Chicago | |
---|---|
Directed by | Frank Urson Cecil B. DeMille (uncredited) |
Screenplay by | Lenore J. Coffee |
Based on | Chicago by Maurine Dallas Watkins |
Produced by | Cecil B. DeMille |
Starring | |
Cinematography | J. Peverell Marley |
Edited by | Anne Bauchens |
Distributed by | Pathé Exchange |
Release date |
|
Running time | 103 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $303,306 [1] |
Box office | $483,165 [1] |
Chicago is a 1927 American silent crime comedy-drama film produced by Cecil B. DeMille and directed by Frank Urson. The first film adaptation of Maurine Dallas Watkins' play of the same name, the film stars Phyllis Haver as Roxie Hart, a fame-obsessed housewife who kills her lover in cold blood and, after trying to coerce her husband into taking the blame, is put on trial for murder. [2] [3]
The plot of the film is drawn from the 1926 play Chicago by Maurine Dallas Watkins which was in turn based on the true story of Beulah Annan, fictionalized as Roxie Hart (Phyllis Haver), and her spectacular murder of her boyfriend.
The silent film adds considerably to the material in Watkins' play, some additions based on the original murder, and some for Hollywood considerations. The murder, which occurs in a very brief vignette before the play begins, is fleshed out considerably. Also, Roxie's husband Amos Hart has a much more sympathetic and active role in the film than he does either in the play or in the subsequent musical. The original ending is altered to have Roxie punished for her crime.
Complete prints of Chicago are held by:
The film was long difficult to see, but in 2006 the UCLA Film and Television Archive restored a 35 mm print, which was screened at Kansas Silent Film Festival in 2007. [2] Flicker Alley released the film on DVD in 2010 [5] and later on Blu-ray on October 6, 2020. [6]
The plot was adapted into a stage musical in 1975 with music and lyrics by John Kander and Fred Ebb and received mixed reviews. A 1996 City Center Encores! production received critical acclaim and later transferred to Broadway, ultimately becoming the longest-running musical revival on Broadway. [7] The stage musical was made into a musical film in 2002, starring Renée Zellweger as Roxie, Catherine Zeta-Jones as fellow murderess Velma Kelly, Richard Gere as Billy Flynn, Queen Latifah as Mama Morton, and John C. Reilly as Amos. The film was also a hit and won the Academy Award for Best Picture in 2003.
Fred Ebb was an American musical theatre lyricist who had many successful collaborations with composer John Kander. The Kander and Ebb team frequently wrote for such performers as Liza Minnelli and Chita Rivera.
Belva Eleanora Gaertner was an American woman who was acquitted of murder in a 1924 trial. She inspired the character of Velma in the 1926 play Chicago created by Maurine Dallas Watkins; Watkins reported on the trial for the Chicago Tribune. The character of Velma Kelly also appears in the 1975 musical based on the play.
Maurine Dallas Watkins was an American playwright and screenwriter. Early in her career, she briefly worked as a journalist covering the courthouse beat for the Chicago Tribune. This experience gave her the material for her most famous piece of work, the stage play Chicago (1926), which was eventually adapted into the 1975 Broadway musical of the same name, which was then made into a film in 2002 that won six Academy Awards, including Best Picture.
Chicago is a 2002 American musical black comedy crime film based on the 1975 stage musical, which in turn originated in the 1926 play. It explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. The film stars an ensemble cast led by Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. Chicago centers on Roxie Hart (Zellweger) and Velma Kelly (Zeta-Jones), two murderers who find themselves in jail together awaiting trial in 1920s Chicago. Roxie, a housewife, and Velma, a vaudevillian, fight for the fame that will keep them from the gallows. The film marks the feature directorial debut of Rob Marshall, who also choreographed the film, and was adapted by screenwriter Bill Condon, with music by John Kander and lyrics by Fred Ebb.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal".
Valentine Ruth Henshall, known professionally as Ruthie Henshall, is an English actress, singer and dancer, known for her work in musical theatre. She began her professional stage career in 1986, before making her West End debut in Cats in 1987. A five-time Olivier Award nominee, she won the 1995 Olivier Award for Best Actress in a Musical for her role as Amalia Balash in the London revival of She Loves Me (1994).
Male and Female is a 1919 American silent adventure/drama film directed by Cecil B. DeMille and starring Gloria Swanson and Thomas Meighan. Its main themes are gender relations and social class. The film is based on the 1902 J. M. Barrie play The Admirable Crichton.
Phyllis Maude Haver was an American actress of the silent film era.
The Volga Boatman is a 1926 American silent drama film directed by Cecil B. DeMille, who reportedly said the film was, "his greatest achievement in picture making". The film's budget was $479,000 and it grossed $1.27 million. The film was highly successful, turning William Boyd into matinee idol overnight.
Roxie Hart is a 1942 American comedy film directed by William A. Wellman, and starring Ginger Rogers, Adolphe Menjou and George Montgomery. A film adaptation of a 1926 play Chicago by Maurine Dallas Watkins, a journalist who found inspiration in two real-life Chicago trials she had covered for the press. The play had been adapted once prior, in a 1927 silent film. In 1975, a hit stage musical premiered, and was once more adapted as the Oscar-winning 2002 musical film.
The Heart of Nora Flynn is a 1916 American silent drama film directed by Cecil B. DeMille. It stars Marie Doro in her first film for Jesse L. Lasky. Art direction for the film was done by Wilfred Buckland. It premiered on April 23, 1916 at the Strand Theatre in New York City
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A Chinese silent film, Don't Change Your Husband (1929), used the same English title, and a similar plot arc.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film was based on a 1908 play of the same name by Beulah Marie Dix and Evelyn Greenleaf Sutherland and was adapted by Dix and Jeanie MacPherson. Art direction for the film was done by Paul Iribe, Anton Grot, Mitchell Leisen, and Max Parker.
Roxanne "Roxie" Hart is a fictional character. She is the main character of the 1926 play Chicago and its various remakes and derivatives.
"Cell Block Tango" is a song from the 1975 musical Chicago, with music composed by John Kander and lyrics written by Fred Ebb.
Velma Kelly is one of the main characters in the successful 1975 Broadway musical Chicago. Kelly is based on the character "Velma", who first appeared in the 1926 play, also called Chicago, who was in-turn inspired by the life of Belva Gaertner.
Chicago is a play written by Maurine Dallas Watkins. The play, while fiction, is a satire based on two unrelated 1924 court cases involving two women, Beulah Annan and Belva Gaertner, who were both suspected and later acquitted of murder, whom Watkins had covered for the Chicago Tribune as a reporter.
The Coming of Amos is a 1925 American silent romantic drama film directed by Paul Sloane, produced by Cecil B. DeMille and distributed by his Producers Distributing Corporation. Copies of this film survive and can be found on home video and more recently on DVD.
William Flynn is a fictional character from the 1926 play Chicago, written by Maurine Dallas Watkins, and its various derivative works and remakes.