Author | Joshua Long |
---|---|
Language | English |
Subject | Geography, Urban Studies, Sociology, Anthropology |
Publisher | University of Texas Press |
Publication date | 2010 |
Pages | 221 |
ISBN | 978-0-292-72206-4 |
Weird City: Sense of Place and Creative Resistance in Austin, Texas is a non-fiction scholarly text by Joshua Long published in 2010 by University of Texas Press. The book uses the "Keep Austin Weird" movement as a central focus to discuss the social, cultural and economic changes occurring in Austin, Texas, at the beginning of the 21st century. [1] Largely written from a human geography perspective, Weird City is intended to show the relationship between sense of place and urban economies, the environment, and the urban cultural landscape. [2] [3] [4]
According to Long, Weird City is a scholarly text written for a mainstream audience including citizens of Austin and other "weird" cities, as well as students of geography, sociology, anthropology and urban studies. [5] [3]
Joshua Long is an assistant professor of environmental studies at Southwestern University.
Weird City has received a welcome reception from local Austin media, including articles featured in the Austin Chronicle and the Austin American Statesman. Scholarly critical reception has also been positive. In a review published in the American Journal of Sociology, Richard Lloyd writes:
Long, an Austin native, pulls off the neat trick of persuasively earning insider status while also achieving critical distance sufficient to identify the many contradictions and inconsistencies contained within local discourses of "creative resistance." Austin itself is, of course, great material, with a lineup of local characters, icons, and landmarks that persuasively earn its claims to weirdness. Long, an exceptional writer, brings the richness of the milieu and passions of recent controversies vividly to life. The book is thus both an excellent depiction of Austin and its recent history, and an exceptional addition to the growing scholarship on the "creative cities" phenomenon. [6]
Mentioned in an American Quarterly review of three 2010 UT Press publications on Austin, Andrew Busch notes the following:
Weird City is notable for its ability to illustrate the relationship between sense of place and resistance lucidly; residents who fought to preserve local businesses, for example, and avoid "Houstonization" consciously created meaning for Austin. In an increasingly competitive environment, successful cities must be acutely aware of how they are viewed by potential residents, businesses, and other sources of capital. In Austin, as elsewhere, creating social movements and local culture that are perceived as authentic is paramount to this success, which Long recognizes. [7]
However, Busch also criticizes Long both for an elitist form of "Austin Exceptionalism" and for not fully addressing social justice issues affecting minority populations in Austin:
Long, for example, avoids analysis of gentrification on Austin’s east side, the historically African American and Latino neighborhoods, even though displacement has been acute there for a decade: he focuses instead on middle-class gentrification in predominantly white contemporary South Austin. [7]
Much of Long's other scholarship on Austin is heavily focused on social and environmental justice issues in the neighborhoods referenced by Busch. [8] [9]
In 2010 the book was nominated for the National Council on Public History Book Award.
Austin is the capital of the U.S. state of Texas and the county seat and most populous city of Travis County, with portions extending into Hays and Williamson counties. Incorporated on December 27, 1839, it is the 11th-most populous city in the United States, the fourth-most populous city in the state after Dallas, San Antonio and Houston, and the second-most populous state capital city after Phoenix, the capital of Arizona. It has been one of the fastest growing large cities in the United States since 2010. Downtown Austin and Downtown San Antonio are approximately 80 miles (129 km) apart, and both fall along the Interstate 35 corridor. This combined metropolitan region of San Antonio–Austin has approximately 5 million people. Austin is the southernmost state capital in the contiguous United States and is considered a Gamma-level global city as categorized by the Globalization and World Cities Research Network.
Richard L. Florida is an American urban studies theorist focusing on social and economic theory. He is a professor at the Rotman School of Management at the University of Toronto and a Distinguished Fellow at NYU's School of Professional Studies.
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Alejandro Portes is a Cuban-American sociologist. He is a member of the National Academy of Sciences, the American Philosophical Society, and of the Board of Trustees and the Scientific Council at the IMDEA Social Sciences Institute. He also served as the president of the American Sociological Association in 1999. His academic studies have focused on immigration to the United States and factors affecting the fates of immigrants and their children. He has also done work on shack settlements in Latin America. His work is highly cited in the sub-fields of economic sociology, cultural sociology and race and ethnicity.
Keep Austin Weird is the slogan adopted by the Austin Independent Business Alliance to promote small businesses in Austin, Texas. It is intended to promote local businesses and is inspired by comments made by Red Wassenich in 2000 while giving a pledge to a Austin radio station KOOP Radio. He later began printing bumper stickers and operated the website keepaustinweird.com until his death in 2020 and published Keep Austin Weird: A Guide to the Odd Side of Town.
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"Keep Portland Weird" is a popular slogan that appears on bumper stickers, signs, and public buildings throughout Portland, Oregon and its surrounding metro area. It originated from the "Keep Austin Weird" slogan and was originally intended to promote local businesses, though it has since evolved into an all-encompassing slogan that secondarily promotes individuality, expressionism, local art, as well as atypical lifestyle choices and leisure activities. The slogan frequently inspires articles and debate that attempt to quantify the exact level to which Portland is considered weird, unusual or eccentric.
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