Roxie Hart | |
---|---|
Directed by | William A. Wellman |
Screenplay by | Nunnally Johnson |
Based on | Chicago by Maurine Dallas Watkins |
Produced by | Nunnally Johnson |
Starring | |
Narrated by | George Montgomery |
Cinematography | Leon Shamroy |
Edited by | James B. Clark |
Music by | Alfred Newman |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
Box office | $1.1 million (US rentals) [1] |
Roxie Hart (also known as Chicago or Chicago Gal) is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials (Beulah Annan and Belva Gaertner) she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
The screenplay by Nunnally Johnson focuses on a Chicago showgirl who confesses to a murder in hopes the publicity will help her faltering show business career. In the original play, and its other adaptations, Roxie was guilty but was acquitted. However, in order to conform to the Motion Picture Production Code, which regulated moral guidelines for Hollywood films at the time, this adaptation portrays Roxie as innocent but misguided in her attempt to achieve fame. [2]
Stuart Chapman starts a new job as a newspaper reporter in Chicago, and is pulled into a murder investigation together with his new colleague, veteran reporter Homer Howard. As they sit in a bar having a drink after a long day, Homer starts telling about a case he reported on in 1927 - a murder case involving the young dancer Roxie Hart.
Back in 1927, a theatre booking agent, Fred Casely, has been murdered, and his body found in Roxie Hart's apartment. Roxie's husband Amos is questioned by the police. Reporter Jake Callahan and Casely's partner E. Clay Benham reason with Roxie about what to do. They persuade her to let herself get arrested for the murder, even though she knows her husband is guilty, because a woman hardly ever gets convicted of murder in Chicago. Also, the fame she would earn for taking the blame might improve her fading career.
In jail, Roxie talks to reporters about the case, including Homer, who was just starting out as a journalist. Her husband also gets her the best lawyer money can buy, Billy Flynn, known for making a big show in the courtroom.
Billy decides they will use the fact that Roxie is a weak woman and claim she killed the man in self-defense. Billy sets up a series of interviews with journalist reporters. Roxie is instructed to charm the reporters and perform her trademark dance, "The Black Hula."
Homer is one of the reporters charmed by Roxie. He also finds out from her apartment building janitor, Michael Finnegan, that Amos is the real killer. Homer decides to help Roxie. When the press turns to report on another "lady criminal", Gertie Baxter, and publicity turns in favor of a tougher treatment of women criminals, Roxie pretends to be pregnant to sway public opinion back to her side.
To buy time to create sympathy for Roxie, Billy moves her trial further into the future. He gets Amos to divorce her. Roxie still doesn't trust the legal system completely, and asks Billy to find Finnegan and get him to testify in court on her behalf. It turns out Finnegan is dead, and the written statement he left before he died is judged as inadmissible evidence.
Roxie's fainting in front of the jury helps her case tremendously. She is found not guilty of the murder, but Amos is arrested instead, stealing the publicity from Roxie. Out of the limelight, Roxie has to choose between marrying the poor reporter Homer or a rich member of the jury, stockbroker O'Malley.
In present time, 1942, Homer finishes his story and gets up. He speaks to the bartender, who turns out to be O'Malley, the former stockbroker, who lost everything in the 1929 stock market crash. A moment later, Homer is picked up from the bar by his wife, Roxie, who arrives with their six children and announces she is pregnant with another. [3]
Roxie Hart was originally supposed to star Alice Faye but pregnancy prevented her from taking on the role.[ citation needed ]
The film received positive reviews from critics. On review aggregator website Rotten Tomatoes, it has an 82% score, based on 11 reviews, with an average rating of 7.10/10. [4]
James Avery Hopwood was an American playwright of the Jazz Age. He had four plays running simultaneously on Broadway in 1920, namely "The Gold Diggers," "The Bat" and "Spanish Love" and "Ladies' Night ".
Adolphe Jean Menjou was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931.
Morning Glory is a 1933 American Pre-Code drama film which tells the story of an eager would-be actress and her journey to stardom, and her gains and losses. The picture stars Katharine Hepburn, Douglas Fairbanks Jr., and Adolphe Menjou, was adapted by Howard J. Green from a then-unproduced stage play of the same name by Zoë Akins, and was directed by Lowell Sherman. Hepburn won her first Academy Award for Best Actress for this movie. Morning Glory was remade in 1958 under the title Stage Struck.
Chicago is a 1927 American silent crime comedy-drama film produced by Cecil B. DeMille and directed by Frank Urson. The first film adaptation of Maurine Dallas Watkins' play of the same name, the film stars Phyllis Haver as Roxie Hart, a fame-obsessed housewife who kills her lover in cold blood and, after trying to coerce her husband into taking the blame, is put on trial for murder.
