Beggars of Life | |
---|---|
Directed by | William A. Wellman |
Written by | Jim Tully (autobiography) Maxwell Anderson (play) |
Produced by | Jesse L. Lasky Adolph Zukor |
Starring | Wallace Beery Louise Brooks Richard Arlen |
Cinematography | Henry W. Gerrard |
Edited by | Alyson Shaffer |
Music by | Karl Hajos |
Distributed by | Paramount Pictures |
Release date | September 22, 1928 |
Running time | 74 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English Intertitles |
Beggars of Life is an American part-talkie sound film that was directed by William Wellman. Although the film featured sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released on both sound-on-disc and sound-on-film formats. Currently circulating are mute prints from the sound-on-disc version. The majority of the sound discs (except for the first reel) are believed to be lost.
The film starred Wallace Beery and Richard Arlen as hobos, and Louise Brooks as a young woman who dresses as a young man and flees the law. The latter actress recounted her memories of working on the film in her essay, “On Location with Billy Wellman,” which is included in her 1982 book, Lulu in Hollywood . [1] The film is regarded as Brooks's best American movie. [2]
The film features a theme song entitled "Beggars of Life" which was composed by J. Keirn Brennan and Karl Hajos.
Beggars of Life was released as a sound film with a few talking sequences in September 1928. The majority of the film featured synchronized music and sound effects. The sound discs (with the exception of the first reel), which included recordings of train noises and of Beery singing a song, are now considered lost. This was Paramount's first feature with spoken dialogue and the first time Beery's voice was recorded for a film, although Beery's spoken dialogue was limited. Today, only the mute print version of Beggars of Life is known to survive. [3] [4]
The film is based on Outside Looking In , a stage play by Maxwell Anderson adapted from Jim Tully’s 1924 autobiographical book, Beggars of Life. The play debuted September 7, 1925 at the Greenwich Village Theater. Among those who attended a performance was Charlie Chaplin, who was accompanied by Louise Brooks. Paramount purchased the rights to Tully's book and Anderson's play in early 1928. [5]
Arlen and Brooks had appeared together the previous year in Rolled Stockings , which is considered a lost film. Beery and Brooks had appeared together the previous year in Now We're in the Air , which was considered a lost film until 2016 when an incomplete copy was found in Czech Republic. [6] [7]
In 2017, the best surviving copy of Beggars of Life was released on DVD and Blu-ray by Kino Lorber.
Wings is a 1927 American silent and synchronized sound film known for winning the first Academy Award for Best Picture. Due to the general public's apathy towards silent films, the film was quickly re-released in 1928 with synchronized sound. While the sound version of the film has no audible dialog, it was released with a synchronized musical score with sound effects. The film stars Clara Bow, Charles "Buddy" Rogers, and Richard Arlen. Rogers and Arlen portray World War I combat pilots in a romantic rivalry over a woman. It was produced by Lucien Hubbard, directed by William A. Wellman, and released by Paramount Famous Lasky Corporation. Gary Cooper appears in a small role, which helped launch his career in Hollywood.
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Although some films released in 1928 had sound, most were still silent. This year is notable for the introduction of the official mascot of The Walt Disney Company, Mickey Mouse, in the animated short Steamboat Willie, the first film to include a soundtrack completely created in post production.
Mary Louise Brooks was an American film actress during the 1920s and 1930s. She is regarded today as an icon of the flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
Pandora's Box is a 1929 German silent drama film directed by Georg Wilhelm Pabst, and starring Louise Brooks, Fritz Kortner, and Francis Lederer. The film follows Lulu, a seductive young woman whose uninhibited nature brings ruin to herself and those who love her. It is based on Frank Wedekind's plays Erdgeist and Die Büchse der Pandora.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
William Augustus Wellman was an American film director, producer, screenwriter, actor and military pilot. He was known for his work in crime, adventure, and action genre films, often focusing on aviation themes, a particular passion. He also directed several well-regarded satirical comedies. His 1927 film, Wings, was the first film to win an Academy Award for Best Picture at the 1st Academy Awards ceremony.
The Bridge of San Luis Rey (1929) is a sound part-talkie film released by Metro-Goldwyn-Mayer. The film was directed by Charles Brabin and starred Lili Damita and Don Alvarado. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Western Electric sound-on-film process.
The Louise Brooks Society is an internet resource - an online archive devoted to the silent film star Louise Brooks (1906–1985). The Louise Brooks Society, or LBS, was started in 1995 and launched on the web that same year. The stated goals of the LBS are to promote a greater awareness of the life and films of the celebrated actress, dancer, and writer.
Now We're in the Air is a 1927 American silent comedy film directed by Frank R. Strayer, starring the late-1920s intermittent comedy team of Wallace Beery and Raymond Hatton. In a supporting role, Louise Brooks plays twins, one raised French and the other raised German.
4 Devils is a lost 1928 American sound drama film directed by German director F. W. Murnau and starring Janet Gaynor. While the original release has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
The Trail of '98 is a 1928 American synchronized sound action-adventure/drama film featuring Harry Carey and Dolores del Río about the Klondike Gold Rush. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was originally released by MGM in a short-lived widescreen process called “Fantom Screen“. The film is based on the 1910 novel by that title, written by Robert W. Service.
The Four Feathers is a 1929 American sound war film directed by Merian C. Cooper and starring William Powell, Richard Arlen, Clive Brook and Fay Wray. This was the third of numerous film versions of the 1902 novel The Four Feathers written by A. E. W. Mason. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The 1929 version of The Four Feathers premiered at the Criterion Theatre in New York City on June 12, 1929.
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Lonesome is a 1928 American sound part-talkie comedy drama film directed by Paul Fejös, and starring Barbara Kent and Glenn Tryon. Although containing a few sequences with audible dialog, the majority of the film had a synchronized musical score with sound effects with English intertitles. The film was released in both sound-on-disc and sound-on-film formats. Its plot follows two working-class residents of New York City over a 24-hour-period, during which they have a chance meeting at Coney Island during the Independence Day weekend and swiftly fall in love with one another. It was produced and distributed by Universal Pictures.
Two Lovers is a 1928 American synchronized sound historical drama film directed by Fred Niblo. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars Vilma Bánky, Ronald Colman, and Noah Beery. Based on the novel Leatherface: A Tale of Old Flanders by Baroness Emma Orczy, it was produced by Samuel Goldwyn.
House of Horror is a 1929 American sound part-talkie comedy mystery film directed by Benjamin Christensen. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Louise Fazenda and Chester Conklin. The film portion of the House of Horror is now presumed lost while the sound survives on Vitaphone discs.
Pay as You Enter is a 1928 American synchronized sound comedy film directed by Lloyd Bacon and starring Louise Fazenda, Clyde Cook and William Demarest. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
Five and Ten Cent Annie is a 1928 American sound part-talkie comedy film directed by Roy Del Ruth and starring Louise Fazenda, Clyde Cook and William Demarest. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Lulu in Hollywood is a collection of essays by the silent film actress Louise Brooks. First published in 1982, the book brings together seven previously published autobiographical essays, namely “Kansas to New York”, “On Location with Billy Wellman”, “Marion Davies’ Niece”, “Humphrey and Bogey”, “The Other Face of W. C. Fields”, “Gish and Garbo” and “Pabst and Lulu”.