Digital photography

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Nikon D700 -- a 12.1-megapixel full-frame DSLR D700-400.jpg
Nikon D700 — a 12.1-megapixel full-frame DSLR
The Canon PowerShot A95 Canon powershot a95.jpg
The Canon PowerShot A95

Digital photography uses cameras containing arrays of electronic photodetectors to capture images focused by a lens, as opposed to an exposure on photographic film. The captured images are digitized and stored as a computer file ready for further digital processing, viewing, digital publishing or printing.

Camera type of camera for recording still images

A camera is an optical instrument to capture still images or to record moving images, which are stored in a physical medium such as in a digital system or on photographic film. A camera consists of a lens which focuses light from the scene, and a camera body which holds the image capture mechanism.

Electronics physics, engineering, technology and applications that deal with the emission, flow and control of electrons in vacuum and matter

Electronics comprises the physics, engineering, technology and applications that deal with the emission, flow and control of electrons in vacuum and matter. The identification of the electron in 1897, along with the invention of the vacuum tube, which could amplify and rectify small electrical signals, inaugurated the field of electronics and the electron age.

Photodetector sensors of light or other electromagnetic energy

Photodetectors, also called photosensors, are sensors of light or other electromagnetic radiation. A photo detector has a p–n junction that converts light photons into current. The absorbed photons make electron–hole pairs in the depletion region. Photodiodes and photo transistors are a few examples of photo detectors. Solar cells convert some of the light energy absorbed into electrical energy.

Contents

Until the advent of such technology, photographs were made by exposing light sensitive photographic film and paper, which was processed in liquid chemical solutions to develop and stabilize the image. Digital photographs are typically created solely by computer-based photoelectric and mechanical techniques, without wet bath chemical processing.

Photograph image created by light falling on a light-sensitive surface

A photograph is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor, such as a CCD or a CMOS chip. Most photographs are created using a camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process and practice of creating such images is called photography. The word photograph was coined in 1839 by Sir John Herschel and is based on the Greek φῶς (phos), meaning "light," and γραφή (graphê), meaning "drawing, writing," together meaning "drawing with light."

Photographic film sheet of plastic coated with light-sensitive chemicals

Photographic film is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film.

Photographic processing or development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.

The first consumer digital cameras were marketed in the late 1990s. [1] Professionals gravitated to digital slowly, and were won over when their professional work required using digital files to fulfill the demands of employers and/or clients, for faster turn-around than conventional methods would allow. [2] Starting around 2007, digital cameras were incorporated in cell phones and in the following years, cell phone cameras became widespread, particularly due to their connectivity to social media websites and email. Since 2010, the digital point-and-shoot and DSLR formats have also seen competition from the mirrorless digital camera format, which typically provides better image quality than the point-and-shoot or cell phone formats but comes in a smaller size and shape than the typical DSLR. Many mirrorless cameras accept interchangeable lenses and have advanced features through an electronic viewfinder, which replaces the through-the-lens finder image of the SLR format.

The digital camera

History

While digital photography has only relatively recently become mainstream, the late 20th century saw many small developments leading to its creation. The first image of Mars was taken as the Mariner 4 flew by it on July 15, 1965, with a camera system designed by NASA/JPL. While not what we usually define as a digital camera, it used a comparable process. It used a video camera tube, followed by a digitizer, rather than a mosaic of solid state sensor elements. This produced a digital image that was stored on tape for later slow transmission back to Earth. [3] [4]

Mariner 4

Mariner 4 was the fourth in a series of spacecraft intended for planetary exploration in a flyby mode. It was designed to conduct closeup scientific observations of Mars and to transmit these observations to Earth. Launched on November 28, 1964, Mariner 4 performed the first successful flyby of the planet Mars, returning the first close-up pictures of the Martian surface. It captured the first images of another planet ever returned from deep space; their depiction of a cratered, seemingly dead world, largely changed the scientific community's view of life on Mars. Other mission objectives were to perform field and particle measurements in interplanetary space in the vicinity of Mars and to provide experience in and knowledge of the engineering capabilities for interplanetary flights of long duration. On December 21, 1967 communications with Mariner 4 were terminated.

