A mode dial or camera dial is a dial used on digital cameras to change the camera's mode. Most digital cameras, including dSLR and SLR-like cameras, support modes, selectable either by a rotary dial or from a menu. On point-and-shoot cameras which support modes a range of scene types is offered. On dSLR cameras and SLR-like cameras, mode dials usually offer access to manual settings. The more compact point-and-shoot cameras, and cameras offering a great many modes, do not have mode dials, using menus instead. Some SLR lenses themselves offer control over things such as aperture, reducing the need for mode support in the camera body.
On most dSLRs and SLR-like bridge cameras, the mode dial is located at the top of the camera, to one side of the flash/viewfinder hump. On point-and-shoot cameras, however, the mode dial's location is less standard. On many models, it is found on top like dSLRs. On other point-and-shoots, particularly those with a thin body, the dial is found on the back of the camera, often coupled with a menu-navigation button. Some thin cameras use a slide switch rather than a dial.
Various camera types and specific cameras have different modes. The simpler dial in the top illustration has:
Most dSLRs have a few manual settings and a small sample of automatic modes. Most SLR-like cameras have manual modes and several automatic scene modes. On point-and-shoot cameras, all manual control may be condensed into one mode (e.g. ASP, for Aperture priority, Shutter priority, Program) or may be completely absent. Many compact cameras show a large array of scene modes. Point-and-shoot and SLR-like digital cameras usually have a movie mode to capture videos, and many modern dSLRs also support movie modes.
Detailed information found by users on the modes supported by digital cameras are to be found in the ongoing list of digital camera modes.
In automatic modes the camera determines all aspects of exposure, choosing exposure parameters according to the application within the constraints of correct exposure, including exposure, aperture, focussing, light metering, white balance, and equivalent sensitivity. For example in portrait mode the camera would use a wider aperture to render the background out of focus, and would seek out and focus on a human face rather than other image content. In the same light conditions a smaller aperture would be used for a landscape, and recognition of faces would not be enabled for focussing.
Some cameras have tens of modes, showing the majority only in the menu rather than on the dial. Many cameras do not document exactly what their many modes do; for full mastery of the camera one must experiment with them.
In general:
Other scene modes found on many cameras include Fireworks, Snow, Natural light/Night snapshot, Macro/Close-up, and Movie mode. On cameras not aimed at amateur photographers, automatic scene modes may however be absent entirely.
Aperture priority, often abbreviated A or Av on a camera mode dial, is a mode on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter. This is different from manual mode, where the user must decide both values, shutter priority where the user picks a shutter speed with the camera selecting an appropriate aperture, or program mode where the camera selects both.
The Canon A-1 is an advanced-level single-lens reflex (SLR) 35 mm film camera for use with interchangeable lenses. It was manufactured by Canon Camera K. K. in Japan from March 1978 to 1985. It employs a horizontal cloth-curtain focal-plane shutter with a speed range of 30 to 1/1000 second plus bulb and flash synchronization speed of 1/60 second. It has dimensions of 92 millimetres (3.6 in) height, 141 millimetres (5.6 in) width, 48 millimetres (1.9 in) depth and 620 grams (22 oz) weight. Unlike most SLRs of the time, it was available in only one color; all black. The introductory US list price for the body plus Canon FD 50 mm f/1.4 SSC lens was $625; the camera body was generally sold with a 30–40% discount.
The Nikon FG is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nippon Kogaku K. K. in Japan from 1982 to 1986.
The Canon EOS 5 is a semi-professional autofocus, autoexposure 35 mm SLR film camera. It was sold from November 1992 onwards, and was replaced in late 1998 by the Canon EOS 3. As part of the EOS line of cameras, the 5/A2/A2e utilized Canon's EF bayonet lens mount, first introduced in 1987.
The Minolta XG-M was a 35mm single-lens reflex camera introduced in 1981 by Minolta of Japan. It was also known as the X-70 on the Japanese market, in which it was not available until 1982. When released, it was the top model in Minolta's XG series of consumer-grade manual focus SLRs, replacing the XG-9. Changes from that model included a metered manual mode, and a revised body style with rearranged controls. This was also the first camera to use Minolta's new logo, which was used until the 2003 merger into Konica Minolta.
The Pentax LX is a 35mm single-lens reflex camera produced by Pentax in Japan. It was introduced in 1980 to commemorate the 60th anniversary of Asahi Optical Co., and was produced until 2001. It is the top-of-the-line professional, or "system", camera in the Pentax manual focus range, with manual and aperture priority automatic exposure modes and an advanced light metering system. The LX uses the K mount, which is the Pentax proprietary bayonet lens mount, and has a large body of accessories. The camera has several unique or uncommon features, and compared with contemporary professional camera bodies from rival manufacturers, like the Canon New F-1 or Nikon F3, the LX body is smaller and lighter, weighing in at 570 grams with its standard FA-1 finder.
