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The computer art scene, or simply artscene, is the community interested and active in the creation of computer-based artwork.
The history of computer art predates the computer art scene for several decades, with the first experiments having taken place in the early 1950s. Devices like plotters and teletypewriters were commonly used instead of video display screens. The earliest precursors to ASCII art can be found in RTTY art, that is, pictures created by amateur radio enthusiasts with teleprinters using the Baudot code.
In the early days of microcomputers, what could be shown on a typical video display screen was limited to plain and simple text, such as that found in the ASCII code set. In the early 1980s, users of IBM PC compatible computers began to experiment with ways of forming simple pictures and designs using only the 255 characters within the Extended ASCII character set, specifically known as code page 437, created by IBM. Modems and networking technology allowed computer users to communicate with each other over bulletin board systems (BBSes); the operators of these BBSes used ASCII art to enhance the aesthetic appearance of their systems. The common user interface or video mode shared by all systems was plain text. As a result, a "scene" of artists arose to fill the need for original art to distinguish one BBS from another.
At a time when IBM PC compatibles were limited to monochrome graphics or the four preset colors of the Color Graphics Adapter, the Atari 8-bit family had a palette of 128 colors and could display 4-8 of those at once—or many more with custom programming. The Commodore 64 could display 16 fixed colors.
In 1985, the Amiga arrived with the ability to display 640x480 4096-color graphics that could be exported via the NTSC standard. This capability was used by Disney animators in movies such as The Little Mermaid and by TV producers in shows such as SeaQuest and Babylon 5.
As computer technology developed, the American National Standards Institute X3 committee invented a standard method of terminal control using escape sequences called "ANSI X3.64-1979". This protocol allowed for text and cursor positioning as well as defining foreground and background color attributes for the text.
Eventually, text artists began incorporating this new level of flexibility to the existing medium of ASCII art by adding color to their text-based art, or animating their art by manipulating the cursor control codes. This is what is commonly referred to today as "ANSI art" that is used in many scene nfos.
A decade later, the popularity of ANSI art had increased significantly (largely due to the similarly increasing interest in the BBS) and ANSI artists began to form into "groups", not unlike graffiti "crews." The first ANSI group was called Aces of ANSI Art (AAA). [1] Though no official founding date can be established for this group, its earliest surviving tribute packs are dated December 1991 and includes art dated back to 1989. [2]
Other groups like ACiD (ANSI Creators in Demand) and iCE (Insane Creators Enterprises) quickly began to spring up. Beginning in June 1992, these groups would release their work in monthly "ARTPACKS," [1] which were collections of ASCII art submitted by the group's various members, as well as news and membership lists. [1] These artpacks were then spread far and wide by BBS users. Some of the same groups from the 1990s still exist today; their art is now primarily distributed using the internet.
A later method of transmitting graphics over a BBS was developed called Remote Imaging Protocol or RIP, which required special software on both the BBS and the terminal end. RIP was still basically text, but the text referred to the positions of lines, curves, fills, and other steps in drawing graphics on an EGA display of 640x350x16 colors. While RIP never caught on in the BBS world, the art scene embraced it as a form of expression, if not a viable method of displaying art on a BBS.
In 1987 IBM introduced the VGA card. Early VGA graphics were "high resolution" images, generally using an 8-bit depth (256 colors) and a resolution of 320x200x256, 360x480x256 (hacked Mode X), or 640x480x16 colors. VGA was not intended to be displayed via a BBS and the vast majority of the early works in the IBM PC artscene were distributed as coded executables called "loaders" or " intros " rather than raw bitmap images. In fact, it was considered to be " lame " to release an uncoded VGA work of art from the early- to mid-1990s, a sure indication that your group was not skilled enough to retain a worthy programmer.
The advent of custom image viewers developed by groups within the artscene, such as ACiD View and iCEView, began to shift the perception of how VGA art should be distributed and what the accepted practice should be. A coded VGA which did not take any of the advantages of being an executable, like special effects or music, became viewed as an impractical use of disk space—all of this in turn spawned a number of competing image viewers, and even "Viewer Wars" between rival art groups. Talented underground artists such as CatBones continued to help pioneer and define what is now referred to as the "hirez artscene", further championing the move away from coded VGA to stand-alone imagery with his impressive artwork. Hirez today implies higher resolutions than before, such as a 1024x768 pixel canvas or larger, greater depth of color, and is created with much more sophisticated and modern software.
Despite the fact that contributors to the artscene can be found worldwide, the scene remains detached from mainstream bbs and internet culture. This can be seen as a result of the artscene's early affiliations with hacker and software piracy (warez) organizations. As early demoscene groups were organized by cracktros coders, artscene members were often found designing the .nfo files detailing warez releases. In addition much of the ansi art provided for warez BBSes was drawn by future members of the artscene. Prior to the popularity of the internet in the 1990s, the most efficient way to distribute software and files across BBSes was via a courier system. Both the warez scene and the artscene utilized this system, and in many cases warez couriers could be found distributing monthly artpacks.
In addition to connection that the various underground groups had, a common attitude and relationship between scene members developed. The general belief that "newbies are lame" and "veterans are elite", as well as the use of leetspeek, created an environment that was sometimes difficult for new members to enter. In particular, many artsceners' distrust and bitterness towards new America Online users in the 1990s may have eroded the possibility for a wider membership base and audience for the artscene.
ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters. The term is also loosely used to refer to text-based visual art in general. ASCII art can be created with any text editor, and is often used with free-form languages. Most examples of ASCII art require a fixed-width font such as Courier for presentation.