Video camera tube

Video camera tubes were devices based on the cathode ray tube that were used to capture television images prior to the introduction of charge-coupled devices (CCDs) in the 1980s. Several different types of tubes were in use from the early 1930s to the 1980s.

The real history of digital photography as we know it began in the 1950s. In 1951, the first digital signals were saved to magnetic tape via the first video tape recorder. [5] Six years later, in 1957, the first digital image was produced through a computer by Russell Kirsch. [6] It was an image of his son. In the late 1960s, Willard S. Boyle and George E. Smith, two physicists with Bell Labs, Inc., invented the charge-coupled device (CCD), a semiconductor circuit later used in the first digital video cameras for television broadcasting. [7] Their invention was recognized by a Nobel Prize in Physics in 2009. [8] The first published color digital photograph was produced in 1972 by Michael Francis Tompsett using CCD sensor technology and was featured on the cover of Electronics Magazine. It was a picture of his wife, Margaret Thompsett. [9] The Cromemco Cyclops, a digital camera developed as a commercial product and interfaced to a microcomputer, was featured in the February 1975 issue of Popular Electronics magazine. It used metal-oxide semiconductor (MOS) technology for its image sensor.

Charge-coupled device device for the movement of electrical charge

A charge-coupled device (CCD) is a device for the movement of electrical charge, usually from within the device to an area where the charge can be manipulated, for example conversion into a digital value. This is achieved by "shifting" the signals between stages within the device one at a time. CCDs move charge between capacitive bins in the device, with the shift allowing for the transfer of charge between bins.

Nobel Prize in Physics One of the five Nobel Prizes established in 1895 by Alfred Nobel

The Nobel Prize in Physics is a yearly award given by the Royal Swedish Academy of Sciences for those who have made the most outstanding contributions for humankind in the field of physics. It is one of the five Nobel Prizes established by the will of Alfred Nobel in 1895 and awarded since 1901; the others being the Nobel Prize in Chemistry, Nobel Prize in Literature, Nobel Peace Prize, and Nobel Prize in Physiology or Medicine.

Michael Francis Tompsett is a British-born physicist, engineer, and inventor, and the founder director of the UK software company TheraManager. He is a former researcher at the English Electric Valve Company, who later moved to Bell Labs in the United States. Tompsett designed and built the first ever video camera with a solid-state (CCD) sensor. Tompsett received the prestigious Queen Elizabeth Prize for Engineering in 2017, with Eric Fossum, George Smith, and Nobukazu Teranishi. Dr. Tompsett has also received two other lifetime awards; the New Jersey Inventors Hall of Fame 2010 Pioneer Award, and the 2012 IEEE Edison Medal. The thermal-imaging camera tube developed from his invention also earned a Queen's Award in 1987.

The first self-contained (portable) digital camera was created later in 1975 by Steven Sasson of Eastman Kodak. [10] [11] Sasson's camera used CCD image sensor chips developed by Fairchild Semiconductor in 1973. [12] The camera weighed 8 pounds (3.6 kg), recorded black and white images to a cassette tape, had a resolution of 0.01 megapixels (10,000 pixels), and took 23 seconds to capture its first image in December 1975. The prototype camera was a technical exercise, not intended for production. [13] While it was not until 1981 that the first consumer camera was produced by Sony, Inc., the groundwork for digital imaging and photography had been laid. [14]

Steven Sasson American inventor

Steven J. Sasson is an American electrical engineer and the inventor of the first self-contained (portable) digital camera. Sasson is a 1972 (BS) and 1973 (MS) graduate of Rensselaer Polytechnic Institute in electrical engineering. He attended and graduated from Brooklyn Technical High School. He has worked for Eastman Kodak since shortly after his graduation from engineering school.

Fairchild Semiconductor company

Fairchild Semiconductor International, Inc. was an American semiconductor company based in San Jose, California. Founded in 1957 as a division of Fairchild Camera and Instrument, it became a pioneer in the manufacturing of transistors and of integrated circuits. Schlumberger bought the firm in 1979 and sold it to National Semiconductor in 1987; Fairchild was spun off as an independent company again in 1997. In September 2016, Fairchild was acquired by ON Semiconductor.

