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Architectural photography is the subgenre of the photography discipline where the primary emphasis is made to capturing photographs of buildings and similar architectural structures that are both aesthetically pleasing and accurate in terms of representations of their subjects. Architectural photographers are usually skilled in the use of specialized techniques and cameras for producing such specialized photography.
The first permanent photograph, View from the Window at Le Gras by Nicéphore Niépce, was also the first architectural photograph as it was a view of buildings. Similarly, photographs taken by early photographer William Henry Fox Talbot were of architecture, including his photograph of a Latticed window in Lacock Abbey taken in 1835.[ citation needed ]
Throughout the history of photography, architectural structures including buildings have been highly valued photographic subjects, mirroring society's appreciation for architecture and its cultural significance. By the 1860s, architectural photography started to become an established visual medium.
Much as building designs changed and morphed with traditional forms, architectural photography also evolved with time. During the early-to-mid-20th century, architectural photography became more creative as photographers used diagonal lines and bold shadows in their compositions, and experimented with other innovative techniques.
By the early 1950s, architects were hiring more photographers for commissioned work, resulting in architectural photography being viewed as more of an art form than what it had been considered before. [1]
A tenet of architectural photography is the use of perspective control, with an emphasis on vertical lines that are non-converging (parallel). This is achieved by positioning the focal plane of the camera at so that it is perpendicular to the ground, regardless of the elevation of the camera eye. This result can be achieved by the use of view cameras, tilt/shift lenses, or post-processing.
Traditionally, view cameras have been used for architectural photography as they allow for the lens to be tilted or shifted relative to the film plane. This allows for control of perspective, as well as a variety of creative possibilities.
In a similar fashion to landscape photography, a deep depth of field is usually employed so that both the foreground and background (to infinity) are in sharp focus.
More recently, digital single lens reflex (DSLR) cameras have been used in the field of architectural photography. These cameras also employ detachable, tilt-shift lenses of varying (usually fixed) focal lengths.
When shooting interior and exterior photography is important to shoot in a wide-angle lens.
Real estate photography is a subgenre of architectural photography, but different in a number of ways. While both real estate photography and architectural photography are the practice of capturing interior and exterior photographs, the way in which the images are captured and used can vary greatly. At its core, real estate photography is used for marketing and sales, as opposed to architectural photography, which is more artistic and expressive in nature.
Even though many times the subject matter is the same, the approach used by a photographer can be different depending on if the photoshoot is considered a real estate or architectural shoot. A photographer may actually even bring completely different gear dependent on which type of shoot they have scheduled. Both the photographer and the client will have different expectations depending on the real estate vs. architectural photography distinction. [2]
Construction photography is a genre of photography that captures images related to the construction industry. This includes photographs of construction sites, buildings under construction, architectural structures, as well as the workers and machinery involved in the construction process.
The origins of construction photography can be traced back to the mid-19th century with the rise of architectural photography. As photographic processes advanced, photographers began documenting major construction projects and engineering feats, such as bridges, railroads, and urban development. [3] This allowed project stakeholders to monitor progress and gave the public visual access to large-scale infrastructure taking shape.[ citation needed ] Over time, construction photography evolved from simple documentation to a specialized craft. Pioneers like Eadweard Muybridge used sequential photos of building processes. Newspapers hired staff photographers to cover major projects. [4] Technological advances like higher quality cameras, artificial lighting, and remote photography enabled more versatile and artistic approaches. [3] Construction photography gained wider appeal with public infrastructure projects during the New Deal era. [4]
Architectural photography typically shows either the exterior or the interior of buildings. The techniques used in each of these types of photography are similar, but do have some difference and sometimes require different equipment depending upon the requirements.
Exterior architectural photography usually takes advantage of available light by day, or at night it uses ambient light from adjacent street lights, landscape lights, exterior building lights, moonlight and even twilight present in the sky in all but the darkest situations.
In many cases, the landscaping surrounding a building is important to the overall composition of a photograph, and even necessary to communicate the aesthetic harmony of a building with its environment. The photographer will often include flowers, trees, fountains or statues in the foreground of a composition, taking advantage of their ability to help lead the eye into the composition and to its main subject, the building.
Aerial photography is trending as it shows different and unique perspectives of the structure being photographed. This can include getting level with the structure, showing property boundaries, revealing the location in a geographical view point, and putting context to surrounding scenery.