A bulletin board system (BBS), also called a computer bulletin board service (CBBS), is a computer server running software that allows users to connect to the system using a terminal program. Once logged in, the user can perform functions such as uploading and downloading software and data, reading news and bulletins, and exchanging messages with other users through public message boards and sometimes via direct chatting. In the early 1980s, message networks such as FidoNet were developed to provide services such as NetMail, which is similar to internet-based email.
.nfo is a filename extension for text files that accompany warez scene releases of pirated software or media.
The Monochrome Display Adapter is IBM's standard video display card and computer display standard for the IBM PC introduced in 1981. The MDA does not have any pixel-addressable graphics modes, only a single monochrome text mode which can display 80 columns by 25 lines of high resolution text characters or symbols useful for drawing forms.
Text mode is a computer display mode in which content is internally represented on a computer screen in terms of characters rather than individual pixels. Typically, the screen consists of a uniform rectangular grid of character cells, each of which contains one of the characters of a character set; at the same time, contrasted to all points addressable (APA) mode or other kinds of computer graphics modes.
ACiD Productions (ACiD) is a digital art group. Founded in 1990, the group originally specialized in ANSI artwork for BBSes. More recently, they have extended their reach into other graphical media and computer software development. During the BBS-era, their biggest competitor was iCE Advertisements.
Christian Wirth, better known by the pseudonym RaD Man, is an American computer artist and historian. He works in the field of ANSI art, a method of creating art using a limited set of text characters and color escape codes based loosely on the relevant ANSI standard.
FILE_ID.DIZ is a plain-text file containing a brief description of the content of archive to which it belongs. Such files were originally used in archives distributed through bulletin board systems (BBSes) and is still used in the warez scene. FILE_ID stands for "file identification". DIZ stands for "description in zipfile".
ANSI art is a computer art form that was widely used at one time on bulletin board systems. It is similar to ASCII art, but constructed from a larger set of 256 letters, numbers, and symbols — all codes found in IBM code page 437, often referred to as extended ASCII and used in MS-DOS and Unix environments. ANSI art also contains special ANSI escape sequences that color text with the 16 foreground and 8 background colours offered by ANSI.SYS, an MS-DOS device driver loosely based upon the ANSI X3.64 standard for text terminals. Some ANSI artists take advantage of the cursor control sequences within ANSI X3.64 in order to create animations, commonly referred to as ANSImations. ANSI art and text files which incorporate ANSI codes carry the de facto.ANS file extension.
An artpack is an archive of computer artwork which is distributed in a compressed format such as ZIP or RAR.
iCE Advertisements is a digital art group founded in Canada by Many Axe in 1991. Although the expanded title is rarely ever used, iCE is an acronym for Insane Creators Enterprise. iCE, along with ACiD Productions, was one of the most prominent and critically successful groups on the underground computer artscene.
TheDraw is a text editor for MS-DOS to create ANSI and animations as well as ASCII art. The editor is especially useful to create or modify files in ANSI format and text documents, which use the graphical characters of the IBM ASCII code pages, because they are not supported by Microsoft Windows anymore. The first version of the editor was developed in 1986 by Ian E. Davis of TheSoft Programming Services. The last public version of the editor was version 4.63, which was released in October 1993.
Superior Art Creations (SAC) is an underground artscene group which caters primarily to and is well known within the warez scene. SAC members have made, besides ANSI and ASCII art, VGA bitmap graphics, tracker music, and a variety of other works. SAC's character graphics have also been used in bottles and FTP servers.
ANSI.SYS is a device driver in the DOS family of operating systems that provides extra console functions through ANSI escape sequences. It is partially based upon a subset of the text terminal control standard proposed by the ANSI X3L2 Technical Committee on Codes and Character Sets.
The Humble Guys (THG) were a cracking group for the IBM PC during the late 1980s founded by two friends known by the pseudonyms Candyman and Fabulous Furlough. The group was also noticed in the demoscene for some of their cracktros.
The Warez scene, often referred to as The Scene, is a worldwide, underground, organized network of pirate groups specializing in obtaining and illegally releasing digital media for free before their official sale date. The Scene distributes all forms of digital media, including computer games, movies, TV shows, music, and pornography. The Scene is meant to be hidden from the public, only being shared with those within the community. However, as files were commonly leaked outside the community and their popularity grew, some individuals from The Scene began leaking files and uploading them to filehosts, torrents and ed2k.
Creators of Intense Art, or Cia was an underground computer artscene group that primarily released ANSI, ASCII, and high resolution artwork from 1993 to 2001. Along with iCE and ACiD, Cia was one of the most active, and longest lasting groups on the artscene.
Fire, later known as Fire Graphics, was an underground computer artscene group that released ANSI, ASCII, and high resolution artwork from 1994 to 1998.
textfiles.com is a website dedicated to preserving the digital documents that contain the history of the bulletin board system (BBS) world and various subcultures, and thus providing "a glimpse into the history of writers and artists bound by the 128 characters that the American Standard Code for Information Interchange (ASCII) allowed them". The site categorizes and stores thousands of text files, primarily from the 1980s, but also contains some older files and some that were created well into the 1990s. A broad range of topics is presented, including anarchy, art, carding, computers, drugs, ezines, freemasonry, computer games, hacking, phreaking, politics, computer piracy, sex, and UFOs. The site was created and is run by Jason Scott.
Aces of ANSI Art was the first group of artists specifically organized for the purposes of creating and distributing ANSI art. The group was founded and operated by two BBS enthusiasts from California, "Zyphril" and "Chips Ahoy", from 1989 through 1991.
