History of Greek photography from its beginning to the present
The History of Greek photography began with travellers from Canada and Europe to Greece.
Pierre Gustave Joly de Lotbiniere (1798–1865, Canadian) and Joseph-Philibert Girault de Prangey (1804–1892, French) were among the examples of persons who came to Greece and took photographs of Greece (daguerreotypes) in 1830s or 1840s.
In 1840s, Philibert Perraud (1815-1863?), a French photographer, came to Greece and taught photography to Filippos Margaritis (Greek painter), who was said to be the first Greek photographer and who later opened the first Greek professional photo studio in 1853, in Athens.
In 1859, Greek photographer Petros Moraites opened his photo studio in Athens with Athanasios Kalfas. He took many portraits of many Greek people including the royal family and around 1870 became one of the most notable photographers in Greece at that time.
According to a guide book published in 1891, 27 photo studios existed in Greece.
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In 1952, the Greek Photographic Society (EFE) was founded and in 1956 the First Panhellenic Exhibition of Photographic Art in Athens was organized.
In order of year of birth
Langres is a commune in northeastern France. It is a subprefecture of the department of Haute-Marne, in the region of Grand Est.
Jean-Baptiste Gustave Le Gray was a French painter, draughtsman, sculptor, print-maker, and photographer. He has been called "the most important French photographer of the nineteenth century" because of his technical innovations, his instruction of other noted photographers, and "the extraordinary imagination he brought to picture making." He was an important contributor to the development of the wax paper negative.
The Benaki Museum, established and endowed in 1930 by Antonis Benakis in memory of his father Emmanuel Benakis, is housed in the Benakis family mansion in Athens, Greece. The museum houses Greek works of art from the prehistorical to the modern times, an extensive collection of Asian art, hosts periodic exhibitions and maintains a state-of-the-art restoration and conservation workshop. Although the museum initially housed a collection that included Islamic art, Chinese porcelain and exhibits on toys, its 2000 re-opening led to the creation of satellite museums that focused on specific collections, allowing the main museum to focus on Greek culture over the span of the country's history. This Museum in Athens houses over 100,000 artifacts from Greek history and showcases the many eras, civilizations and cultures which have influenced the development of Greece. Spread over a number of locations, the museum ranks among Greece’s foremost cultural institutions.
James Robertson (1813–1888) was an English gem and coin engraver who worked in the Mediterranean region, and who became a pioneering photographer working in the Crimea and possibly India. He is noted for his Orientalist photographs and for being one of the first war photographers.
John Stathatos, Greek photographer and writer.
Filippos Margaritis (1810–1892) is generally acknowledged to have been the first Greek photographer, whose earliest daguerreotypes, of the Acropolis of Athens, date from 1847. Having studied painting in lithography in Paris, he opened a studio in [Athens] in 1837 and began teaching at the School of Fine Arts in 1842. He learned the techniques of the daguerreotypes from the French photographer François Perraud who arrived in Greece in 1847, and in turn passed on his knowledge to the students of Athens Polytechnic around 1850.
The Athens Conservatoire is the oldest educational institution for the performing arts in modern Greece. It was founded in 1871 by the non-profit organization Music and Drama Association.
Nikos Hadjikyriakos-Ghikas, also known as Nikos Ghika, was a leading Greek painter, sculptor, engraver, writer and academic. He was a founding member of the Association of Greek Art Critics, AICA-Hellas, International Association of Art Critics.
N.A. Tombazi was a Greek photographer who, on a British Geological Expedition in 1925, apparently sighted a Yeti creature at 15,000 feet in the Himalayas of Tibet.
Joseph-Philibert Girault de Prangey was a French scholar and draughtsman whose use of photography while he was active in the Middle East pursuing archaeology and studying ancient architecture has made him recognized as an important early photographer. His daguerreotypes are the earliest surviving photographs of Greece, Palestine, Italy, Egypt, Syria, and Turkey. After his death in 1892, his carefully stored photographs were discovered in the attic of his estate in the 1920s and they only became known as important works eighty years later.
Elli Sougioultzoglou-Seraidari, better known as Nelly's, was a Greek female photographer whose pictures of ancient Greek temples set against sea and sky backgrounds helped shaped the visual image of Greece in the Western mind. There has been some confusion over how exactly she should be referred to. She adopted the diminutive "Nelly" for her professional society portrait work, and its genitive, "Nelly's", was incorporated in her decorative studio stamp, but at no time did she refer to herself as Nelly's; that version of her name was popularised by newspapers at the time of her rediscovery in the 1980s. She is now increasingly referred to, more correctly, as "Elli Seraidari".
Vassilis Makris is a Greek photographer.
Alekos Fassianos was a renowned Greek painter. He gained recognition for his distinctive style, which was characterized by immediacy and a deliberate departure from standardized painting techniques.
Pierre-Gustave-Gaspard Joly de Lotbinière was a French businessman and amateur daguerreotypist, born in Frauenfeld, Switzerland and citizen of the Republic of Geneva, and married to a Canadian seigneuress. Famous for being the first to photograph the Acropolis of Athens and some ancient Egyptian monuments, he is also the father of Sir Henri-Gustave Joly de Lotbinière, Premier of Quebec from 1878 to 1879.
Nikos Economopoulos is a Greek photographer known for his photography of the Balkans and of Greece in particular.
Kythera Photographic Encounters is an annual photographic event taking place at the end of every September on the Greek island of Kythera (Cerigo). First started in 2002 and organised by the non-profit Kythera Cultural Association under the artistic direction of John Stathatos, they bring together a cross-section of Greek photographers, photography critics, art historians and curators for four days of exhibitions, lectures, seminars and assorted events, leavened by informal debates on all aspects of photography. Though the emphasis is on Greek photography, an attempt is made to include at least one foreign participant every year.
Mary Paraskeva was a Greek amateur photographer; her photographic legacy from the beginning of the 20th century is probably the earliest known by a Greek woman.
Voula Papaïoannou (1898–1990) was a Greek photographer, known for her photography of Greece, its people and its landscape.