The EOS-1N is a 35mm single lens reflex (SLR) camera body produced by Canon. It was announced by Canon in 1994, and was the professional model in the range, superseding the original Canon EOS-1. The camera was itself superseded by the EOS-1V in 2000.
The Canon EOS 30D is an 8.2-megapixel semi-professional digital single-lens reflex camera, initially announced on February 21, 2006. It is the successor of the Canon EOS 20D, and is succeeded by the EOS 40D. It can accept EF and EF-S lenses, and like its predecessor, it uses an APS-C sized image sensor, so it does not require the larger imaging circle necessary for 35 mm film and 'full-frame' digital cameras.
APEX stands for Additive System of Photographic Exposure, which was proposed in the 1960 ASA standard for monochrome film speed, ASA PH2.5-1960, as a means of simplifying exposure computation.
The Leica R8 & R9 are manual focus 35 mm single-lens reflex cameras produced by the German firm Leica as the final models of their R series. Development of the R8 began in 1990: the camera was introduced at the 1996 photokina trade show, and was succeeded by the similar Leica R9 in 2002.
Live preview is a feature that allows a digital camera's display screen to be used as a viewfinder. This provides a means of previewing framing and other exposure before taking the photograph. In most such cameras, the preview is generated by means of continuously and directly projecting the image formed by the lens onto the main image sensor. This in turn feeds the electronic screen with the live preview image. The electronic screen can be either a liquid crystal display (LCD) or an electronic viewfinder (EVF).
The Minolta A-mount camera system was a line of photographic equipment from Minolta introduced in 1985 with the world's first integrated autofocus system in the camera body with interchangeable lenses. The system used a lens mount called A-mount, with a flange focal distance 44.50 mm, one millimeter longer, 43.5 mm, than the previous SR mount from 1958. The new mount was wider, 49.7 mm vs. 44.97 mm, than the older SR-mount and due to the longer flange focal distance, old manual lenses were incompatible with the new system. Minolta bought the autofocus technology of Leica Correfot camera which was partly used on the a-mount autofocus technology. The mount is now used by Sony, who bought the SLR camera division from Konica Minolta, Konica and Minolta having merged a few years before.
The Pentax ME F was an amateur level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Asahi Optical Co., Ltd. of Japan from November 1981 to 1984. The ME F was a heavily modified version of the Pentax ME-Super, and a member of the Pentax M-series family of SLRs. It was the first mass-produced SLR camera to come with an autofocus system.
The Konica Hexar is a 35 mm fixed-lens, fixed focal length autofocus camera which was produced through the 1990s. It was introduced to the market in 1993. While styled like a rangefinder camera, and intended for a similar style of photography, in specification it is more like a larger "point and shoot" camera.
The Canon EOS 100 is a 35 mm autofocus SLR camera introduced by Canon in 1991. It was marketed as the EOS Elan in North America. It was the second camera in the EOS range to be targeted at advanced amateur photographers, replacing the EOS 650.
The Minolta 9000 AF is a professional Single-lens reflex autofocus camera, introduced by Minolta in August 1985. It was both Minolta's and the world's first professional autofocus SLR. It was called Minolta Maxxum 9000 in the US and Minolta α-9000 in Japan.
The Pentax ME Super is a highly successful 35 mm single-lens reflex camera produced by Pentax of Japan between 1979 and 1984.
Most digital cameras support the ability to choose among a number of configurations, or modes for use in various situations. Professional DSLR cameras provide several manual modes; consumer point-and-shoot cameras emphasize automatic modes; amateur prosumer cameras often have a wide variety of both manual and automatic modes.
This article discusses the cameras – mainly 35 mm SLRs – manufactured by Pentax Ricoh Imaging Corp. and its predecessors, Pentax Corporation and Asahi Optical Co., Ltd.. Pentax must not be confused with Pentax 6x7 or Pentax 67 which are 120 medium format 6x7cm film cameras.
Canon EOS 1100D is a 12.2-megapixel digital single-lens reflex camera announced by Canon on 7 February 2011. It is known as the EOS Kiss X50 in Japan and the EOS Rebel T3 in the Americas. The 1100D is Canon's most basic entry-level DSLR, and introduces movie mode to other entry level DSLRs. It replaced the 1000D and is also the only Canon EOS model currently in production that is not made in Japan but in Taiwan, aside from the EOS Rebel T4i.