Belva Eleanora Gaertner was an American woman who was acquitted of murder in a 1924 trial. She inspired the character of Velma in the 1926 play Chicago created by Maurine Dallas Watkins; Watkins reported on the trial for the Chicago Tribune. The character of Velma Kelly also appears in the 1975 musical based on the play.
Maurine Dallas Watkins was an American playwright and screenwriter. Early in her career, she briefly worked as a journalist covering the courthouse beat for the Chicago Tribune. This experience gave her the material for her most famous piece of work, the stage play, Chicago (1926), which was eventually adapted into the 1975 Broadway musical of the same name, which was then made into a film in 2002 that won six Academy Awards, including Best Picture.
Chicago is a 2002 American musical crime comedy film based on the 1975 stage musical of the same name which in turn originated in the 1926 play of the same name. It explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. The film stars an ensemble cast led by Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. Chicago centers on Roxie Hart (Zellweger) and Velma Kelly (Zeta-Jones), two murderers who find themselves in jail together awaiting trial in 1920s Chicago. Roxie, a housewife, and Velma, a vaudevillian, fight for the fame that will keep them from the gallows. The film marks the feature directorial debut of Rob Marshall, who also choreographed the film, and was adapted by screenwriter Bill Condon, with music by John Kander and lyrics by Fred Ebb.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by reporter Maurine Dallas Watkins, about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal".
"Chicago" is a popular song written by Fred Fisher and published in 1922. The original sheet music variously spelled the title "Todd'ling" or "Toddling." The song has been recorded by many artists, but the best-known versions are by Frank Sinatra, Ben Selvin and Judy Garland. The song alludes to the city's colorful past, feigning "... the surprise of my life / I saw a man dancing with his own wife", mentioning evangelist Billy Sunday as having not been able to "shut down" the city, and State Street where "they do things they don't do on Broadway".
Roxanne "Roxie" Hart is a fictional character. She is the main character of the 1926 play Chicago and its various remakes and derivatives.
Turnabout is a 1940 fantasy comedy film directed by Hal Roach and starring Adolphe Menjou, Carole Landis and John Hubbard. Based on the 1931 novel of the same name by Thorne Smith, the screenplay was written by Mickell Novack, Bernie Giler and John McClain with additional dialogue by Rian James. In 1979, the screenplay was adapted for the short-lived television series with the same name.
The Housekeeper's Daughter is a 1939 comedy/drama film directed and produced by Hal Roach. The film stars Joan Bennett, Adolphe Menjou and John Hubbard. The screenplay was written by Rian James, Gordon Douglas, Jack Jevne and Claude Martin, based on a novel by Donald Henderson Clarke.
Bundle of Joy is a 1956 American Technicolor musical film directed by Norman Taurog and starring Eddie Fisher, Debbie Reynolds and Adolphe Menjou. It is a remake of the 1939 comedy film Bachelor Mother, which starred Ginger Rogers and David Niven, and was itself an English remake of the 1935 Austrian-Hungarian comedy film Little Mother.
Velma Kelly is one of the main characters in the successful 1975 Broadway musical Chicago. Kelly is based on the character "Velma", who first appeared in the 1926 play, also called Chicago, who was in-turn inspired by the life of Belva Gaertner.
Chicago is a play written by Maurine Dallas Watkins. The play, while fiction, is a satire based on two unrelated 1924 court cases involving two women, Beulah Annan and Belva Gaertner, who were both suspected and later acquitted of murder, whom Watkins had covered for the Chicago Tribune as a reporter.
The Goose Woman is a 1925 American silent drama film directed by Clarence Brown and starring Louise Dresser with Jack Pickford as her son. The film was released by Universal Pictures.
Journal of a Crime is a 1934 American pre-Code crime drama film produced by First National Pictures. It was directed by William Keighley and stars Ruth Chatterton, Adolphe Menjou and Claire Dodd. The film is a remake of the 1933 French film Une vie perdue, written by Jacques Deval.
Sing, Baby, Sing is a 1936 American musical comedy film directed by Sidney Lanfield and starring Alice Faye, Adolphe Menjou and Gregory Ratoff. It was produced and distributed by Twentieth Century Fox. Richard A. Whiting and Walter Bullock received an Academy Award nomination in Best Original Song at the 9th Academy Awards for their song "When Did You Leave Heaven".
William Flynn is a fictional character from the 1926 play Chicago, written by Maurine Dallas Watkins, and its various derivative works and remakes.
The Circus Queen Murder is a 1933 American pre-Code mystery film directed by Roy William Neill and starring Adolphe Menjou, Donald Cook and Greta Nissen. It is the sequel to the 1932 film The Night Club Lady in which Menjou had also starred as Thatcher Colt. The film is based on a story by "Anthony Abbott", a pseudonym used by Fulton Oursler.