"Austin music" in its modern form emerged in 1972 when "a new form of country music exploded on the scene that turned its back on Nashville and embraced the counterculture",[1] much of it centered around the Armadillo World Headquarters music venue, which opened in 1970, alternating country and rock music shows.[2] In 1972, Willie Nelson left Nashville and moved to Austin.
Austin has become renowned as a haven for young innovative musicians who were drawn in by the creativity, liberal politics, and low cost-of-living. Austin's reputation continued to grow and become celebrated for its folk, blues, jazz, bluegrass, Tejano, zydeco, new wave, punk, and indie music scenes.
A large portion of Austin's early musical heritage began in the German Beer Gardens and Halls in the late 1800s, in places such as Scholz Garten and Hall (the hall later to become Saengerrunde Hall) and further up the road at Dessau Hall. Dessau Hall peaked in the 1940s and 1950s with acts as diverse as Glenn Miller, Hank Williams, and Elvis Presley.
Other major venues for country music included Big Gil's on South Congress and The Skyline on North Lamar. Local singer/yodeler Kenneth Threadgill opened Threadgill's in 1933 on North Lamar, a venue that later hosted Folk/Country jams where Janis Joplin participated in her early days. On the east side of town, which historically had a rich culture of African American heritage and influence, music venues such as the Victory Grill, Charlie's Playhouse, Big Mary's, Ernie's Chicken Shack, and Doris Miller Auditorium featured local and touring acts. These destinations, which were part of the "Chitlin' Circuit" featuring big bands, jazz and blues, became famous for later hosting musical legends including Duke Ellington, Ray Charles, Bobby Bland, B.B. King, Ike Turner and Tina Turner.
The Vulcan morphed into the Armadillo World Headquarters in 1970 and for more than ten years featured music of all genres, from Bruce Springsteen to Bette Midler, as well as local ballet, blues and jazz. The artwork from this establishment was a part of the Austin scene and the Armadillo became the Austin city animal. Songs such as Gary P. Nunn's "London Homesick Blues" (which includes in the chorus "I want to go home with the armadillo") made this a staple of Austin. The artist who began the Armadillo logo was Jim Franklin, who is still working today.
By November of that year; the first pilot for the iconic Austin City Limits was being filmed with Willie Nelson, Billboard Magazine named KOKE “the most innovative radio station in the country," and Austin had a national reputation thanks largely to the reporting of Rolling Stone stringer Chet Flippo, who seemed to get a dispatch from the Armadillo into every issue."[1]
In the following years, Austin gained a reputation as a place where struggling musicians could launch their careers in front of receptive audiences, at informal live venues. A major influence during this time was Clifford Antone and the namesake blues club he founded in 1975, at the age of 25. Antone's located on Austin's 6th Street fostered the careers of a number of musicians, including Stevie Ray Vaughan.
Liberty Lunch was a live-music venue in Austin and during its heyday in the late 1970s and 1980s featured all kinds of music, including reggae and ska, punk, indie, country and rock. The venue was forced to close to make way for Austin's downtown redevelopment in the late 1990s. Since then, Liberty Lunch has attained a legendary status in the history of Austin music. Now-defunct Armadillo World Headquarters has attained a similar status.
Austin's live music scene has experienced a resurgence in the past few years after losing some of its best loved venues (Liberty Lunch, Armadillo and others), a host of new clubs have risen up to continue Austin's rich live music heritage. However, The Hole in the Wall, open since 1974 and a live music staple that lent a corner and then finally a stage to Doug Sahm and Blaze Foley, is still operating. Places such as the Skylark Lounge, Stubb's, Ginny's Little Longhorn, and a list of others have also become a stalwart of a new generation of live music venues throughout the city.
The punk/new wave era in Austin began in earnest in 1978. The Club Foot played an important role in hosting many of the local punk/new wave acts. The city's first two rock/new wave bands, the Skunks and the Violators, made their debut at a University-area club called Raul's in February.