The first widely commercially available digital camera was the 1990 Dycam Model 1; it also sold as the Logitech Fotoman. It used a CCD image sensor, stored pictures digitally, and connected directly to a computer for downloading images. [15] [16] [17] Originally offered to professional photographers for a hefty price, by the mid-to-late 1990s, due to technology advancements, digital cameras were commonly available to the general public.

The advent of digital photography also gave way to cultural changes in the field of photography. Unlike with traditional photography, dark rooms and hazardous chemicals were no longer required for post-production of an image - images could now be processed and enhanced from behind a computer screen in one's own home. This allowed for photographers to be more creative with their processing and editing techniques. As the field became more popular, types of digital photography and photographers diversified. Digital photography took photography itself from a small somewhat elite circle, to one that encompassed many people. [18]

The camera phone also helped popularize digital photography, along with the internet and social media. [19] The first cell phones with built-in digital cameras were produced in 2000 by Sharp and Samsung. [20] Small, convenient, and easy to use, camera phones have made digital photography ubiquitous in the daily life of the general public.

Number of photos taken

According to research from KeyPoint Intelligence/InfoTrends, an estimated 400 billion digital photos were taken globally in 2011 and this will rise to 1.2 trillion photos in 2017.[ needs update ] An estimated 85 percent of the photos taken in 2017 will be done with the smartphone rather than a traditional digital camera.[ needs update ] [21]

Sensors

Image sensors read the intensity of light, and digital memory devices store the digital image information as RGB color space or as raw data.

The two main types of sensors are charge-coupled devices (CCD), in which the photocharge is shifted to a central charge-to-voltage converter, and CMOS or active pixel sensors.

Multifunctionality and connectivity

Except for some linear array type of cameras at the highest-end and simple web cams at the lowest-end, a digital memory device (usually a memory card; floppy disks and CD-RWs are less common) is used for storing images, which may be transferred to a computer later.

Digital cameras can take pictures, and may also record sound and video. Some can be used as webcams, some can use the PictBridge standard to connect to a printer without using a computer, and some can display pictures directly on a television set. Similarly, many camcorders can take still photographs, and store them on videotape or on flash memorycards with the same functionality as digital cameras.

Digital photography is one of the most exceptional instances of the shift from converting conventional analog information to digital information. This shift is so tremendous because it was a chemical and mechanical process and became an all digital process with a built in computer in all digital cameras. [22]

Performance metrics

The quality of a digital image is a composite of various factors, many of which are similar to those of film cameras. Pixel count (typically listed in megapixels, millions of pixels) is only one of the major factors, though it is the most heavily marketed figure of merit. Digital camera manufacturers advertise this figure because consumers can use it to easily compare camera capabilities. It is not, however, the major factor in evaluating a digital camera for most applications. The processing system inside the camera that turns the raw data into a color-balanced and pleasing photograph is usually more critical, which is why some 4+ megapixel cameras perform better than higher-end cameras.

Matakis - blurred.jpg
MARTAKIS1.jpg
Image at left has a higher pixel count than the one to the right, but lower spatial resolution.

Resolution in pixels is not the only measure of image quality. A larger sensor with the same number of pixels generally produces a better image than a smaller one. One of the most important differences is an improvement in image noise. This is one of the advantages of digital SLR (single-lens reflex) cameras, which have larger sensors than simpler cameras (so-called point and shoot cameras) of the same resolution.

Pixel counts

The number of pixels n for a given maximum resolution (w horizontal pixels by h vertical pixels) is the product n = w × h. This yields e. g. 1.92 megapixels (1,920,000 pixels) for an image of 1600 × 1200. The majority of compact as well as some DSLR cameras have a 4:3 aspect ratio, i.e. w/h = 4/3. [23] According to Digital Photography Review, the 4:3 ratio is because "computer monitors are 4:3 ratio, old CCDs always had a 4:3 ratio, and thus digital cameras inherited this aspect ratio." [23]

The pixel count quoted by manufacturers can be misleading as it may not be the number of full-color pixels. For cameras using single-chip image sensors the number claimed is the total number of single-color-sensitive photosensors, whether they have different locations in the plane, as with the Bayer sensor, or in stacks of three co-located photosensors as in the Foveon X3 sensor. However, the images have different numbers of RGB pixels: Bayer-sensor cameras produce as many RGB pixels as photosensors via demosaicing (interpolation), while Foveon sensors produce uninterpolated image files with one-third as many RGB pixels as photosensors. Comparisons of megapixel ratings of these two types of sensors are sometimes a subject of dispute. [24]

