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Banquet photography is the photography of large groups of people, typically in a banquet setting such as a hotel or club banquet room, with the objective of commemorating an event. Clubs, associations, unions, circuses and debutante balls have all been captured by banquet photographers.
A banquet photograph is usually taken in black and white with a large format camera, with a wide angle lens, from a high angle to ensure that each person is in focus while seated at their table. [1] Large cameras such as a 12×20 view camera or a panoramic camera were used. The defining characteristic of a banquet photograph is the depth of focus and detail and clarity of the image.
Banquet photography was most popular in the 1890s, and had mostly waned by the 1970s. [2] In part its decline is owed to the difficult technical aspects of producing quality banquet photos, the difficulty of printing such large negatives, and the expense and size of the equipment needed. [2] Today, though hard to find, there are a handful of photographers still shooting banquet photos with flashbulbs and large format film cameras. [2]
Lighting for a banquet photograph was originally done with flash powder. Magnesium is the metallic element that fuels flash powder and it was 1864 when Alfred Brothers made the first portrait with magnesium light. [3] The first flashbulbs were developed by the Hauser Company in Germany in 1930 [4] and within a decade flashbulbs began replacing flash powder as a light source. It was in 1939 that William Randolph Hearst hosted a meeting of his editors when the photographer taking the large group photograph was badly burned by an explosion of flash powder. Hearst decreed that from that point on all of his photographers were required to use flashbulbs only. [4]
Some noted banquet photographers were Edward J Kelty (1888–1967) who was an early banquet camera user who photographed circuses predominantly with traditional banquet cameras. Eugene Omar Goldbeck (1892–1986) known as the "unofficial photographer of America's military," [5] used Cirkut cameras which worked outside and rotated, whereas the traditional banquet camera with flashbulbs worked just as well inside. [6] Miles Weaver (1879–1932) ran one of the largest banquet and panoramic photography studios in Los Angeles. His work included early Academy Award celebrations, religious revivals, movie publicity stills and bathing beauty pageants. [7] George R. Lawrence (1869–1938) was renowned for developing a flash powder that permitted indoor banquet photography. His system required flash powder in many locations around a room, sometimes in as many as 350 spots. A single electric charge exploded all the powder, generating more light and less smoke than previous methods. [7] In New York city from 1923 to 1995 The Standard Flash Company [8] and later known as Standard Studios with principal photographers Kenneth Brooks (1926–1995) and Jayson Jons (1922–2012) (born John Selepec [9] ) photographed thousands of banquet photos. In Chicago Thomas Yanul (1940–2014) did banquet photos for both corporate and social events. [10] Modern photographers that still use the original technology includes Terry Gruber, who uses a 100-year-old, 12×20-inch banquet camera for contemporary occasions. [11]
Hours before an indoor banquet photograph is to be taken the banquet photographer sets up their large format, commonly 12”x20” banquet camera, in a corner of the room on a tall tripod or from the balcony and stands on a ladder to reach the camera. With a wide-angle lens set to the widest aperture and the shutter open, the photographer frames the picture on the ground glass with the aid of a light shielding dark cloth over their head. Importantly, the view of the scene on the ground glass is both upside and backwards. Left is right and right is left.
With the help of an assistant holding a lit candle or lantern the assistant walks to the bottom of the frame in close proximity to the camera where the closest people will be, the photographer looks at the top of the ground glass to adjust where the seated person will be cropped. The assistant goes to the left side of the room the photographer views the right side of the ground glass to see if the people at the table will be visible. This continues until left right and top and bottom of the composition are framed up while the banquet photographer makes framing adjustments in order to determine if all people seated at tables are going to be in the picture.
Using the view camera's rise and fall, tilt and shift the photographer meticulously focuses the camera on the candle as the assistant moves from front to middle and to back of the frame. Once the camera is focused the photographer tightens everything into a locked position. The shutter is cocked. The lens is closed down to a small aperture. The dry plate holder or film holder is mounted over the ground glass.
Lighting for flat (non-rotating cameras): Flash powder in troughs or flashbulbs with silver reflectors are strung in a series from the balcony or floor to the left and to the right of the camera around the perimeter of the room and out of the camera's view.
Anybody sitting at a table that can not be seen by the fixed lens of the camera is asked to move to the rear of the room to stand behind the last row of tables. As soon as everyone is in their seats, and the people who would have been missed have moved into frame several last steps are critical to taking the photograph. The photographer pulls out the dark slide from the film holder to allow light to strike the emulsion of the film. It is handed to an assistant. The photographer silences the group. Subjects are directed to turn and face towards and look up at the camera. The photographer cues the participants that they will count down and say open and that they need to be absolutely motionless during the explosion of the flash for two seconds. With the air-driven, lemon-sized rubber bulb release which opens the Packard shutter in one hand, and a switch which ignites the flash lighting and exposes the film in the other, the photographer gives their cue, opens the shutter, ignites the flash waits until the light diminishes and releases the bulb which closes the shutter. The assistant hands the dark slide to the photographer who slides it back into the film holder so the exposed film is protected and the film holder is taken from the back of the camera and placed into a light safe bag.