The explosive show by the Sex Pistols in San Antonio the previous month helped build toward an excited reception for local purveyors of the style.[6] The Skunks' lineup consisted of Jesse Sublett on bass and vocals, Eddie Munoz on guitar and Bill Blackmon on drums. The Violators featured Kathy Valentine (later of The Go-Go's), Carla Olson (later of the Textones), Marilyn Dean and Sublett on bass. The Violators were short-lived, as all the members except for Sublett moved to LA the following year. Margaret Moser, of the Austin Chronicle, later wrote that "The Skunks put Austin on the rock n' roll map."[7] Another influential band that led the punk scene in Austin was the Big Boys.
Austin became one of the important stops on every tour of important punk/new wave acts. Many of these bands, such as the Police, Joe Jackson, Blondie and Talking Heads, played at the Armadillo. A number of them, including the Clash, Elvis Costello and Blondie, would make appearances at gigs by the Skunks and take the opportunity to jam with the band.[7][8]
The 1980s and 1990s also helped shape Austin's music scene. Waterloo Records, which has been voted the best independent record store in the country and hosts live in-store shows, first opened in 1982. Austinite Stevie Ray Vaughan won a Grammy in 1990 for best contemporary blues album. After tragically dying in a helicopter crash, he was memorialized with a statue on the shores of Austin's Lady Bird Lake. Additionally in 1991,[9] Austin city leaders named Austin, "The Live Music Capital of the World", because of the number of live music venues.
Visitors and Austinites alike may notice the 10-foot guitars standing on the sides of the city's streets. In 2006, Gibson Guitar brought Guitar Town to Austin, placing 35 of these giant guitars around the city.
The Austin Music Foundation is one of several Austin groups that help independent artists further their music careers. Assisting musicians with medical needs are the SIMS Foundation and Health Alliance for Austin Musicians (HAAM). Promotion, preservation and education is the mission of the Austin Blues Society, formed in 2006 by Kaz Kazanoff and other blues community notables.
Helping to promote the $1 billion music industry in the city is the Austin Music Office. A department of the Austin Convention & Visitors Bureau, the Austin Music Office offers creative, personalized assistance in booking live music, discounted Austin Compilation CDs and mini-guides to the city's live music scene, assistance with utilization of live music venues for off-site events, and guidance with local music attractions and creation of music tours.[10]
Television
The PBS live music television show Austin City Limits began in 1974[11] and has featured, as of 2005[update], over 500 artists of various genres, including rock, folk, country, bluegrass and zydeco. Partly responsible for Austin's reputation as a live music hub, the show is broadcast worldwide and stands as the longest running music television program ever. On February 26, 2011, ACL held its first taping in its new purpose-built Moody Theater and studio in downtown Austin's W Austin Hotel and Residences. Despite a seating capacity of over 2,700, audiences will be limited to around 800 (the original total seating capacity of the old studio). The additional seating capacity will be used for the ACL Live concert series at the venue.
Austin was also home to the Austin Music Network (AMN), which broadcast from 1994 to 2005. AMN, featured on cable channel 15, proclaimed itself to be the only non-profit independent music television channel, and its programming was mostly music videos or recorded live sessions, interspersed with presenters. Although all musical tastes were broadcast, AMN emphasized non-mainstream music such as indie, punk, blues, country and jazz.
Channel 15 was a 24-hour music channel now run by Music and Entertainment Television (M*E). M*E launched October 1, 2005, and was broadcast to Austin and the 44 surrounding cities. M*E was a regional network dedicated to showcasing and providing television exposure for regional artists as well as the hundreds of touring groups that make up the vibrant Texas live music scene. Supporting established artists and promoting and discovering new talent is a priority. M*E represented different musical genres and areas of the arts community with numerous original programs highlighting everything from filmmakers to art galleries, and musicians to the ballet. In addition, M*E's mostly music lineup, spotlighted live performance footage, concept music videos as well as biographies, reviews, restaurant tours and more.[12]
Austin is the home of South by Southwest (SXSW), an annual music, film and interactive conference and festival, and the expanding number of fringe events that take place during the festival, at venues all over town. In the fall, Austin hosts the Austin City Limits Music Festival (ACL) and the Fun Fun Fun Fest.