The relative increase in detail resulting from an increase in resolution is better compared by looking at the number of pixels across (or down) the picture, rather than the total number of pixels in the picture area. For example, a sensor of 2560 × 1600 sensor elements is described as "4 megapixels" (2560 × 1600 = 4,096,000). Increasing to 3200 × 2048 increases the pixels in the picture to 6,553,600 (6.5 megapixels), a factor of 1.6, but the pixels per cm in the picture (at the same image size) increases by only 1.25 times. A measure of the comparative increase in linear resolution is the square root of the increase in area resolution, i.e., megapixels in the entire image.

Dynamic range

Practical imaging systems both digital and film, have a limited "dynamic range": the range of luminosity that can be reproduced accurately. Highlights of the subject that are too bright are rendered as white, with no detail; shadows that are too dark are rendered as black. The loss of detail is not abrupt with film, or in dark shadows with digital sensors: some detail is retained as brightness moves out of the dynamic range. "Highlight burn-out" of digital sensors, however, can be abrupt, and highlight detail may be lost. And as the sensor elements for different colors saturate in turn, there can be gross hue or saturation shift in burnt-out highlights.

Some digital cameras can show these blown highlights in the image review, allowing the photographer to re-shoot the picture with a modified exposure. Others compensate for the total contrast of a scene by selectively exposing darker pixels longer. A third technique is used by Fujifilm in its FinePix S3 Pro digital SLR. The image sensor contains additional photodiodes of lower sensitivity than the main ones; these retain detail in parts of the image too bright for the main sensor.

High dynamic range imaging (HDR) addresses this problem by increasing the dynamic range of images by either

  • increasing the dynamic range of the image sensor or
  • by using exposure bracketing and post-processing the separate images to create a single image with a higher dynamic range.

HDR images curtail burn-outs and black-outs.

Storage

Many camera phones and most digital cameras use memory cards having flash memory to store image data. The majority of cards for separate cameras are SD (Secure Digital) format; many are CompactFlash (CF) and the other formats are rare. XQD card format was the last new form of card, targeted at high-definition camcorders and high-resolution digital photo cameras. Most modern digital cameras also use internal memory for a limited capacity for pictures that can be transferred to or from the card or through the camera's connections; even without a memory card inserted into the camera.

Memory cards can hold vast numbers of photos, requiring attention only when the memory card is full. For most users, this means hundreds of quality photos stored on the same memory card. Images may be transferred to other media for archival or personal use. Cards with high speed and capacity are suited to video and burst mode (capture several photographs in a quick succession).

Because photographers rely on the integrity of image files, it is important to take proper care of memory cards. Common advocacy calls for formatting of the cards after transferring the images onto a computer. However, since all cameras only do quick formatting of cards, it is advisable to carry out a more thorough formatting using appropriate software on a PC once in a while. Effectively, this involves scanning of the cards to search for possible errors.

Market impact

In late 2002, 2-megapixel cameras were available in the United States for less than $100, with some 1-megapixel cameras for under $60. At the same time, many discount stores with photo labs introduced a "digital front end", allowing consumers to obtain true chemical prints (as opposed to ink-jet prints) in an hour. These prices were similar to those of prints made from film negatives. However, because digital images have a different aspect ratio than 35 mm film images, people have started to realize that 4x6 inch prints crop some of the image off the print. Some photofinishers have started offering prints with the same aspect ratio as the digital cameras record.

In July 2003, digital cameras entered the disposable camera market with the release of the Ritz Dakota Digital, a 1.2-megapixel (1280 x 960) CMOS-based digital camera costing only $11 (USD). Following the familiar single-use concept long in use with film cameras, Ritz intended the Dakota Digital for single use. When the pre-programmed 25-picture limit is reached, the camera is returned to the store, and the consumer receives back prints and a CD-ROM with their photos. The camera is then refurbished and resold.