Interior architectural photography can also be performed with ambient light transmitted through windows and skylights, as well as interior lighting fixtures. Frequently though, architectural photographers use supplemental lighting to improve the illumination within a building. Either electronic flash "strobes" or incandescent "hot lights" are generally used. A feature of architectural photography is that the principal subjects almost always remains stationary. It is therefore possible to use post-processing editing to achieve a balanced lighting scheme, even in the absence of additional lighting.
This combination of using natural light and artificial light is sometimes described as "flambient lighting" - a combination of the words "flash" and "ambient". The key is not letting one of the light sources over power the other. If used properly and blended well in post-processing, the result is the best lighting possible for interior photography. [5]
The architectural detail of a building shows a closer view of the texture and material from which they are built. This type of closer framing provides additional information on the materiality, usability and finishes of the building or property.
The architectural photography as a profession is primarily represented by three trade organizations, which strive to spread best practices among architectural photographers, as well as promote the sound business practices, consistency, quality and copyright protection.
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed, composed, and focused, then the glass screen is replaced with the film to expose exactly the same image seen on the screen.
Cinematography is the art of motion picture photography.
Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving, but can be done while diving on surface supply, snorkeling, swimming, from a submersible or remotely operated underwater vehicle, or from automated cameras lowered from the surface.
Large format photography refers to any imaging format of 9 cm × 12 cm or larger. Large format is larger than "medium format", the 6 cm × 6 cm or 6 cm × 9 cm size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras, and much larger than the 24 mm × 36 mm frame of 35 mm format.
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video.
Macro photography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size . By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life-size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life-size.
In photography, through-the-lens metering refers to a feature of cameras whereby the intensity of light reflected from the scene is measured through the lens; as opposed to using a separate metering window or external hand-held light meter. In some cameras various TTL metering modes can be selected. This information can then be used to set the optimal film or image sensor exposure, it can also be used to control the amount of light emitted by a flash unit connected to the camera.
A photographic studio is often a business owned and represented by one or more photographers, possibly accompanied by assistants and pupils, who create and sell their own and sometimes others’ photographs.
Light painting, painting with light,light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the camera itself during exposure of light sources. Practiced since the 1880s, the technique is used for both scientific and artistic purposes, as well as in commercial photography.
Portrait photography, or portraiture, is a type of photography aimed toward capturing the personality of a person or group of people by using effective lighting, backdrops, and poses. A portrait photograph may be artistic or clinical. Frequently, portraits are commissioned for special occasions, such as weddings, school events, or commercial purposes. Portraits can serve many purposes, ranging from usage on a personal web site to display in the lobby of a business.
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would:
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras.
The following outline is provided as an overview of and topical guide to photography:
Miniature faking, also known as diorama effect or diorama illusion, is a process in which a photograph of a life-size location or object is made to look like a photograph of a miniature scale model. Blurring parts of the photo simulates the shallow depth of field normally encountered in close-up photography, making the scene seem much smaller than it actually is; the blurring can be done either optically when the photograph is taken, or by digital postprocessing. Many diorama effect photographs are taken from a high angle to simulate the effect of looking down on a miniature. Tilt–shift photography is also associated with miniature faking.
Early architectural photographers include Roger Fenton, Francis Frith, Samuel Bourne, Inclined Studio (India) and Albert Levy. They paved the way for the modern speciality of architectural photography. Later architectural photography had practitioners such as Ezra Stoller and Julius Shulman. Stoller worked mainly on the east coast of America, having graduated with a degree in architecture in the 1930s. Shulman, who was based on the West Coast, became an architectural photographer after some images that he had taken of one of Richard Neutra's houses in California made their way onto the architect's desk.
Banquet photography is the photography of large groups of people, typically in a banquet setting such as a hotel or club banquet room, with the objective of commemorating an event. Clubs, associations, unions, circuses and debutante balls have all been captured by banquet photographers.
Tilted plane photography is a method of employing focus as a descriptive, narrative or symbolic artistic device. It is distinct from the more simple uses of selective focus which highlight or emphasise a single point in an image, create an atmospheric bokeh, or miniaturise an obliquely-viewed landscape. In this method the photographer is consciously using the camera to focus on several points in the image at once while de-focussing others, thus making conceptual connections between these points.
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.
Elevated photography is the process of taking aerial photos using a telescoping pole or mast, or other aerial or elevated support systems, to emulate aerial photographs, or video, taken from a commercially licensed aircraft.
Robert Clayton Lautman was an American architectural photographer.
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