George Eastman Museum | |
Location | 900 East Avenue, Rochester, New York, United States |
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Built | 1905 1949 (museum opened) |
Architect | J. Foster Warner McKim, Mead and White (interiors) |
Architectural style | Georgian Revival |
Website | www |
NRHP reference No. | 66000529 |
Significant dates | |
Added to NRHP | November 13, 1966 [1] |
Designated NHL | November 13, 1966 [2] |
The George Eastman Museum, also referred to as George Eastman House and the International Museum of Photography and Film, [3] [4] [5] is the world's oldest museum dedicated to photography [6] [7] and one of the world's oldest film archives, opened to the public in 1949 in Rochester, New York.
Known for its collections in the fields of photography and cinema, the museum is also a leader in film preservation and photograph conservation, educating archivists and conservators from around the world. Home to the 500-seat Dryden Theatre, the museum is located on the estate of entrepreneur and philanthropist George Eastman, the founder of Eastman Kodak Company. The estate was designated a National Historic Landmark in 1966.
The Rochester estate of George Eastman (1854–1932) was bequeathed upon his death to the University of Rochester. University presidents (first Benjamin Rush Rhees, then Alan Valentine) occupied Eastman's mansion as a residence for ten years. [8] In 1948, the university transferred the property to the museum and the Georgian Revival Style mansion was adapted to serve the museum's operations. [6]
George Eastman House was chartered as a museum in 1947. [9] From the outset, the museum's mission has been to collect, preserve, and present the history of photography and film. The museum opened its doors on November 9, 1949, displaying its core collections in the former public rooms of Eastman's house. In October 2015, the museum changed its name from George Eastman House to the George Eastman Museum. [10]
The museum's original collections included the Medicus collection of Civil War photographs by Alexander Gardner, Eastman Kodak Company's historical collection, and the massive Gabriel Cromer collection of nineteenth-century French photography. The Eastman Museum has received donations of entire archives, corporate and individual collections, and the estates of leading photographers, as well as thousands of motion pictures and massive holdings of cinematic ephemera.
But by July 19, 1984, the museum had a $500,000 deficit, [11] [12] and the museum's holdings were considered by many to be among the world's finest, but with the collections growing at a rapid pace, the museum was increasingly burdened by its own success. Additional space became critical to store and study the increasing number of collected objects.
In 1985, the Smithsonian Institution was offered title and control, if it agreed to leave the Eastman Archives in Rochester and pay $1 million a year towards maintenance. [12] The Smithsonian would appoint the director and staff and set curatorial policies. [12]
In 1985, Kodak gave the Museum an endowment, the proceeds of the sale [13] of its San Francisco office building, [14] [15] [16] [17] worth $13 million to $15 million on condition that it remain in Rochester, and the trustees must raise the money to build or renovate in Rochester. [3] [18] [19] [4]
In January 1989, the museum's expansion facility opened to the public. [20]
In 1996, the museum opened the Louis B. Mayer Conservation Center in nearby Chili. One of only four film conservation centers in the United States (as of March 2006), the facility houses the museum's rare 35 mm prints made on cellulose nitrate. That same year, the Eastman House launched the first school of film preservation in the United States to teach restoration, preservation, and archiving of motion pictures. The L. Jeffrey Selznick School of Film Preservation was founded with support from The Louis B. Mayer Foundation.
In 1999, the George Eastman Museum launched the Mellon Advanced Residency Program in Photograph Conservation, made possible with grant support from the Andrew W. Mellon Foundation. The program trained top photograph archivists and conservators from around the world.
George Eastman Museum has organized numerous groundbreaking exhibitions, including New Topographics: Photographs of a Man-Altered Landscape in 1975.
The current director of the George Eastman Museum is Bruce Barnes who was appointed in September 2012. [21]
Name | Tenure |
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Oscar N. Solbert | 1947–1958 |
Beaumont Newhall | 1958–1971 |
Van Deren Coke | 1971–1972 |
Robert J. Doherty | 1972–1981 |
Robert A. Mayer | 1981–1989 |
James L. Enyeart | 1989–1995 |
Anthony Bannon | 1996–2012 |
Bruce Barnes | 2012–present |
The George Eastman Museum is headed by a board of trustees. Nannette Nocon is the current board chair.
The George Eastman Museum's annual budget is approximately $10 million. As of December 2014, its endowment exceeded $35 million.
The museum's holdings comprise more than 400,000 photographs and negatives dating from the invention of photography to the present day; 28,000 motion picture films; three million other cinematic objects, including letters, scripts, musical scores, lobby cards, posters, film stills, and celebrity portraits; more than 16,000 objects of photographic and cinematographic technology; an internationally renowned research collection of books, periodicals, and other materials on photography and moving images; and George Eastman's home furnishings and decorative arts, personal and business correspondence, private library, photographs, negatives, films, and related personal items.
