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Nature photography is a wide range of photography taken outdoors and devoted to displaying natural elements such as landscapes, wildlife, plants, and close-ups of natural scenes and textures. Nature photography tends to put a stronger emphasis on the aesthetic value of the photo than other photography genres, such as photojournalism and documentary photography. [1]
"Nature photography" overlaps the fields of—and is sometimes considered an overarching category including -- "wildlife photography," "landscape photography," and "garden photography". [1]
Nature photographs are published in scientific, travel and cultural magazines such as National Geographic Magazine , National Wildlife Magazine and Audubon Magazine or other more specific magazines such as Outdoor Photographer and Nature's Best Photography . Well known nature photographers include Ansel Adams, Eliot Porter, Frans Lanting, Galen Rowell, and Art Wolfe.
Landscape photography is one of the categories of photography often associated with nature photography. It focuses on images of the natural world (such as rivers, mountains, deserts, and forests) [2] as well as man-made structures (such as city skylines). However, that is rarer and separated from nature photography. As such, landscape photography is an adjacent rather than a sub-category of nature photography.
Landscape photography aesthetics have changed throughout the decades based on the trends of the time. It is closely related to Landscape paintings and is often discussed in direct relation to it throughout its history. [3]
As is the trend in much of nature photography, the focus of landscape photography is on the natural beauty of the world with little artificial lighting or staging. [3] There are also forms of landscape photography that are seen as more artistic or abstract than others, though those seem to lean more towards a macro photography style.
Wildlife photography is all about capturing pictures of animals, especially those considered exotic, in their natural habitats, and so only became truly popular once cameras were portable. [4] Depending on the purpose of the photograph and photographer, Wildlife photography can either portray the animals in action (such as eating, fighting, or in flight), or in more static and detailed poses for identification purposes. Much like in landscape photography, wildlife photography is also often used in magazines such as National Geographics to inform and inspire audiences.
Photographs taken of captive or controlled animals are not considered wildlife photography as by definition from the Photographic Society of America, the Fédération Internationale de l'Art Photographique and the Royal Photographic Society. According to these three worlds largest photography societies the definition for wildlife photography, that will be applied to photography competitions, is photos taken of any zoological of biological organism (including fungi and algae), in a uninhibited (wild) environment.
The techniques of wildlife photography differ greatly from those used in landscape photography. For example, in wildlife photography wide apertures are used to achieve a fast shutter speed, freeze the subject's motion, and blur the backgrounds, while landscape photographers prefer small apertures to keep the entire frame in focus. Wildlife is also usually shot with long telephoto lenses from a great distance; the use of such telephoto lenses frequently necessitates the use of a tripod (since the longer the lens, the harder it is to handhold). Many wildlife photographers also use blinds or camouflage in order to get closer to their subjects and capture more appealing shots without scaring the animals or causing a shift in behavior in them, a method that was developed early on, since camera lenses were not developed enough to take quality photos over long distances. [4]
The origins of wildlife photography can be traced back to the early days of photography in the mid-19th century. One of the earliest known wildlife photographs was taken by British photographer Cherry Kearton in 1892, who captured the first photograph of a bird’s nest with eggs. [5] Kearton and his brother Richard were pioneers of wildlife photography, and their images of birds were used to produce the first-ever nature photography book “British birds’ nests: how, where and when to find and identify them.” [6] The brothers’ innovative portraits of animals and safaris to the savannahs of Africa helped to popularize the genre.
In the early 20th century, photographer and US Representative from Pennsylvania, George Shiras III, revolutionized wildlife photography when he began using camera traps and flash photography to capture images of wildlife in the dark. Deemed "the father of wildlife photography" by National Geographic, Shiras was an avid conservationist and believed wildlife photography was “an irreplaceable medium for revealing the unknown and attesting to the beauty of an endangered world.” [7] While Shira initially exploded magnesium powder to create the flash effect and a suspended rope to trigger his flashlight trap, these methods have been refined and standardized in the decades since. In July 1906, a photograph Shiras captured of three deer at night became the first wildlife photo to be featured in National Geographic. [8]
In the mid-20th century, wildlife photography began to gain wider recognition as a legitimate form of artistic expression. Photographers like Peter Beard and Art Wolfe began to use wildlife photography as a means of conservation, using their images to raise awareness about the need to protect endangered species and their habitats. [9] [10]
Macro photography (photomacrography, macrography, or macrophotography) is extreme close-up photography of nature, typically including insects, plants, and other items. It focuses on tiny living organisms and shows details not typically seen. Macro photography typically includes equipment made for an extremely detail-oriented approach. [11]
The macro photography [12] [13] article explains close-up photography in general; however, this is also a type of nature photography. While common macro subjects – bees, dragonflies, and so on – could be described as wildlife, their world also makes for good photography.
Many photographers record images of the texture in a stone, tree bark, leaf, or any of other small scenes. Many of these images are abstract. [14] Tiny plants and mushrooms are also popular subjects. Close-up nature photography doesn't always need a true macro lens; however, the scenes here are small enough that they are generally considered different from regular landscapes.
Macro photography employs texture and close-up photography to allow people to see things they wouldn’t be able to see with the naked eye and create a new perspective for viewers. [15]
Cloudscape photography or cloud photography is the photography of the clouds or sky.
Cloudscape photography allows photographers to capture photographs of clouds' movement and dynamic nature. It is ever-changing and seen often in photography. Clouds and their fickle nature create an outlet for photos to appear more dramatic and intense. Cloudscape photography can be used in tandem with many other types of nature photography, including landscape, storm, animal, outdoor architectural, and plant photography. [16]
It is a versatile type of photography often seen in collage work and other artistic outlets.