In the spring, the long-running Old Settler's Music Festival takes place at the Salt Lick Pavilion & Camp Ben McCulloch just outside the city. Every summer, Austin City Limits Radio puts on a series of free blues shows in Zilker Park entitled "Blues on the Green.[13] "
Also in the summer, the City of Austin Parks and Recreation Department holds the Hillside Summer Concert Series music festival, throughout the month of July. This is held at the Pan American Recreation Center. This festival features popular local and national Tejano and Latin music performers. Jason Rubio, of Austin's Best DJs, was the first DJ to perform at the festival, in 2014.
Numerous other music festivals occur year-round. Other annual festivals include the "Keep Austin Weird Festival[14] " and the Heart of Texas Quadruple Bypass Music Festival a.k.a. The Texas Rockfest.
Austin is home to other large annual festivals including:[citation needed]
In addition to the usual restaurant/bar venues listed above, Austin offers live music in unexpected places as well. These unique venues include:
City Hall - Every Thursday, City Council honors a local musician at its council meeting. Also, the free concert series "Live from the Plaza" takes place at City Hall every Friday at noon from April to December.
Grocery Stores - Central Market features live music three times a week, while Whole Foods Market hosts the "Music at the Market" music series every Thursday evening in the spring.
Road Races - The Austin Marathon hosts more than 30 bands along the race course and the Capitol 10K features a band at every mile marker.
House Concerts - Hosting a variety of genres, Austin locals often open their doors to both local and touring musicians, with audiences ranging from a few friends to up to 200.
Gatchet, Roger Davis (2012). ""I've Got Some Antique in Me": The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas". The Oral History Review. 39 (2): 207–229. doi:10.1093/ohr/ohs091.
Austin City Limits is an American live music television program recorded and produced by Austin PBS. The show helped Austin become widely known in the United States as the "Live Music Capital of the World", and is the only television show to receive the National Medal of Arts, which it was awarded in 2003. It also won a rare institutional Peabody Award in 2011 "for its more than three decades of presenting and preserving eclectic American musical genres". Austin City Limits is produced by Austin PBS under the Capital of Texas Public Telecommunications Council. The show was created in 1974 by Bill Arhos, Bruce Scafe, and Paul Bosner.
The U.S. state of Texas has long been a center for musical innovation and is the birthplace of many notable musicians. Texans have pioneered developments in Tejano and Conjunto music, Rock 'n Roll, Western swing, jazz, punk rock, country, hip-hop, electronic music, gothic industrial music, religious music, mariachi, psychedelic rock, zydeco and the blues.
The U.S. state of New Jersey is located in the Northeastern United States and is part of the Mid-Atlantic region.
The story of Tennessee's contribution to American music is essentially the story of three cities: Nashville, Memphis, and Bristol. While Nashville is most famous for its status as the long-time capital of country music, Bristol is recognized as the "Birthplace of Country Music". Memphis musicians have had an enormous influence on blues, early rock and roll, R&B, and soul music, as well as an increasing presence in rap.
Armadillo World Headquarters was an influential Texas music hall and beer garden in Austin at 5251⁄2 Barton Springs Road – at South First Street – just south of the Colorado River and downtown Austin. The 'Dillo flourished from 1970 to 1980. The structure that housed it, an old National Guard Armory, was demolished in 1981 and replaced by a 13-story office building.