The photography collection embraces numerous landmark processes, objects of great rarity, and monuments of art history that trace the evolution of the medium as a technology, as a means of scientific and historical documentation, and as one of the most potent and accessible means of personal expression of the modern era. More than 14,000 photographers are represented in the collection, including virtually all the major figures in the history of the medium. The collection includes original vintage works produced by nearly every process and printing medium employed. Notable holdings include:
The museum's collection includes works by leading contemporary artists, including Andy Warhol, Candida Höfer, David Levinthal, Cindy Sherman, Adam Fuss, Vik Muniz, Gillian Wearing, Ori Gersht, Mickalene Thomas, Chris McCaw, and Matthew Brandt.
The George Eastman Museum Motion Picture Collection is one of the major moving image archives in the United States. It was established in 1949 by the first curator of film, James Card (1915–2000) who helped to build the George Eastman Museum as a leading force in the field with holdings of over 25,000 titles and a collection of stills, posters and papers with over 3 million artifacts. The George Eastman Museum's collection includes the complete moving-image works of William Kentridge.
This collection includes George Eastman's house and the George Eastman Archive and Study Center. [23] Opened in April 1999, [24] the George Eastman Archive and Study Center contains Eastman's personal possessions and documents pertaining to Kodak's early history. [25] It has over half a million items [23] within its climate controlled vault. [24] The archive is accessible from the second floor of the house. [24] Items within the house itself include fragments of Eastman's coffin, [26] a mounted elephant head, [27] and an Aeolian pipe organ. [28]
On May 30, 1978, a two-alarm fire affecting four buildings resulted in the loss of some rare movie films and still photographs in the collection, including the original negatives to the pre-1951 MGM cartoons, though not as bad as originally feared. [29]
The George Eastman Museum established the George Eastman Award for distinguished contribution to the art of film in 1955 as the first award given by an American film archive and museum to honor artistic work of enduring value. [30]
George Eastman built his residence at 900 East Avenue between 1902 and 1905. He created a unique urban estate complete with 10.5 acres (42,000 m2) of working farm land, formal gardens, greenhouses, stables, barns, pastures, and a 35,000-square-foot (3,300 m2), 50-room Colonial Revival mansion with a fireproof structure made of reinforced concrete.
Eastman's house presented a neoclassical Georgian Revival facade of decorative craftsmanship. Beneath this exterior were such modern conveniences as an electrical generator, an internal telephone system with 21 stations, a built-in vacuum cleaning system, a central clock network, an elevator, and a great Aeolian pipe organ. Eastman used the house as a center of the city's rich musical life from 1905 until his death in 1932.
The estate was declared a National Historic Landmark in 1966. [2] [35]
The Eastman Kodak Company, referred to simply as Kodak, is an American public company that produces various products related to its historic basis in film photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. It is best known for photographic film products, which it brought to a mass market for the first time.
George Eastman was an American entrepreneur who founded the Eastman Kodak Company and helped to bring the photographic use of roll film into the mainstream. After a decade of experiments in photography, he patented and sold a roll film camera, making amateur photography accessible to the general public for the first time. Working as the treasurer and later president of Kodak, he oversaw the expansion of the company and the film industry.
Rochester is a city in the U.S. state of New York and the county seat of Monroe County. It is the fourth-most populous city and 10th most-populated municipality in New York, with a population of 211,328 at the 2020 census. The city forms the core of the larger Rochester metropolitan area in Western New York, with a population of just over 1 million residents. Throughout its history, Rochester has acquired several nicknames based on local industries; it has been known as "the Flour City" and "the Flower City" for its dual role in flour production and floriculture, and as the "Imaging Capital of the World" for its association with film, optics, and photography.
Bruce Landon Davidson is an American photographer, who has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities that are usually hostile to outsiders.
Eastman Business Park, formerly Kodak Park, is a large manufacturing and industrial complex in the city of Rochester, New York, in the United States. The complex is run by Eastman Kodak and is located 3 miles (5 km) north of downtown Rochester and 4 miles (6 km) south of Lake Ontario. The complex runs parallel to New York State Route 104 and Mount Read Boulevard for most of its length. Also part of the complex is the Kodak Center performing arts center and conference facility.
Anthony Bannon is an arts administrator in Western New York. He served as the director of the George Eastman Museum from 1996 to 2012 as well as the executive director of the Burchfield Penney Art Center at Buffalo State College. During his tenure at the George Eastman Museum, Bannon launched programs in photo and film preservation, acquired the Technicolor and Merchant Ivory Productions archives, and established an online presence for the museum's classic images.
Larry Silver is an American photographer. He was born in the Bronx. While a student at the High School of Industrial Art in Manhattan he met members of the Photo League, among them Lou Bernstein, W. Eugene Smith and Weegee. He won a first prize in the Scholastic-Ansco Photography Awards, and a scholarship to the Art Center School in Los Angeles. Silver takes black-and-white photographs, mainly documenting the places he has lived: Santa Monica Beach, California; New York City; and Westport, Connecticut.
