Timeline of photography technology

Last updated

The following list comprises significant milestones in the development of photography technology.

Contents

Timeline

The oldest surviving camera photograph, by Nicephore Niepce, 1826 or 1827 View from the Window at Le Gras, Joseph Nicephore Niepce.jpg
The oldest surviving camera photograph, by Nicéphore Niépce, 1826 or 1827
View of the Boulevard du Temple, first photograph including a person (on pavement at lower left), by Daguerre, 1838 Boulevard du Temple by Daguerre.jpg
View of the Boulevard du Temple , first photograph including a person (on pavement at lower left), by Daguerre, 1838
First durable color photograph, 1861 Tartan Ribbon.jpg
First durable color photograph, 1861
An 1877 photographic color print on paper by Louis Ducos du Hauron. The irregular edges of the superimposed cyan, red and yellow components can be seen. Duhauron1877.jpg
An 1877 photographic color print on paper by Louis Ducos du Hauron. The irregular edges of the superimposed cyan, red and yellow components can be seen.
Muybridge used high-speed photography to make the first animated image sequences photographed in real-time (1878-1887) Muybridge horse gallop animated 2.gif
Muybridge used high-speed photography to make the first animated image sequences photographed in real-time (1878–1887)

Prior to the 19th century

19th century

20th century onwards

Photograph scanned into a digital computer, 1957 NBSFirstScanImage.jpg
Photograph scanned into a digital computer, 1957
Josef H. Neumann: Chemogram Gustav I (C)1974 Josef H Neumann- Gustav I (1976).jpg
Josef H. Neumann: Chemogram Gustav I (C)1974

See also

Notes

  1. 1 2 3 "The First Photograph – Heliography". Archived from the original on 2009-10-06. Retrieved 2009-09-29. from Helmut Gernsheim's article, "The 150th Anniversary of Photography," History of Photography, Vol. I, No. 1, January 1977: ... In 1822, Niépce coated a glass plate ... The sunlight passing through ... This first permanent example ... was destroyed ... some years later.
  2. Sala, Angelus (1614). Septem planetarum terrestrium spagirica recensio: qua perspicue declaratur ratio nominis hermetici, analogia metallorum cum microcosmo, eorum praeparatio vera & unica, proprietates, & usus medicinales (in Latin). Amsterodami: Apud Wilhelmum Ianssonium. OCLC   34709352. Archived from the original on 2023-07-02. Retrieved 2023-03-12.
  3. Josef Maria Eder (1978), History of photographyPaperback, New York Dover Publications, pp. 22–23, ISBN   978-0-486-23586-8
  4. This date is misreported as 1725 or 1727, an error deriving from the belief that a 1727 publication of Schulze's account of experiments he says he undertook about two years earlier is the original source. In fact, it is a reprint of a 1719 publication and the date of the experiments is therefore circa 1717. The dated contents page of the true original can be seen here Archived 2015-02-21 at the Wayback Machine (retrieved 2015-02-21)
  5. http://digital.library.upenn.edu/women/fulhame/combustion/combustion.html Archived 2021-02-24 at the Wayback Machine later publication in America
  6. Niépce House Museum: History of Photography, part 1 Archived 2014-03-08 at the Wayback Machine . Retrieved 26 May 2013.
  7. Niépce House Museum: History of Photography, part 3 Archived 2014-03-16 at the Wayback Machine . Retrieved 26 May 2013.
  8. "Mary Somerville - Biography". Archived from the original on 2020-07-01. Retrieved 2020-05-30.
  9. Boris Kossoy (2004). Hercule Florence: El descubrimiento de la fotografía en Brasil. Instituto Nacional de Antropología e Historia. ISBN   968-03-0020-X. Archived from the original on 2023-07-02. Retrieved 2016-11-04.
  10. 1 2 3 "WHF Talbot: Biography" Archived 2011-07-21 at the Wayback Machine , a concise account by widely acknowledged and extensively published Talbot expert Larry J. Schaaf. Retrieved 10 September 2014.
  11. https://www.christopherjames-studio.com/GumBichromate3rdEdBookOfAltPro.pdf Archived 2019-10-24 at the Wayback Machine [ bare URL PDF ]
  12. Ronalds, B.F. (2016). Sir Francis Ronalds: Father of the Electric Telegraph. London: Imperial College Press. ISBN   978-1-78326-917-4.
  13. Ronalds, B.F. (2016). "The Beginnings of Continuous Scientific Recording using Photography: Sir Francis Ronalds' Contribution". European Society for the History of Photography. Archived from the original on 13 June 2016. Retrieved 2 June 2016.
  14. Focal encyclopedia of photography : digital imaging, theory and applications, history, and science. Peres, Michael R. (4th ed.). Amsterdam: Focal. 2007. ISBN   978-0-08-047784-8. OCLC   499055803. Archived from the original on 2023-07-02. Retrieved 2021-02-24.{{cite book}}: CS1 maint: others (link)
  15. Hannavy, John (2013-12-16). Hannavy, John (ed.). Encyclopedia of Nineteenth-Century Photography. doi:10.4324/9780203941782. ISBN   9780203941782. Archived from the original on 2023-07-02. Retrieved 2021-02-24.
  16. 1 2 3 4 5 6 7 Kodak Chronology of Motion Picture Films 1889 to 1939 Archived 2013-10-15 at the Wayback Machine . Retrieved 2 June 2013.
  17. Kirsch, Russell A., "Earliest Image Processing", NISTS Museum; SEAC and the Start of Image Processing at the National Bureau of Standards, National Institute of Standards and Technology, archived from the original on 2014-07-19
  18. "FX". Canon Camera Museum. Canon, Inc. Archived from the original on 20 October 2020. Retrieved 19 October 2020.
  19. "Peter J.W. Noble, inventor of the image sensor". www.pjwn.co.uk. Archived from the original on 4 March 2016. Retrieved 3 May 2018.
  20. "Developers Look Back on the History of the EOS System – Part 1". Canon Camera Museum. Canon, Inc. Archived from the original on 20 October 2020. Retrieved 19 October 2020.
  21. "Photoshop: Born from Two Brothers". CrisherEntertainment.com. February 28, 2013. Archived from the original on July 1, 2016. Retrieved October 15, 2014.
  22. "Adobe Photoshop 1.0 Feb. 1990 - 20 Years of Adobe Photoshop". Graphics Software. About.com. Archived from the original on April 26, 2016. Retrieved August 13, 2013.
  23. 1 2 Cornell University Library (2003). "Digital Preservation and Technology Timeline". Digital Preservation Management. Archived from the original on 2015-08-06. Retrieved 10 July 2018.
  24. "Camera Phones Origins". Archived from the original on 2007-09-08. Retrieved 2011-12-04.
  25. Hsu, Tiffany (23 June 2009). "Kodachrome to be discontinued". Los Angeles Times. Archived from the original on 14 February 2020. Retrieved 19 October 2020. Eastman Kodak Co. is discontinuing the storied 74-year-old color film.
  26. "FujiFilm camera". dpreview.com. dpreview. Archived from the original on 2015-09-09.