Since the introduction of the Dakota Digital, a number of similar single-use digital cameras have appeared. Most single-use digital cameras are nearly identical to the original Dakota Digital in specifications and function, though a few include superior specifications and more advanced functions (such as higher image resolutions and LCD screens). Most, if not all these single-use digital cameras cost less than $20 (USD), not including processing. However, the huge demand for complex digital cameras at competitive prices has often caused manufacturing shortcuts, evidenced by a large increase in customer complaints over camera malfunctions, high parts prices, and short service life. Some digital cameras offer only a 90-day warranty.

Since 2003, digital cameras have outsold film cameras. [25] Prices of 35mm compact cameras have dropped with manufacturers further outsourcing to countries such as China. Kodak announced in January 2004 that they would no longer sell Kodak-branded film cameras in the developed world. [26] In January 2006, Nikon followed suit and announced they would stop production of all but two models of their film cameras. They will continue to produce the low-end Nikon FM10, and the high-end Nikon F6. In the same month, Konica Minolta announced it was pulling out of the camera business altogether. The price of 35mm and APS (Advanced Photo System) compact cameras have dropped, probably due to direct competition from digital and the resulting growth of the offer of second-hand film cameras. [27] Pentax have reduced production of film cameras but not halted it. [28] The technology has improved so rapidly that one of Kodak's film cameras was discontinued before it was awarded a "camera of the year" award later in the year. The decline in film camera sales has also led to a decline in purchases of film for such cameras. In November 2004, a German division of Agfa-Gevaert, AgfaPhoto, split off. Within six months it filed for bankruptcy. Konica Minolta Photo Imaging, Inc. ended production of Color film and paper worldwide by March 31, 2007. In addition, by 2005, Kodak employed less than a third of the employees it had twenty years earlier. It is not known if these job losses in the film industry have been offset in the digital image industry. Digital cameras have decimated the film photography industry through declining use of the expensive film rolls and development chemicals previously required to develop the photos. This has had a dramatic effect on companies such as Fuji, Kodak, and Agfa. Many stores that formerly offered photofinishing services or sold film no longer do, or have seen a tremendous decline. In 2012, Kodak filed for bankruptcy after struggling to adapt to the changing industry. [29] (See Photographic film)

In addition, digital photography has resulted in some positive market impacts as well. The increasing popularity of products such as digital photo frames and canvas prints is a direct result of the increasing popularity of digital photography.

A man takes a photo with a smartphone, holding it somewhat awkwardly as the form factor of a phone is not optimized for use as a camera D'Arcy Norman, Professional iPhone Photographer (4728847341).jpg
A man takes a photo with a smartphone, holding it somewhat awkwardly as the form factor of a phone is not optimized for use as a camera

Digital camera sales peaked in March 2012 averaging about 11 million units a month, but sales have declined significantly ever since. By March 2014, about 3 million were purchased each month, about 30 percent of the peak sales total. The decline may have bottomed out, with sales average hovering around 3 million a month. The main competitor is smartphones, most of which have built-in digital cameras, which routinely get better. Like most digital cameras, they also offer the ability to record videos. [30] While smartphones continue to improve on a technical level, their form factor is not optimized for use as a camera and battery life is typically more limited compared to a digital camera.

Social impact

Digital photography has made photography available to a larger group of people. The new technology and editing programs available to photographers has changed the way photographs are presented to the public. There are photographs that are so heavily manipulated or photoshopped that they end up looking nothing like the original photograph and this changes the way they are perceived. [31] Until the advent of the digital camera, amateur photographers used either print or slide film for their cameras. Slides are developed and shown to an audience using a slide projector. Digital photography revolutionized the industry by eliminating the delay and cost. The ease of viewing, transferring, editing and distributing digital images allowed consumers to manage their digital photos with ordinary home computers rather than specialized equipment.

Camera phones, being the majority of cameras, have arguably the largest impact. The user can set their Smartphones to upload their products to the Internet, preserving them even if the camera is destroyed or the images deleted. Some high street photography shops have self-service kiosks that allow images to be printed directly from smartphones via Bluetooth technology.

