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A press camera is a medium or large format view camera that was predominantly used by press photographers in the early to mid-20th century. It was largely replaced for press photography by 35mm film cameras in the 1960s, and subsequently, by digital cameras. The quintessential press camera was the Speed Graphic. [1] Press cameras are still used as portable and rugged view cameras.
Press cameras were widely used from the 1900s through the early 1960s and commonly have the following features: [2] [3] : 48
Some models have both a focal plane shutter and an iris lens shutter. The focal plane shutter allows for fast shutter speeds and the use of lenses which do not have an integral shutter (known as a barrel lens), [2] while the iris shutter allows for flash synchronization at any speed. The Graphlex Speed Graphic models [5] and the Ihagee Zweiverschluss ("two shutters") Duplex [6] are examples of press cameras that had both focal plane and iris shutters.
The most common sheet film size for press cameras was the 4×5 inch film format. [1] [2] Models have also been produced for the 2.25×3.25 inch format (6×9 cm), 3.25×4.25 inch format and various 120 film formats [3] from 6×6 cm. through 6×12 cm. European press cameras, such as the Goerz and Van Neck, used the 9×12cm format, marginally smaller than the 4"×5" format.
The press camera is still used as a portable medium or large format film camera for photojournalism and among fine art photographers who use it as a low cost, more portable alternative to a view camera. In news photography, the press camera has been largely supplanted by the smaller formats of 120 film and 135 film, and more recently by digital cameras. The advantage of the 4×5 inch format over 35 mm format is that the size of the film negative is 16 times that of a 35 mm film negative image. [2] [lower-alpha 2]
Press cameras were largely superseded by the 6x6cm medium format Rolleiflex in the early to mid-1960s and later by 35 mm rangefinder or single-lens reflex cameras. The smaller formats gained acceptance as film technology advanced and quality of the smaller negatives was deemed acceptable by picture editors. The smaller cameras generally offered lenses with faster maximum apertures and by the nature of their smaller size, were easier to transport and use. The bulk and weight of the camera itself, as well as the size of the film holders (two pictures per film holder), limited the number of exposures photographers could make on an assignment; this was less of an issue with 12 exposures on a roll of 120 film, or 36 exposures on 35 mm film. [8]
Compared to view cameras, press cameras do not have the range of swing/tilt movements of the front standard, and rarely have back movements because many were fitted with focal plane shutters. [2]
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
A camera is an optical instrument that captures images. Most cameras can capture 2D images, while some more advanced models can capture 3D images. At a basic level, most cameras consist of a sealed box, with a small hole that allows light to pass through and capture an image on a light-sensitive surface. Cameras have various mechanisms to control how light falls onto the light-sensitive surface, including lenses that focus the light and a shutter that determines the amount of time the photosensitive surface is exposed to the light.
A folding camera is a camera type. Folding cameras fold into a compact and rugged package for storage. The lens and shutter are attached to a lens-board which is connected to the body of the camera by a light-tight folding bellows. When the camera is fully unfolded it provides the correct focus distance from the film. The key advantage of folding cameras is their excellent physical-size to film-size ratio when the camera is folded for storage.
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed and then the glass screen is replaced with the film, and thus the film is exposed to exactly the same image as was seen on the screen.
A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.
Victor Hasselblad AB is a Swedish manufacturer of medium format cameras, photographic equipment and image scanners based in Gothenburg, Sweden. The company originally became known for its classic analog medium-format cameras that used a waist-level viewfinder. Perhaps the most famous use of the Hasselblad camera was during the Apollo program missions when the first humans landed on the Moon. Almost all of the still photographs taken during these missions used modified Hasselblad cameras. In 2016, Hasselblad introduced the world's first digital compact mirrorless medium-format camera, the X1D-50c, changing the portability of medium-format photography. Hasselblad produces about 10,000 cameras a year from a small three-storey building.
The Speed Graphic was a press camera produced by Graflex in Rochester, New York. Although the first Speed Graphic cameras were produced in 1912, production of later versions continued until 1973; with the most significant improvements occurring in 1947 with the introduction of the Pacemaker Speed Graphic.
In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor.
Graflex was a manufacturer that gave its brand name to several models of camera.
Mamiya Digital Imaging Co., Ltd. is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya and financial backer Tsunejiro Sugawara.
Rolleiflex is the name of a long-running and diverse line of high-end cameras originally made by the German company Franke & Heidecke, and later Rollei-Werke.
Sinar Photography AG is a Swiss company based in Zurich manufacturing specialized high-resolution view cameras for studio, reproduction, landscape and architecture photography.
Bronica also Zenza Bronica was a Japanese manufacturer of classic medium-format roll film cameras and photographic equipment based in Tokyo, Japan. Their single-lens reflex (SLR) system-cameras competed with Pentax, Hasselblad, Mamiya and others in the medium-format camera market.
Linhof is a German company, founded in Munich in 1887 by Valentin Linhof. The company is well known for making premium rollfilm and large format film cameras. Linhof initially focused on making camera shutters and developing the first leaf shutter, which became part of Compur.
During the 1930s, Zeiss Ikon (ZI) made a wide range of miniature cameras for the 35mm film format. Most cameras used the standard 24×36 mm frame size, like the Contax, Nettax and Super Nettel. However, the ability to take images in fast sequence was a popular marketing element at the time, and several fast-operating models were made. Among these were the Otto Berning's motor-driven Robot cameras as well as the ZI lever-operated Tenax I and Tenax II. These have the smaller square format of 24×24 mm, enhancing faster frame advance.
The Fuji GX680 is a series of single lens reflex system cameras for medium format film produced by Fujifilm with interchangeable camera lenses and interchangeable film holders for the unusual film format 6×8 cm on 120 and 220 roll film. The distinguishing feature of the Fuji GX680 is the articulating front standard, which runs on a rail connecting lens and camera body by a bellows; the interchangeable lens is permanently mounted to a lens board.
The Kine Exakta was the first 35mm single-lens reflex (SLR) still camera in regular production. It was presented by Ihagee Kamerawerk Steenbergen GmbH, Dresden at the Leipziger Frühjahrsmesse in March 1936. The Exakta name had already been used by Ihagee on a roll film rangefinder RF camera line since 1933, among these the Vest Pocket Exakta Model B from which the Kine Exakta inherited its general layout and appearance. The word Kine never appeared on the camera itself, only in the instruction manuals and advertising to distinguish it from the roll film variants. Several of its features constituted the foundation for the majority of 35mm SLR cameras produced ever since, although at this stage in a relatively primitive state.
The Mamiya Press is a line of medium-format rangefinder system press cameras manufactured by Mamiya. The first model was introduced in 1960, and the final model was discontinued in the 1970s. It was targeted at the professional press photography market, and a wide array of accessories was offered.
The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus film cameras, and autofocus film/digital cameras.
The Mamiya RB67 is a professional medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RB67 Professional, RB67 Pro-S and RB67 Pro-SD. It is primarily designed for studio use, but can also be used in the field.