Nathan Lyons was an American photographer, curator, and educator. He exhibited his photographs from 1956 onwards, produced books of his own and edited those of others.
Manuel Rivera-Ortiz is a stateside Puerto Rican photographer. He is best known for his social documentary photography of people's living conditions in less developed nations. Rivera-Ortiz lives in Rochester, New York, and in Zurich.
Robert A. Mayer was the fifth director of the George Eastman Museum from 1981 to 1989. He also served as President of the Museum Association of New York from 1986 - 1988. Mayer made the disputed proposal to transfer the museum's collections of photographs, films and cameras to the Smithsonian Institution in Washington. The museum's trustees initially approved the transfer in 1985, but later rescinded the move and initiated a $10.5 million fund-raising campaign, of which $7.8 million was spent to construct a building designed to house the collections. Mayer then briefly served as the executive director of the New York State Council on the Arts. Between 1990 and 1997 he was President and Chief Executive Officer of the Cleveland Institute of Art, and then retired to Scottsdale, AZ.
Downtown Rochester is the economic center of Rochester, New York, and the 2nd largest in Upstate New York, employing more than 50,000 people, and housing more than 6,000.
"New Topographics: Photographs of a Man-Altered Landscape" was a groundbreaking exhibition of contemporary landscape photography held at the George Eastman House's International Museum of Photography from October 1975 to February 1976. The show, curated by William Jenkins, had a lasting impact on aesthetic and conceptual approaches to American landscape photography. The New Topographics photographers, including Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Frank Gohlke, Nicholas Nixon, and Stephen Shore, documented built and natural landscapes in America, often capturing the tension between natural scenery and the mundane structures of post-war America: parking lots, suburban homes, crumbling coal mines. The photographs, stark and documentary, are often devoid of human presence. Jenkins described the images as "neutral" in style, "reduced to an essentially topographic state, conveying substantial amounts of visual information but eschewing entirely the aspects of beauty, emotion, and opinion".
"You Press the Button, We Do the Rest" was an advertising slogan coined by George Eastman, the founder of Kodak, in 1888. Eastman believed in making photography available to the world, and making it possible for anyone who had the desire to take great pictures. Until then, taking photographs was a complicated process that could only be accomplished if the photographer could process and develop film. With his new slogan, Eastman and the Eastman Kodak Company became wildly successful and helped make photography popular.
Thomas John Shillea is an American artist who specializes in painting and photography. He is known for using 19th-century printing techniques. He began drawing at the age of two and throughout his childhood made thousands of photorealistic drawings. Shillea earned a BS in Art Education from Kutztown University. He then taught high school art and later earned an MFA degree at the Rochester Institute of Technology.
Patrick Montgomery is an American documentary producer/director and film and photo archivist. He has specialized in making films using archival materials, most notably The Man You Loved to Hate (1979) about the legendary actor/director Erich Von Stroheim and The Compleat Beatles (1982) a two-hour documentary about the rise and fall of the world's most famous rock group. He also founded and ran Archive Films/Archive Photos, the largest independent commercial film and photo archive in the U.S. until its acquisition by The Image Bank, a division of Eastman Kodak, in 1997.
Alisa Wells, born Alice Wells, and also known as Alisa Andrews, Alice Wells-Witteman and Alisa Attenberger, was an American photographer who created multi-layered images and worked with found glass-plate negatives. She was most active as a photographer from 1962 to 1975, during which she was included in over thirty-five group exhibitions and six one-person exhibitions. Her work is in the permanent collection of The Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, New Mexico State University, and the Eastman house.
Kodak Alaris is a British-based company currently comprising two divisions: Alaris, hardware and software for digital imaging and information management; and Kodak Moments, retail photo printing kiosks and sales and marketing of traditional photographic film. The company is headquartered in Hemel Hempstead, Hertfordshire. The company shares ownership of the Kodak brand with the Eastman Kodak Company.
Jeannette Klute was an American photographer who helped develop the Dye-transfer process at the Eastman Kodak Company and is credited with demonstrating the artistic possibilities of color photography. Klute also paved the way for women to work in the photography industry.
The Kodak Works, Harrow was a photographic manufacturing plant and research and development centre on Headstone Drive, Harrow, North West London. Built by the American Kodak company in 1890, it was their largest factory in the United Kingdom and at its peak in the mid-20th century employed up to 6,000 workers. Production of photographic film ended in 2005 and the plant closed its doors in 2016.
Gabriel Cromer was a photographer, a historian of photography and a collector of photographs. He was born in Rethel, in the Ardennes, France, the 1st of April 1873 and died in Clamart, in the Isle-de-France on the 14th of November 1934.