Archivists and historians have noticed the transitory nature of digital media. Unlike film and print, which are tangible and immediately accessible to a person, digital image storage is ever-changing, with old media and decoding software becoming obsolete or inaccessible by new technologies. Historians are concerned that we are creating a historical void where information and details about an era would have been lost within either failed or inaccessible digital media. They recommend that professional and amateur users develop strategies for digital preservation by migrating stored digital images from old technologies to new. [32] Scrapbookers who may have used film for creating artistic and personal memoirs may need to modify their approach to digital photo books to personalize them and retain the special qualities of traditional photo albums.

The web has been a popular medium for storing and sharing photos ever since the first photograph was published on the web by Tim Berners-Lee in 1992 (an image of the CERN house band Les Horribles Cernettes). Today photo sharing sites such as Flickr, Picasa and PhotoBucket, as well as social Web sites, are used by millions of people to share their pictures. In today's world digital photography and social media websites allow organizations and corporations to make photographs more accessible to a greater and more diverse population. For example, National Geographic Magazine has a Twitter, Snapchat, Facebook, and Instagram accounts and each one includes content aimed for the type of audience that are part of each social media community. [33] It is also important to remember that digital photography has also had an impact in other fields, such as medicine. It has allowed doctors to help diagnose diabetic retinopathy and it is used in hospitals to diagnose and treat other diseases. [34]

Digitally altered imagery

New technology with digital cameras and computer editing affects the way we perceive photographic images today. The ability to create and fabricate realistic imagery digitally as opposed to untouched photos changes the audience’s perception of ‘truth’ in digital photography [35] Manipulation in the digital era allows us to brush up our pictures, shape our memories to be picture perfect and therefore shape our identities.

Recent research and innovation

Research and development continues to refine the lighting, optics, sensors, processing, storage, display, and software used in digital photography. Here are a few examples.

Other areas of progress include improved sensors, more powerful software, advanced camera processors (sometimes using more than one processor, e.g., the Canon 7d camera has 2 Digic 4 processors), enlarged gamut displays, built in GPS & WiFi, and computer-controlled lighting.

Comparison with film photography

Advantages already in consumer level cameras

The primary advantage of consumer-level digital cameras is the low recurring cost, as users need not purchase photographic film. Processing costs may be reduced or even eliminated. Digicams tend also to be easier to carry and to use, than comparable film cameras. They more easily adapt to modern use of pictures. Some, particularly those that are smartphones, can send their pictures directly to e-mail or web pages or other electronic distribution.

Advantages of professional digital cameras

The Golden Gate Bridge retouched for painterly light effects SF-ggbridge-retouch.gif
The Golden Gate Bridge retouched for painterly light effects

Manufacturers such as Nikon and Canon have promoted the adoption of digital single-lens reflex cameras (DSLRs) by photojournalists. Images captured at 2+ megapixels are deemed of sufficient quality for small images in newspaper or magazine reproduction. Eight- to 24-megapixel images, found in modern digital SLRs, when combined with high-end lenses, can approximate the detail of film prints from 35 mm film based SLRs. [39] [ not in citation given ]

Disadvantages of digital cameras

For many consumers, the advantages of digital cameras outweigh the disadvantages. Some professional photographers still prefer film. Concerns that have been raised by professional photographers include: editing and post-processing of RAW files can take longer than 35mm film, downloading a large number of images to a computer can be time-consuming, shooting in remote sites requires the photographer to carry a number of batteries, equipment failure—while all cameras may fail, some film camera problems (e.g., meter or rangefinder problems, failure of only some shutter speeds) can be worked around. As time passes, it is expected that more professional photographers will switch to digital. [40]

Equivalent features

Image noise / grain

Noise in a digital camera's image may sometimes be visually similar to film grain in a film camera.

Speed of use

Turn of the century digital cameras had a long start-up delay compared to film cameras, i.e., the delay from when they are turned on until they are ready to take the first shot, but this is no longer the case for modern digital cameras with start-up times under 1/4 seconds. [41]

Frame rate

While some film cameras could reach up to 14 fps, like the Canon F-1 with rare high speed motor drive., [42] professional digital SLR cameras can take still photographs at highest frame rates. While the Sony SLT technology allows rates of up to 12 fps, the Canon EOS-1Dx can take stills at a 14 fps rate. The Nikon F5 is limited to 36 continuous frames (the length of the film) without the cumbersome bulk film back, while the digital Nikon D5 is able to capture over 100 14-bit RAW images before its buffer must be cleared and the remaining space on the storage media can be used.