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<span class="mw-page-title-main">Film stock</span> Medium used for recording motion pictures

Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.

<span class="mw-page-title-main">Photography</span> Art and practice of creating images by recording light

Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.

<span class="mw-page-title-main">Photograph</span> Image created by light falling on a light-sensitive surface

A photograph is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor, such as a CCD or a CMOS chip. Most photographs are now created using a smartphone or camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process and practice of creating such images is called photography.

<span class="mw-page-title-main">35 mm movie film</span> Standard theatrical motion picture film gauge

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<span class="mw-page-title-main">135 film</span> Photographic film format

135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'.

<span class="mw-page-title-main">110 film</span> Cartridge film format introduced in 1972

110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm, with one registration hole. Cartridges with 12, 20, or 24 frames are available on-line. Production variations sometimes have allowed for an additional image.

<span class="mw-page-title-main">Kodachrome</span> Brand name of an Eastman Kodak film

Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.

<span class="mw-page-title-main">Reversal film</span> Type of photographic film that produces a positive image on a transparent base

In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.

<span class="mw-page-title-main">Negative (photography)</span> Image on photographic film

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<span class="mw-page-title-main">Instant film</span> Photographic film which develops in minutes

Instant film is a type of photographic film that was introduced by Polaroid Corporation to produce a visible image within minutes or seconds of the photograph's exposure. The film contains the chemicals needed for developing and fixing the photograph, and the camera exposes and initiates the developing process after a photo has been taken.

<span class="mw-page-title-main">Infrared photography</span> Near-infrared imaging

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<span class="mw-page-title-main">History of photography</span>

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<span class="mw-page-title-main">History of the camera</span> Review of the topic

The history of the camera began even before the introduction of photography. Cameras evolved from the camera obscura through many generations of photographic technology – daguerreotypes, calotypes, dry plates, film – to the modern day with digital cameras and camera phones.

A chromogenic print, also known as a C-print or C-type print, a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color which together, when developed, form a full-color image.

<span class="mw-page-title-main">Color motion picture film</span> Photographic film type

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The following outline is provided as an overview of and topical guide to photography:

<span class="mw-page-title-main">Analog photography</span> Non-digital photography that uses film or chemical emulsions

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<span class="mw-page-title-main">Kodacolor (still photography)</span> Brand name of an Eastman Kodak film

In still photography, Kodak's Kodacolor brand has been associated with various color negative films since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection prints on 35 mm film. There have been several varieties of Kodacolor negative film, including Kodacolor-X, Kodacolor VR and Kodacolor Gold.

In bipack color photography for motion pictures, two strips of black-and-white 35 mm film, running through the camera emulsion to emulsion, are used to record two regions of the color spectrum, for the purpose of ultimately printing the images, in complementary colors, superimposed on one strip of film. The result is a multicolored projection print that reproduces a useful but limited range of color by the subtractive color method. Bipack processes became commercially practical in the early 1910s when Kodak introduced duplitized film print stock, which facilitated making two-color prints.

<span class="mw-page-title-main">Photographic film</span> Film used by film (analog) cameras

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.