Clouds come in many shapes and types, including cumulus, cumulonimbus, stratus, and stratocumulus. [17] These different varieties allow photographers to take in various styles and concepts. Cloudscape photographers will also focus on the time of day and weather they photograph to achieve different effects. [18]
Camera choice, filter style, and equipment within cloudscape photography are similar to general nature photography. However, it is up to the personal preference of the photographer. [16]
Leonard Misonne (1870-1943) is accredited as an early cloudscape photographer with his collection of cloudscape photos called "equivalents." [19] This was one of the first notable collections focused solely on cloudscape photography. Other notable cloudscape photographers include Ralph Steiner, Robert Davies, and Tzeli Hadjimitriou.
Color images are not a requirement of nature photography. Ansel Adams is famous for his black-and-white depictions of nature, while Galen Rowell praised Fujifilm Velvia film for its bright, saturated colors, asking "Who wants to take dull pictures that will last a hundred years?" [20] Both men distinguish between photography as an expressive art form and sensitometry; an accurate reproduction is not necessary.
A number of ethical concerns and debates surround the creation of nature photography. Common issues involve the potential of stress or harm to wildlife, [24] the potential of photographers overrunning and destroying natural areas, the use of game farms, and veracity and manipulation in photography. Also the information posted by photographers on social media of the location of endangered species leads to poachers using this information to hunt these animals. [25] [26]
Galen Avery Rowell was an American wilderness photographer, adventure photojournalist and mountaineer. Born in Oakland, California, he became a full-time photographer in 1972.
Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving, but can be done while diving on surface supply, snorkeling, swimming, from a submersible or remotely operated underwater vehicle, or from automated cameras lowered from the surface.
Macro photography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size . By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life-size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life-size.
A monopod, also called a unipod, is a single staff or pole used to help support cameras, binoculars, rifles or other precision instruments in the field.
Frans Lanting is a Dutch National Geographic photographer, author and speaker.
Wildlife photography is a genre of photography concerned with documenting various forms of wildlife in their natural habitat.
David Doubilęt is an underwater photographer known primarily for his work published in National Geographic magazine, where he is a contributing photographer and has been an author for 70 feature articles since 1971. He was born in New York City and started taking photos underwater at the young age of 12. He started with a Brownie Hawkeye in a rubber anesthesiologist's bag to keep the water out of the camera. He lived with his family in New York City and spent summers in Elberon New Jersey exploring the Atlantic. He later worked as a diver and photographer for the Sandy Hook Marine Laboratories in New Jersey and spent much of his youth in the Caribbean as a teenage dive instructor in the Bahamas where he found his motivation to capture the beauty of the sea and everything in it. His wife is the photographer Jennifer Hayes.
Richard Kearton FZS, FRPS and Cherry Kearton, brothers, were a pair of British naturalists and some of the world's earliest wildlife photographers. They developed innovative methods to photograph animals in the wild and, in 1895, published the first natural history book to be entirely illustrated by wild photographs. Richard was made a Fellow of the Zoological Society of London and Royal Photographic Society. Cherry later became a wildlife and news filmmaker, and friend to Theodore Roosevelt. The Royal Geographical Society created the Cherry Kearton Medal and Award in his honour.
Aaron Huey is an American photographer, explorer, activist, and storyteller. He is known for his work as a photographer with National Geographic, for whom he has shot many magazine features on a diverse array of subjects from adventure, to war, to wildlife. Aaron is the founder of the Amplifier Foundation, a design lab that builds art to amplify the voices of grassroots movements. He was the architect and design director for the non-profit art project “We The People,” that flooded the streets of Donald Trump’s Inauguration and the International Women's March in 2017.
The following outline is provided as an overview of and topical guide to photography:
Earthrise is a photograph of Earth and part of the Moon's surface that was taken from lunar orbit by astronaut William Anders on December 24, 1968, during the Apollo 8 mission. Nature photographer Galen Rowell described it as "the most influential environmental photograph ever taken".
Cloudscape photography is photography of clouds or sky.
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.
James Balog is an American photographer whose work explores the relationship between humans and nature. He is the founder and director of Earth Vision Institute in Boulder, Colorado.
Conservation photography is the active use of the photographic process and its products, within the parameters of photojournalism, to advocate for conservation outcomes.
Erik Johansson is a Swedish artist based in Prague who creates surreal images by combining photographic elements and other materials into surreal scenes. He combines images to create what looks like a real photograph, but creates logical inconsistencies to impart an effect of surrealism.
Jo-Anne McArthur is a Canadian photojournalist, humane educator, animal rights activist and author. She is known for her We Animals project, a photography project documenting human relationships with animals. Through the We Animals Humane Education program, McArthur offers presentations about human relationships with animals in educational and other environments, and through the We Animals Archive, she provides photographs and other media for those working to help animals. We Animals Media, meanwhile, is a media agency focused on human/animal relationships.
Dhritiman Mukherjee is an Indian professional nature, wildlife and conservation photographer. He is a certified advance open water diver, certified ice-diver and certified mountaineer.
Varun Aditya (Tamil Language:வரூன் ஆதித்யா born on 19 January 1991, is an Indian wildlife photographer and environmentalist. His work has garnered recognition, highlighted by his first-place achievement as the National Geographic Nature Photographer of the Year in 2016. In addition to his photographic accomplishments, Varun Aditya engages in research about animals and nature through his photography.
Roie Galitz is an Israeli photographer, entrepreneur and environmental activist. He is known for his wildlife photographs, some of which have won international awards, especially those taken north of the Arctic Circle. Locally, Galitz founded Israel's largest school of photography, a photography-oriented travel company and the Israel Photography Conference.
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