Image longevity

Depending on the materials and how they are stored, analog photographic film and prints may fade as they age. Similarly, the media on which digital images are stored or printed can decay or become corrupt, leading to a loss of image integrity.

Colour reproduction

Colour reproduction (gamut) is dependent on the type and quality of film or sensor used and the quality of the optical system and film processing. Different films and sensors have different color sensitivity; the photographer needs to understand his equipment, the light conditions, and the media used to ensure accurate colour reproduction. Many digital cameras offer RAW format (sensor data), which makes it possible to choose color space in the development stage regardless of camera settings.

Even in RAW format, however, the sensor and the camera's dynamics can only capture colors within the gamut supported by the hardware. When that image is transferred for reproduction on any device, the widest achievable gamut is the gamut that the end device supports. For a monitor, it is the gamut of the display device. For a photographic print, it is the gamut of the device that prints the image on a specific type of paper. Color gamut or Color space is an abstract term that describes an area where points of color fit in a three-dimensional space.

Professional photographers often use specially designed and calibrated monitors that help them to reproduce color accurately and consistently.

Frame aspect ratios

Most digital point & shoot cameras have an aspect ratio of 1.33 (4:3), the same as analog television or early movies. However, a 35 mm picture's aspect ratio is 1.5 (3:2). Several digital cameras take photos in either ratio, and nearly all digital SLRs take pictures in a 3:2 ratio, as most can use lenses designed for 35 mm film. Some photo labs print photos on 4:3 ratio paper, as well as the existing 3:2. In 2005 Panasonic launched the first consumer camera with a native aspect ratio of 16:9, matching HDTV. This is similar to a 7:4 aspect ratio, which was a common size for APS film. Different aspect ratios is one of the reasons consumers have issues when cropping photos. An aspect ratio of 4:3 translates to a size of 4.5"x6.0". This loses half an inch when printing on the "standard" size of 4"x6", an aspect ratio of 3:2. Similar cropping occurs when printing on other sizes, i.e., 5"x7", 8"x10", or 11"x14".

See also

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Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2.

Nikon D1 Digital single-lens reflex camera

The Nikon D1 is a digital single-lens reflex camera (DSLR) made by Nikon Corporation introduced on June 15, 1999. It featured a 2.7-megapixel image sensor, 4.5-frames-per-second continuous shooting, and accepted the full range of Nikon F-mount lenses. The camera body strongly resembled the F5 and had the same general layout of controls, allowing users of Nikon film SLR cameras to quickly become proficient in using the camera. Autofocus speed on the D1 series bodies is extremely fast, even with "screw-driven" AF lenses.

Kodak DCS 300 series

The Kodak DCS 300 series comprised two cameras, the DCS 315 and DCS 330. They were professional-level digital SLR cameras built by Eastman Kodak's Kodak Professional Imaging Solutions division. They were based on the Nikon Pronea 6i APS SLR camera and were aimed at a lower price point than other models in the Kodak DCS range. The 1.5 megapixel DCS 315 was launched in 1998, while the 3 megapixel DCS 330 was launched in 1999. The DCS 315 was the first digital SLR camera to incorporate an image preview LCD and inbuilt JPEG processing.

Full-frame digital SLR

A full-frame digital single-lens reflex camera (DSLR) is one with an image sensor format that is the same size as 35 mm format film. Historically, 35 mm was considered a small film format compared with medium format, large format and even larger.

Kodak DCS 100 digital camera model

The Kodak Professional Digital Camera System or DCS, later unofficially named DCS 100, was the first commercially available digital single-lens reflex (DSLR) camera. It was a customized camera back bearing the digital image sensor, mounted on a Nikon F3 body and released by Kodak in May 1991; the company had previously shown the camera at photokina in 1990. Aimed at the photo journalism market in order to improve the speed with which photographs could be transmitted back to the studio or newsroom, the DCS had a resolution of 1.3 megapixels. The DCS 100 was publicly presented for the first time in Arles (France), at the Journées de l'Image Pro by Mr Ray H. DeMoulin, the worldwide President of the Eastman Kodak Company. 453 international journalists attended this presentation, which took place in the Palais des Congres of Arles.

