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Austin Lounge Lizards | |
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Background information | |
Genres | Progressive bluegrass, [1] Satire, [2] [3] |
Years active | 1980 | – present
Labels | Watermelon, Sugar Hill, Flying Fish |
Members | Hank Card, Conrad Deisler, Tim Wilson, Kirk Williams |
Past members | Tom Pittman, Richard Bowden, Darcie Deaville, Bruce Jones, Boo Resnick, Paul Sweeney, Mike Stevens, Todd Jagger, Clem Rowand, Korey Simeone, Eamon McLoughlin, Lex Browning, Tom Ellis, Julieann Banks |
Website | austinlizards |
The Austin Lounge Lizards are a musical group from Austin, Texas, formed in 1980. The band includes founding members Hank Card and Conrad Deisler, along with Tim Wilson and Kirk Williams. The third founding member, Tom Pittman, retired from the band in the spring of 2011.
The band started out experimenting with folk, but was still heavily country in its style, combining the bluegrass form with which Pittman was familiar with the progressive-themed folk rock to which Card and Deisler had been accustomed. Between the members, a large number of different instruments have been played, including a rich variety of string instruments such as the banjo, mandolin, and fiddle.
The band got its name because, Deisler explained, "I think it was a slang term I'd heard my grandmother use to describe gentlemen of easy virtue who hung around in bars. When we started out, that's just what we were doing—hanging out and playing for beer and tips and stuff like that." [1] The Austin Lounge Lizards began by playing covers, but eventually they wanted to move towards trying to write their own songs.
All the group's members contribute to songwriting, but the two principal songwriters have been Card and Deisler. Card's lyrics often rely on clever word plays, double entendres, and off-beat but sometimes poignant narratives about ordinary life. His most frequent subject matter is love, especially comically forlorn yearning (Example: "The Dogs, They Really Miss You"). Deisler's lyrics, in contrast, focus on the existentially absurd, often combining absurdly unexpected pairings (such as making Richard Petty the subject of a surreal Luis Buñuel film) as well as pitiable, sometimes lovable characters bewilderingly unaware of their own absurdity and oddness (Examples: "Wendell the Uncola Man" or "Old Blevins"). A recurring theme is the inanity of country music clichés, for example the "we were happier when we were poor" trope exaggerated into absurdity in "Love in a Refrigerator Box". Deisler's lyrics also marry comedy with a remarkably dark vision of humanity and its future (Example: Bonfire of the Inanities).
The sound became less country and progressed more to politically aware songs. The songs they wrote tended to be humorous in an extremely off-beat way, in addition to their political nature, in a way reminiscent of Country Joe McDonald's "Fixing to Die Rag". These songs tend to have primarily liberal messages, "The Ballad of Ronald Reagan", criticizes the Republican American president, while "Gingrich the Newt" criticizes the then-Speaker of the United States House of Representatives, Newt Gingrich. Their song, "Saguaro", co-written by Ann Clardy and Michael Stevens (former bass player), is based on the story of David Grundman, who died from shooting a cactus (see cactus plugging). [4]
An instrumental or instrumental song is music normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer ; as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra.
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Folk metal is a fusion genre of heavy metal music and traditional folk music that developed in Europe during the 1990s. It is characterised by the widespread use of folk instruments and, to a lesser extent, traditional singing styles. It also sometimes features soft instrumentation influenced by folk rock.
Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop/rap, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
The music of North Korea includes a wide array of folk, popular, light instrumental, political, and classical performers. Beyond patriotic and political music, popular music groups like Pochonbo Electronic Ensemble and Moranbong Band perform songs about everyday life in the DPRK and modern light pop reinterpretations of classic Korean folk music. Music education is widely taught in schools, with President Kim Il Sung first implementing a program of study of musical instruments in 1949 at an orphanage in Mangyongdae. Musical diplomacy also continues to be relevant to the Democratic People's Republic of Korea, with musical and cultural delegations completing concerts in China and France in recent years, and musicians from Western countries and South Korea collaborating on projects in the DPRK.
A work song is a piece of music closely connected to a form of work, either one sung while conducting a task or one linked to a task that may be a connected narrative, description, or protest song. An example is "I've Been Working on the Railroad".
American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.
Parody music, or musical parody, involves changing or copying existing musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music.
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
A piano bar consists of a piano or electronic keyboard played by a professional musician. Piano bars can be located in a cocktail lounge, bar, hotel lobby, office building lobby, restaurant, or on a cruise ship. Usually the pianist receives a small salary plus tips in a jar or basket on or near the piano, especially from patrons requesting a song traditionally written on a beverage napkin. Some piano bars feature a baby grand or grand piano surrounded by stools for patrons. Others have a bar surrounding the piano or keyboard.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass. Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s. Traditional bands may use their instruments in slightly different ways, for example by using multiple guitars or fiddles in a band.
Eamon McLoughlin is an English musician based in Nashville, Tennessee. Primarily a fiddle player, he has toured and recorded with artists in the country music, bluegrass, and Americana fields. He holds the position of Staff Fiddle player at The Grand Ole Opry, working with a diverse range of artists including Vince Gill, Nina Simone, Carly Pearce, Oak Ridge Boys and many more. Eamon performs in the (separate) touring bands of Emmylou Harris and Rodney Crowell. He also sings, plays mandolin, guitar, cello and viola, and can be seen performing regularly with The 50 Shades of Hay. He has received two Grammy nominations for Country Instrumental Performance as a founding member of the American bluegrass band The Greencards.
Will Johnson is an American musician, singer-songwriter, author and painter who was the lead singer of the bands Centro-matic and South San Gabriel. Called "one of the most prolific artists in American indie rock", Johnson has also released solo records, and is a member of the bands Monsters of Folk, New Multitudes and Overseas, and has also performed as part of the Undertow Orchestra. He is currently a member of Jason Isbell's band, the 400 Unit.
This article includes an overview of the events and trends in popular music in the 1960s.
Small Minds is a studio album by Austin-based bluegrass band Austin Lounge Lizards. It continues the Lizards' tradition of social and political satire.
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Eugene P. Pittman, better known as Gene "Birdlegg" Pittman, is an American blues harmonicist, singer and songwriter. He was inspired by the harmonica playing and styling of Sonny Boy Williamson II and Sonny Terry, and started playing the harmonica in 1974, turning fully professional three years later. His own style encompasses country blues, urban blues, funk and rock and roll. He has released three albums to date.