Listening Post is an artwork that visualizes Internet chatroom conversations. [1] The work was created between 2002 and 2005 as a collaboration between the artist Ben Rubin and the statistician Mark Hansen. [2] [3]
Listening Post uses custom computer programs to automatically collect thousands of chatroom and bulletin board conversations. The conversations are then parsed by the software into smaller phrases that are displayed on a hanging grid of 231 vacuum fluorescent text displays. [4] [5] The displays are hung in a grid format 12 feet high and 21 feet wide, [6] suspended in 11 rows and 21 columns. [7] A text-to speech synthesizer voices some of the phrases as part of the accompanying soundtrack. [8] Writer Adam Gopnik described its soundtrack as "intoning words and sentences one by one in a sepulchral BBC announcer's voice or chanting and singing them in fugue-like overlay". [9]
Listening Post has been exhibited at the Whitney Museum of American Art, [10] the San Jose Museum of Art, [11] the Brooklyn Academy of Music [12] [13] and the Yerba Buena Center for the Arts. [14]
The work is included in the collections of the San Jose Museum of Art [14] and the Science Museum Group collection in the United Kingdom. [15] [16]
Michael Max Asher was a conceptual artist, described by The New York Times as "among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art." Rather than designing new art objects, Asher typically altered the existing environment, by repositioning or removing artworks, walls, facades, etc.
Online chat may refer to any kind of communication over the Internet that offers a real-time transmission of text messages from sender to receiver. Chat messages are generally short in order to enable other participants to respond quickly. Thereby, a feeling similar to a spoken conversation is created, which distinguishes chatting from other text-based online communication forms such as Internet forums and email. Online chat may address point-to-point communications as well as multicast communications from one sender to many receivers and voice and video chat, or may be a feature of a web conferencing service.
Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.
David Michael Wojnarowicz ( VOY-nə-ROH-vitch was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.
Stephanie Syjuco, is a Filipino-American conceptual artist and educator. Born in the Philippines, she moved to the San Francisco Bay Area in 1977. Syjuco received her MFA from Stanford University in 2005, and BFA in Sculpture from the San Francisco Art Institute in 1995. She currently lives and works in Oakland, California.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights Projects in East Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998. Huerta gained critical acclaim and commercial attention in the late 1990s for his minimalist portraits of the backs of people's heads and color-saturated depictions of domestic urban architecture. He was included in the 2000 Whitney Biennial and has been featured in numerous exhibitions around the US, Europe, and Latin America such as The Gagosian Gallery in London, England, and Studio La Città in Verona, Italy.
Lisa Yuskavage (1962) is an American artist who lives and works in New York City. She is known for her figure paintings that challenge conventional understandings of the genre. While her painterly techniques evoke art historical precedents, her motifs are often inspired by popular culture, creating an underlying dichotomy between high and low and, by implication, sacred and profane, harmony and dissonance.
Renée Green is an American artist, writer, and filmmaker. Her pluralistic practice spans a broad range of media including sculpture, architecture, photography, prints, video, film, websites, and sound, which normally converge in highly layered and complex installations. She works to draw on cultural anthropology as well as social history, making her works well-researched and many times involving collaborators. Some of the topics she has covered include Sarah Baartman, the African slave trade, and hip hop in Germany.
Omer Fast is a contemporary artist.
Gideon Rubin is an Israeli artist who works with themes such as childhood, family and memory.
Ellen Harvey is an American-British conceptual artist known for her painting-based practice and site-specific works in installation, video, engraved mirrors, mosaic and glass. She frequently pairs traditional representational vocabularies and genres with seemingly antithetical postmodern strategies, such as institutional critique, appropriation, mapping and pastiche. Her work examines such themes as art as a mirror, interactions between built environment and landscape, ruins and the Picturesque aesthetic, and cultural and economic relationships between museums, artists and publics. Curator Henriette Huldisch writes of her work, "haunted as it is by the notion of art's ultimate futility, her paradoxical stake is in persistently testing art's possibility to do something in the world after all."