A camera raw image file contains minimally processed data from the image sensor of either a digital camera, or motion picture film scanner, or other image scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal color space where precise adjustments can be made before conversion to a "positive" file format such as TIFF or JPEG for storage, printing, or further manipulation. This often encodes the image in a device-dependent color space. There are dozens, if not hundreds, of raw formats in use by different models of digital equipment.

History of the camera camera

The history of the camera can be traced much further back than the introduction of photography. Cameras evolved from the camera obscura, and continued to change through many generations of photographic technology, including daguerreotypes, calotypes, dry plates, film, and to the modern day with digital cameras.

FinePix S3 Pro digital camera model

The Fujifilm FinePix S3 Pro is an interchangeable lens digital single-lens reflex camera introduced in February 2004. Its successor, the Finepix S5 Pro, was released on 25 September 2006. It is based on a Nikon F80 viewfinder, shutter, mirror-box and autofocus modules surrounded by a Fujifilm body that includes its own proprietary CCD image sensor and electronics, and a vertical grip shutter release. It has a Nikon F lens mount and can use most lenses made for 35 mm Nikon SLR cameras, but only with manual operation with Nikon AIS lenses, unusually for a digital SLR the S3 Pro can be used with a manual cable release.

The merits of digital versus film photography were considered by photographers and filmmakers in the early 21st century after consumer digital cameras became widely available. Digital photography and digital cinematography have both advantages and disadvantages relative to still film and motion picture film photography. In the 21st century photography came to be predominantly digital, but traditional photochemical methods continue to serve many users and applications.

Nikon D3 professional grade full frame (35 mm) digital single lens reflex camera (DSLR) by Nikon

The Nikon D3 is a 12.0-megapixel professional-grade full frame (35 mm) digital single lens reflex camera (DSLR) announced by the Nikon Corporation on 23 August 2007 along with the Nikon D300 DX format camera. It was Nikon's first full-frame DSLR. The D3, along with the Nikon D3X, was a flagship model in Nikon's line of DSLRs, superseding the D2Hs and D2Xs. It was replaced by the D3S as Nikon's flagship DSLR. The D3, D3X, D3S, D4, D700, D800 and D800Е are the only Nikon DSLRs manufactured in Japan. The D3S was replaced by the D4 in 2012.

Kodak DCS digital camera model

The Kodak Digital Camera System is a series of digital single-lens reflex cameras and digital camera backs that were released by Kodak in the 1990s and 2000s, and discontinued in 2005. They are all based on existing 35mm film SLRs from Nikon, Canon and Sigma. The range includes the original Kodak DCS, the very first commercially available digital SLR.

Nikon D7000 Digital single-lens reflex camera

The Nikon D7000 is a 16.2-megapixel digital single-lens reflex camera (DSLR) model announced by Nikon on September 15, 2010. At the time of announcement, it was a new class of camera placed between the professional D300S and the midrange D90. The D7000 offers numerous professional-style features over the D90, such as magnesium alloy body construction, weather and moisture sealing, a 2,016-segment color exposure meter, built-in timed interval exposure features, 39 rather than 11 focus points, dual SD memory card slots, virtual horizon and compatibility with older non-CPU autofocus and manual-focus AI and AI-S Nikon F-mount lenses as well as tilt-shift PC-E lenses. Other built-in features are a wireless flash commander, two user-customizable modes, full HD video with autofocus and mono audio, automatic correction of lateral chromatic aberration and support for GPS and WLAN.

Nikon D5100 Digital single-lens reflex camera

The Nikon D5100 is a 16.2-megapixel DX-format DSLR F-mount camera announced by Nikon on April 5, 2011. It features the same 16.2-megapixel CMOS sensor as the D7000 with 14-bit depth, while delivering Full HD 1080p video mode at either 24, 25 or 30fps. The D5100 is the first Nikon DSLR to offer 1080p video at a choice of frame rates; previous Nikon DSLRs that recorded 1080p only did so at 24 fps. It replaces the D5000 and was replaced by the D5200.

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