History
The Austin Museum of Digital Art is a creation by Harold Chaput, then a Computer Sciences doctoral student at the University of Texas at Austin, and Christopher Rankin, an art history graduate of Trinity University and experienced museum worker. Rankin was dissatisfied with the state of the contemporary art scene in Austin. Chaput was connected to many artists and musicians employed in high tech positions who were looking for a creative outlet. By establishing an organization with the goals of supporting the production and exhibition of new work and encouraging discussion about the role of technology in current contemporary art, Chaput and Rankin hoped that they could encourage a community of artists, musicians, and technologists to create cutting-edge digital-based contemporary art.
They joined up with Samantha Krukowski, an influential member of UT's communications department. The three of them swiftly settled on a subsection of contemporary art that used computers in some form, and coined the term Digital Art to describe it. They also agreed that the new organization should be a museum rather than a collective or a gallery, placing the emphasis on artistry and aesthetics rather than fashion and popularity. Thus the Austin Museum of Digital Art was founded in November 1997.
Shortly after its founding, Rankin left AMODA because his new job working for the Texas Commission on the Arts posed a conflict of interest. Krukowski also left to become a Professor of Communications at UT. Rankin and Krukowski were replaced by Kyle Anderson, Jennifer Potter, Joel Stearns, Robert Turknett and Samuel Trim. Together with Chaput, this board moved AMODA from a museum on paper, to an art institution. They created AMODA's programs, including an educational program (2000), the Digital Showcase (2001), an exhibition series (2002), and a performance series (2003).
The University of Texas at Austin is a public research university in Austin, Texas. Founded in 1883, it is the flagship institution of the University of Texas System. With 52,384 students as of Fall 2022, it is also the largest institution in the system.
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media. Since the 1960s, various names have been used to describe digital art, including computer art, electronic art, multimedia art, and new media art.
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer walk through, over or around them; others ask the artist or the spectators to become part of the artwork in some way.
Computer art is art in which computers play a role in the production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines between traditional works of art and new media works created using computers has been blurred. For instance, an artist may combine traditional painting with algorithm art and other digital techniques. As a result, defining computer art by its end product can thus be difficult. Computer art is bound to change over time since changes in technology and software directly affect what is possible.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
Entertainment technology is the discipline of using manufactured or created components to enhance or make possible any sort of entertainment experience. Because entertainment categories are so broad, and because entertainment models the world in many ways, the types of implemented technology are derived from a variety of sources. Thus, in theatre, for example, entertainment technology practitioners must be able to design and construct scenery, install electrical systems, build clothing, use motors if there is scenery automation, and provide plumbing. In this way, the entertainment technology field intersects with most other types of technology.
The Jack S. Blanton Museum of Art at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe. The Blanton's permanent collection consists of more than 21,000 works, with significant holdings of modern and contemporary art, Latin American art, Old Master paintings, and prints and drawings from Europe, the United States, and Latin America.
The Elisabet Ney Museum is a museum located in Austin, Texas, United States. It is housed in the former studio of sculptor Elisabet Ney and is dedicated to showcasing her life and works. There is a permanent collection of her portrait busts and personal memorabilia on display.
The Texas Advanced Computing Center (TACC) at the University of Texas at Austin, United States, is an advanced computing research center that is based on comprehensive advanced computing resources and supports services to researchers in Texas and across the U.S. The mission of TACC is to enable discoveries that advance science and society through the application of advanced computing technologies. Specializing in high-performance computing, scientific visualization, data analysis & storage systems, software, research & development, and portal interfaces, TACC deploys and operates advanced computational infrastructure to enable the research activities of faculty, staff, and students of UT Austin. TACC also provides consulting, technical documentation, and training to support researchers who use these resources. TACC staff members conduct research and development in applications and algorithms, computing systems design/architecture, and programming tools and environments.
The Bullock Texas State History Museum is a history museum in Austin, Texas. The museum, located a few blocks north of the Texas State Capitol at 1800 North Congress Avenue in Austin, Texas, is dedicated to interpreting the continually unfolding "Story of Texas" to the broadest possible audience through meaningful educational experiences. The museum is operated by the Texas State Preservation Board, which also operates the Texas State Capitol, the Texas Capitol Visitors Center, the Texas Governor's Mansion, and the Texas State Cemetery.
Rebecca Allen is an internationally recognized digital artist inspired by the aesthetics of motion, the study of perception and behavior and the potential of advanced technology. Her artwork, which spans four decades and takes the form of experimental video, large-scale performances, live simulations and virtual and augmented reality art installations, addresses issues of gender, identity and what it means to be human as technology redefines our sense of reality.
Video design or projection design is a creative field of stagecraft. It is concerned with the creation and integration of film, motion graphics and live camera feed into the fields of theatre, opera, dance, fashion shows, concerts and other live events. Video design has only recently gained recognition as a separate creative field. For instance, United Scenic Artists' Local 829, the union representing designers and scenic artists in the US entertainment industry, only added the Global Projection Designer membership category in 2007. Prior to this, the responsibilities of video design would often be taken on by a scenic designer or lighting designer. A person who practices the art of video design is often known as a Video Designer. However, naming conventions vary worldwide, so practitioners may also be credited as Projection Designer, "Media Designer", Cinematographer or Video Director. As a relatively new field of stagecraft, practitioners create their own definitions, rules and techniques.
The World Chess Hall of Fame (WCHOF) is a nonprofit, collecting institution situated in the Central West End neighborhood of St. Louis, Missouri, United States. It features chess exhibits, engages in educational outreach, and maintains a list of inductees to the U.S. Chess Hall of Fame and World Chess Hall of Fame, the latter category being nominated by FIDE. Founded in 1984, it is run by the United States Chess Trust. Formerly located in New Windsor, New York; Washington, D.C.; and Miami, Florida, it moved to St. Louis on September 9, 2011.
Creative technology is a broadly interdisciplinary and transdisciplinary field combining computing, design, art and the humanities. The field of creative technology encompasses art, digital product design, digital media or an advertising and media made with a software-based, electronic and/or data-driven engine. Examples include multi-sensory experiences made using computer graphics, video production, digital music, digital cinematography, virtual reality, augmented reality, video editing, software engineering, 3D printing, the Internet of Things, CAD/CAM and wearable technology.
The Museum of Contemporary Art of Georgia is a contemporary art museum in Atlanta, Georgia that collects and archives contemporary works by Georgia artists.
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. They can also foster community engagement, dialogue, and education, providing visitors with opportunities to explore diverse perspectives, historical contexts, and contemporary issues. Additionally, exhibitions frequently contribute to the promotion of artists, innovators, and industries, acting as a conduit for the exchange of ideas and the celebration of human creativity and achievement.
The Digital Writing and Research Lab (DWRL) is a research lab at The University of Texas at Austin, United States, dedicated to the identification and promotion of twenty-first-century literacies. These literacies range from navigating online newsfeeds and participating in social networking sites to composing multimedia texts that require producing, sampling, and/or remixing media content.
Chalda Maloff is an author and contemporary artist raised in the United States. Her artwork has been exhibited throughout North and South America and in Europe. She has received awards from the Butler Institute of American Art, the Visual Arts Society of Texas, and other arts institutions. She has authored two books, including Business and Social Etiquette with Disabled People (1988). She received the Barbara Jordan Media Award, sponsored by the Texas Governor's Office in 1988.
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