Jordan Wolfson is an American artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Sharon Hayes is an American multimedia artist. She came to prominence as an artist and an activist during the East Village scene in the early '90s. She primarily works with video, installation, and performance as her medium. Using multimedia, she "appropriates, rearranges, and remixes in order to revitalize spirits of dissent". Hayes's work addresses themes such as romantic love, activism, queer theory, and politics. She incorporates texts from found speeches, recordings, songs, letters, and her own writing into her practice that she describes as “a series of performatives rather than performance.”
Jacolby Satterwhite is an American contemporary artist recognized for fusing performance, digital animation, and personal ephemera to create immersive installations and related work referencing art history, "expanded cinema," and the pop-cultural worlds of American music videos, social media, and video games. He has exhibited work at the Minneapolis Institute of Art, the Museum of Contemporary Art, Chicago, Louis Vuitton Foundation in Paris, the New Museum and the Museum of Modern Art, both in New York City, and the Institute of Contemporary Art, Philadelphia. In addition to MoMA, his work is in the public collections of the Studio Museum in Harlem, the Seattle Art Museum, the Whitney Museum of American Art, the Kiasma, and the San Jose Museum of Art. Satterwhite has also served as a contributing director for the music video that accompanied Solange's 2019 visual album When I Get Home and directed a short film accompaniment to Perfume Genius's 2022 studio album Ugly Season.
Rachel Rose is an American visual artist known for her video installations. Her work explores how our changing relationship to landscape has shaped storytelling and belief systems. She draws from, and contributes to, a long history of cinematic innovation, and through her subjects—whether investigating cryogenics, 17th century agrarian England, the American Revolutionary War, modernist architecture, or the sensory experience of walking in outer space—she questions what it is that makes us human and the ways we seek to alter and escape that designation.
Craig Kalpakjian is an American artist working in New York, known for his computer-generated, photo-realistic renderings of anonymous, institutional spaces. He is considered one of the first artists of his generation to make digital images depicting entirely artificial spaces in a fine art context.
Mark Henry Hansen is an American statistician, professor at the Columbia University Graduate School of Journalism and Director of the David and Helen Gurley Brown Institute for Media Innovation. His special interest is the intersection of data, art and technology. He adopts an interdisciplinary approach to data science, drawing on various branches of applied mathematics, information theory and new media arts. Within the field of journalism, Hansen has promoted coding literacy for journalists.
Ellie Ga is an American artist, writer and performer. Ga produces narratives in the form of video installations, performances and artist’s books. She is a Guggenheim 2022 Fellow in film and video. She received an MFA from the Hunter College in New York, NY and a BA from Marymount Manhattan College, NY. Ga is represented by Bureau, New York. She lives and works in Stockholm, Sweden.
Ben Rubin is a media artist and designer based in New York City. He is best known for his data-driven media installations and public artworks, including Listening Post and Moveable Type, both created in collaboration with statistician and journalism professor Mark Hansen. Since 2015, Rubin has served as the director of the Center for Data Arts at The New School, where he is an associate professor of design.
The Vessel Orchestra is a sound-based art installation created by British artist Oliver Beer. It is the first sound-oriented installation ever commissioned by the Metropolitan Museum of Art. The installation is composed of 32 objects from the museum's collection. Each object has a microphone placed in its hollow space in order to capture the natural sounds that each piece resonates. Beer chose each object for its unique pitch. For instance, a clay vase by Joan Miró resonates the musical note low F. The internal microphones, which do not touch the objects, are connected to a mixer, which is hooked up to a keyboard, therefore allowing a musician to "play" the objects, creating music. The installation was opened to the general public on July 2, 2019, and was on display at the Met Breuer until August 11, 2019. During the exhibit the installation played repeatedly a 20-minute loop of a composition by Beer. In addition, the instrument was played on Friday evenings during live music performances by guest musicians. The installation includes two and a half octaves in a chromatic scale, from low C to high G. It took Beer four years to create the installation. Some of the objects in the installation had never been on display in the museum before. The project was co-curated by Lauren Rosati and Limor Tomer.