by | First National Pictures The Vitaphone Corporation |
Release date |
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Running time | 65 minutes |
Country | United States |
Lilly Turner is a 1933 American pre-Code melodrama directed by William A. Wellman, starring Ruth Chatterton and produced by First National Pictures. It is based on the 1932 play of the same name by Phillip Dunning and George Abbott. Warner Brothers (which absorbed First National in November 1929) attempted to reissue the film in 1936, but the Production Code Office denied them a certificate. [1]
A woman who marries a bigamist, then a drunk, and falls in love with another man, all while working at a carnival.
Footlight Parade is a 1933 American musical film directed by Lloyd Bacon, with songs written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly.
Ruth Chatterton was an American stage, film, and television actress, aviator and novelist. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.
George Brent was an Irish-American stage, film, and television actor. He is best remembered for the eleven films he made with Bette Davis, which included Jezebel and Dark Victory.
Female is a 1933 Warner Bros. pre-Code film directed by Michael Curtiz and starring Ruth Chatterton and George Brent. It is based on the 1933 novel of the same name by Donald Henderson Clarke.
The Rich Are Always with Us is a 1932 American pre-Code romantic comedy-drama film directed by Alfred E. Green and starring Ruth Chatterton, George Brent, and Bette Davis. The screenplay by Austin Parker is based on the novel of the same name by Ethel Pettit.
Madame X is a 1929 American pre-Code drama film directed by Lionel Barrymore and starring Ruth Chatterton as a fallen woman who longs to be reunited with her son. The film is based on the 1908 play Madame X by French playwright Alexandre Bisson (1848-1912).
Hard to Handle (1933) is a pre-Code comedy film starring James Cagney as a breezily clowning con artist who organizes a Depression-era dance marathon. His character remarks at one point, "The mass is a cow. It must be milked". The movie was produced at Warner Bros. and directed by Mervyn LeRoy.
Mandalay is a 1934 American pre Code drama film directed by Michael Curtiz and written by Austin Parker and Charles Kenyon based on a story by Paul Hervey Fox. The film stars Kay Francis, Ricardo Cortez, Warner Oland and Lyle Talbot, and features Ruth Donnelly and Reginald Owen.
A Royal Divorce is a 1938 British historical drama film directed by Jack Raymond and starring Ruth Chatterton, Pierre Blanchar and Frank Cellier. The film portrays the complex relationship between Napoleon I of France and his wife, Josephine Bonaparte from their first meeting until their divorce more than a decade later. It was shot at Denham Studios in Buckinghamshire. The film's sets were designed by the art director David Rawnsley.
The Crash is a 1932 American pre-Code drama film directed by William Dieterle. The film is based on the 1932 novel Children of Pleasure written by Larry Barretto, and stars Ruth Chatterton as a luxury-loving wife devastated by the Wall Street crash of 1929.
Journal of a Crime is a 1934 American pre-Code crime drama film produced by First National Pictures. It was directed by William Keighley and stars Ruth Chatterton, Adolphe Menjou and Claire Dodd. The film is a remake of the 1933 French film Une vie perdue, written by Jacques Deval.
Sleepy Lagoon is a 1943 American musical comedy film directed by Joseph Santley and featuring comedian Judy Canova and singer Dennis Day. The film was written by Prescott Chaplin, and Frank Gill, Jr. and George Carleton Brown wrote the screenplay. It was Canova's final feature for Republic until 1951.
Make Me a Star is a 1932 American pre-Code romantic comedy film starring Stuart Erwin, Joan Blondell, and ZaSu Pitts. Directed by William Beaudine, the film is a remake of the 1924 silent film Merton of the Movies, based upon the 1922 novel of that name, and the 1923 play adapted from the novel by George S. Kaufman, and Marc Connelly. It was remade again as Merton of the Movies in 1947.
The Right to Love is a 1930 American pre-Code drama film which was nominated at the 4th Academy Awards for Best Cinematography. It was based on Susan Glaspell's 1928 novel Brook Evans.
The Laughing Lady is a 1929 sound film melodrama directed by Victor Schertzinger, starring Ruth Chatterton and produced and released by Paramount Famous Lasky Corporation. It is based on a 1922 British play, The Laughing Lady, by Alfred Sutro. The play was brought to New York in 1923 and put on Broadway starring Ethel Barrymore.
The Doctor's Secret is a 1929 American drama film directed by William C. deMille and written by William C. deMille. The film stars Ruth Chatterton, H. B. Warner, John Loder, Robert Edeson, Wilfred Noy and Ethel Wales. It is based on the 1913 play Half an Hour by J. M. Barrie. The film was released on January 26, 1929, by Paramount Pictures. As part of the policy of multiple-language versions during the early sound era, a separate Swedish version was produced at the Joinville Studios in Paris and released the following year.
Charming Sinners is a 1929 American pre-Code comedy film directed by Robert Milton and Dorothy Arzner, with a screenplay by Doris Anderson adapted from the 1926 play The Constant Wife written by W. Somerset Maugham. The film stars Ruth Chatterton, Clive Brook, Mary Nolan, William Powell, Laura Hope Crews and Florence Eldridge. The film was released on August 17, 1929, by Paramount Pictures.
Anybody's Woman is a 1930 American pre-Code drama film directed by Dorothy Arzner and written by Zoe Akins, Doris Anderson, and Gouverneur Morris. The film stars Ruth Chatterton, Clive Brook, Paul Lukas, Huntley Gordon, Virginia Hammond, Tom Patricola, and Juliette Compton. The film was released on August 15, 1930, by Paramount Pictures.
Unfaithful is a 1931 American Pre-Code drama film directed by John Cromwell, written by Eve Unsell and John Van Druten, and starring Ruth Chatterton, Paul Lukas, Paul Cavanagh, Juliette Compton, Donald Cook and Emily Fitzroy. It was released on March 14, 1931, by Paramount Pictures.
The Tenderfoot is a 1932 American Pre-Code comedy western film directed by Ray Enright and written by Earl Baldwin, Monty Banks and Arthur Caesar. The film stars Joe E. Brown and Ginger Rogers. The film was released by Warner Bros. on May 23, 1932. It is based on Richard Carle's 1903 play The Tenderfoot, and George S. Kaufman's 1925 play The Butter and Egg Man.