While the banquet team disassembles the lights and camera, the film is taken into a darkroom and developed. Meantime several studio employees canvas the crowd taking orders from the guests. Back in the darkroom, as soon as the negative is dry, several rush contact prints are processed and brought back to the party where the photo studio employees can take more orders by showing off “the proof."
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century.
A view camera is a large-format camera in which the lens forms an inverted image on a ground-glass screen directly at the film plane. The image is viewed, composed, and focused, then the glass screen is replaced with the film to expose exactly the same image seen on the screen.
A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.
The Speed Graphic was a press camera produced by Graflex in Rochester, New York. Although the first Speed Graphic cameras were produced in 1912, production of later versions continued until 1973; with significant improvements occurring in 1947 with the introduction of the Pacemaker Speed Graphic.
A flash is a device used in photography that produces a brief burst of light at a color temperature of about 5,500 K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor.
In camera design, a focal-plane shutter (FPS) is a type of photographic shutter that is positioned immediately in front of the focal plane of the camera, that is, right in front of the photographic film or image sensor.
The Holga is a medium format 120 film camera, made in Hong Kong, known for its low-fidelity aesthetic.
Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video.
Candid photography is photography captured without creating a posed appearance. This style is also called street photography, spontaneous photography or snap shooting. Professional photographers sometimes shoot candid photos of strangers on the street or in other public places such as parks and beaches. Candid photography captures natural expressions and moments that might not be possible to reproduce in a studio or posed photo shoot. This style of photography is most often used to capture people in their natural state without them noticing the camera. The main focus is on capturing the candid expressions and moments of life. Candid photography can be used in a variety of settings such as family gatherings, special events, and everyday street scenes. It is also a popular choice for wedding photos and professional portraits. Candid photography is often seen as a more honest representation of the subject than posed photography. To capture candid photos, the photographer may need to observe the subject from a distance or use a long lens or telephoto zoom lens. This allows for capturing the subject in their natural environment without them being aware of the camera. The photographer may need to be quick and have an eye for interesting compositions and backgrounds.
Monorail cameras are view cameras with lens mount, bellows, and interchangeable viewing and film backs all fitted along a rigid rail along which they can slide until locked into position.
When setting photoflash exposures, the guide number (GN) of photoflash devices is a measure photographers can use to calculate either the required f‑stop for any given flash-to-subject distance, or the required distance for any given f‑stop. To solve for either of these two variables, one merely divides a device's guide number by the other.
In photography, a shutter is a device that allows light to pass for a determined period, exposing photographic film or a photosensitive digital sensor to light in order to capture a permanent image of a scene. A shutter can also be used to allow pulses of light to pass outwards, as seen in a movie projector or a signal lamp. A shutter of variable speed is used to control exposure time of the film. The shutter is constructed so that it automatically closes after a certain required time interval. The speed of the shutter is controlled either automatically by the camera based on the overall settings of the camera, manually through digital settings, or manually by a ring outside the camera on which various timings are marked.
Nikonos is the brand name of a series of 35mm format cameras specifically designed for underwater photography launched by Nikon in 1963. The early Nikonos cameras were improvements of the Calypso camera, which was an original design by Jacques-Yves Cousteau and Belgian engineer Jean de Wouters. It was produced in France by La Spirotechnique until the design was acquired by Nikon to become the Nikonos. The Nikonos system was immensely popular with both amateur and professional underwater photographers. Its compact design, ease of use, and excellent optical quality set the standard for several decades of underwater imaging. Nikon ceased development and manufacture of new Nikonos cameras in 2001, but the camera remains popular, and there is a large and active secondary market.
Night photography refers to the activity of capturing images outdoors at night, between dusk and dawn. Night photographers generally have a choice between using artificial lighting and using a long exposure, exposing the shot for seconds, minutes, or even hours in order to give photosensitive film or an image sensor enough time to capture a desirable image. With the progress of high-speed films, higher-sensitivity digital sensors, wide-aperture lenses, and the ever-greater power of urban lights, night photography is increasingly possible using available light.
The following outline is provided as an overview of and topical guide to photography:
Sports photography refers to the genre of photography that covers all types of sports.
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.
Terry deRoy Gruber is an American photographer, author and filmmaker.