Double Trouble is an American blues rock band from Austin, Texas, which served as the backing band for singer-guitarist Stevie Ray Vaughan. The group was active throughout the 1980s and contributed to reviving blues music, inspiring many later blues and rock acts. Formed in Austin, Texas in 1978, the group went through several early line-up changes before settling on a power trio consisting of Vaughan, Chris Layton (drums), Tommy Shannon (bass). They became a four-piece by 1985 after adding Reese Wynans (keyboards). Whilst with Vaughan they were billed Stevie Ray Vaughan and Double Trouble. Rooted in blues and rock music, the group worked in various genres ranging from ballads to soul, often incorporating jazz and other musical elements.
Club Foot was a large live-music venue in Austin, Texas, in the early 1980s. Located downtown at the corner of 4th and Brazos Streets, it had a reputation as a punk rock venue for its support of local and touring punk bands, but it also booked a wide variety of other types of music.
William Knight Kirchen is an American guitarist, singer and songwriter. He was a member of Commander Cody and His Lost Planet Airmen from 1967 to the mid-1970s and later worked with Nick Lowe. Guitar Player magazine described Kirchen as "Titan of The Telecaster" for his prowess on the guitar.
The music of Cardiff has been dominated mainly by rock music since the early 1990s with later trends developing towards more extreme styles of the genre such as heavy metal and metalcore music. It, along with the nearby music scene in Newport, has brought a number of musicians to perform or begin their careers in South Wales.
Gary P. Nunn is an American country music singer-songwriter. He is best known for writing "London Homesick Blues", which was the theme song for Austin City Limits from 1977 to 2004. Nunn is also considered the father of the progressive country scene that started in Austin in the early 1970s.
Raul's was a live music nightclub at 2610 Guadalupe Street in Austin, Texas in the late 1970s and early 1980s, which started off as a Chicano music venue, but then specialized in punk rock music. The location is near the University of Texas campus.
Inner Sanctum Records was a record shop in Austin, Texas. The retailer was variously cited as the first indie record shop in Texas and, at the time of its closure, the oldest in Central Texas.
Wesley Curley Clark was an American blues musician. He is known as the "Godfather of Austin Blues" for his influence on the Austin, Texas blues scene since the late 1960s.
The Austin Museum of Popular Culture (AusPop) is a Texas 501(c)(3) nonprofit organisation dedicated to collecting, preserving, and exhibiting art and memorabilia that reflect Austin's eclectic contributions to popular culture worldwide.
Chicago, Illinois is a major center for music in the midwestern United States where distinctive forms of blues, and house music, a genre of electronic dance music, were developed.
The Skunks are an American three-piece rock band formed in 1977 in Austin, Texas. The band debuted in early 1978 at Raul's, quickly became a mainstay of the Austin music scene. They rapidly expanded their fan base beyond early punk/new wave into clubs whose audiences crossed the spectrum, including the Armadillo World Headquarters, the Continental Club, Dukes Royal Coach, Club Foot, Liberty Lunch, and many others in the late 1970s and early 1980s. The Skunks music channeled classic rock influences, such as The Rolling Stones and The Who, with 1970s cult figures such as the New York Dolls and The Velvet Underground.
Jesse Sublett is a musician and writer from Austin, Texas. As a musician, he is best known for his long-running rock trio, The Skunks. His essays and journalism have appeared in a wide range of publications, and he is also known for his mystery novels featuring a bass-playing sleuth named Martin Fender.
Nakia Reynoso, known professionally as Nakia, is an American musician, singer-songwriter and actor living in Austin, Texas. He is a native of Fort Payne, Alabama.
Edwin Osbourne Wilson is a former concert promoter and co-founder and owner of the Armadillo World Headquarters (1973–1980). The music venue led a music movement in Austin to national prominence from 1973 to 1980 as the birthplace of Texas progressive country, aka "redneck rock" – a fusion of country music and rock – later, more blues than rock. It was a popular venue for Willie Nelson. Wilson is the owner of two Threadgill's restaurants in Austin. The original, which he purchased in the mid–1970s from John Kenneth Threadgill (1909–1987), was where Janis Joplin got her start.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
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