Monochrome photography

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Monochrome photography is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.

Contents

As monochrome photography provides an inherently less accurate reproduction than color photography, it is mostly used for artistic purposes and certain technical imaging applications.

Description

Monochrome picture of Helsinki's Market Square from the 1890s Kauppatori Kolera-altaan luona - G30718 - hkm.HKMS000005-km0000phjs.jpg
Monochrome picture of Helsinki's Market Square from the 1890s

Although methods for photographing in color emerged slowly starting in the 1850s, monochrome imagery dominated photography until the mid–twentieth century. From the start, photographic recording processes such as the daguerreotype, the paper negative and the glass collodion negative did not render the color of light (although they were sensitive to some colors more than others). The result was a monochrome image.

Until the 1880s, photographic processes that were used for printing negatives—such as calotype, ambrotype, tintype, salt print and the albumen print—generally produced images with a variety of brown or sepia tones. Later processes moved toward a black-and-white image, although photographers have used toning solutions to convert silver in the image to silver sulphide, imparting a brown or sepia tone. Similarly, selenium toner produces a blue-black or purple image by converting silver into more stable silver selenide. [2] Cyanotypes use iron salts rather than silver salts, producing blue images. [1]

Most modern black-and-white films, called panchromatic films, record the entire visible spectrum. [3] :157 Some films are orthochromatic, recording visible light wavelengths shorter than 590 nanometers, [3] :158 in the blue to green range of the spectrum and are less sensitive to the longer wavelength range (i.e. orange-red) of the visible spectrum. [4]

Modern techniques and uses

Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. Kearny Generating Station September 2020 BW.jpg
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter.
1968 group portrait of a Swedish musical's cast Peccoral Ensemble 1968.jpg
1968 group portrait of a Swedish musical's cast

Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography. [3] :5 Monochrome images are not direct renditions of their subjects, but are abstractions from reality, representing colors in shades of grey. In computer terms, this is often called greyscale. [5] Black-and-white photography is considered by some to add a more emotional touch to the subject, compared with the original colored photography. [6]

Monochrome images may be produced in a number of ways. Finding and capturing a scene having only variants of a certain hue, while difficult and uncommon in practice, will result in an image that technically qualifies as a monochrome photo. [7] One can also artificially limit the range of color in a photo to those within a certain hue by using black-and-white film or paper, or by manipulating color images using computer software.

Color images can be converted to black and white on the computer using several methods, including desaturating the existing color RGB image so that no color remains visible (which still allows color channels to be manipulated to alter tones such as darkening a blue sky), or by converting the image to a greyscale version (which eliminates the colors permanently), using software programs like Photoshop. [8] After software conversion to a monochrome image, one or more hues can replace the grey tones to emulate duotones, sepia, selenium or gold toned images or cyanotype, calotype or albumen prints. [1] [9]

Digital black-and-white cameras

Although digital images captured in color can be modified with a digital black and white process, some specialized cameras photograph natively in black and white with no option for color. [10]

Black and white digital cameras are often designed without a Bayer filter, avoiding the demosaicing process and meaning that a camera will only capture raw luminance. [10] This allows these specialized cameras to capture the full spectrum of available light.

Some feature films, including Blonde , were shot using specialized digital video equipment designed without a Bayer filter — rather than black and white film — in order to enable longer takes. [11]

Leica M Monochrom is a digital camera in Leica Camera AG's rangefinder M series, and features a monochrome sensor. The camera was announced in May 2012.

Phase One IQ3 100MP Achromatic is a digital medium format camera with an ISO rating exceeding up to 51,200. The camera was released in 2017. [12]

The Pentax K3 Mark III was released as a monochromatic version in 2023 to high demand. [13] [14]

Monochromatic modifiers

The use of the following modifiers can add a different aesthetic to images without software manipulation, each for their own unique purposes: [15] [16]

Astrophotography applications

Monochrome imaging for astrophotography is a popular technique among amateur astrophotographers. Modern monochrome cameras dispose of the color bayer matrix that sits in front of the sensor. This allows for specialized narrowband filters to be used, allowing the entire sensor area to be utilized for specific wavelengths of light emitted by many deep space objects. Hydrogen-alpha, a common wavelength used, is red in color. and only the red pixels, approximately 25% of the sensor, will detect this light. In a monochrome camera, the whole sensor can be used to detect this signal. Monochrome photography is also useful in areas of high light pollution. [17]

Monochrome Photography in Advertising

Colorful food photography increases the customer's desire to buy by making the food more enticing and more beautiful. [18]

See also

Related Research Articles

<span class="mw-page-title-main">Photography</span> Art and practice of creating images by recording light

Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. A person who makes photographs is called a photographer.

<span class="mw-page-title-main">RGB color model</span> Color model based on red, green, and blue

The RGB color model is an additive color model in which the red, green and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.

The following list comprises significant milestones in the development of photography technology.

<span class="mw-page-title-main">Collodion process</span> Early photographic technique

The collodion process is an early photographic process. The collodion process, mostly synonymous with the "collodion wet plate process", requires the photographic material to be coated, sensitized, exposed, and developed within the span of about fifteen minutes, necessitating a portable darkroom for use in the field. Collodion is normally used in its wet form, but it can also be used in its dry form, at the cost of greatly increased exposure time. The increased exposure time made the dry form unsuitable for the usual portraiture work of most professional photographers of the 19th century. The use of the dry form was mostly confined to landscape photography and other special applications where minutes-long exposure times were tolerable.

<span class="mw-page-title-main">Photographic paper</span> Light-sensitive paper used to make photographic prints

Photographic paper is a paper coated with a light-sensitive chemical, used for making photographic prints. When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from fixing and clearing, though latent exposure is also usually present. The light-sensitive layer of the paper is called the emulsion, and functions similarly to photographic film. The most common chemistry used is gelatin silver, but other alternatives have also been used.

<span class="mw-page-title-main">Monochrome</span> Composed of one color

A monochrome or monochromatic image, object or palette is composed of one color. Images using only shades of grey are called grayscale or black-and-white. In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept.

<span class="mw-page-title-main">Cyanotype</span> Photographic printing process that produces a blue print

The cyanotype is a slow-reacting, economical photographic printing formulation sensitive to a limited near ultraviolet and blue light spectrum, the range 300 nm to 400 nm known as UVA radiation. It produces a monochrome, blue coloured print on a range of supports, often used for art, and for reprography in the form of blueprints. For any purpose, the process usually uses two chemicals: ferric ammonium citrate or ferric ammonium oxalate, and potassium ferricyanide, and only water to develop and fix. Announced in 1842, it is still in use.

<span class="mw-page-title-main">Color photography</span> Photography that reproduces colors

Color photography is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.

<span class="mw-page-title-main">Photographic filter</span> Camera accessory consisting of an optical filter

In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.

<span class="mw-page-title-main">Infrared photography</span> Near-infrared imaging

In infrared photography, the photographic film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum; these filters thus look black (opaque) or deep red.

A panchromatic emulsion is a type of photographic emulsion that is sensitive to all wavelengths of visible light, and produces a monochrome photograph—typically black and white. Most modern commercially available film is panchromatic, and the technology is usually contrasted with earlier methods that cannot register all wavelengths, especially orthochromatic film.

The science of photography is the use of chemistry and physics in all aspects of photography. This applies to the camera, its lenses, physical operation of the camera, electronic camera internals, and the process of developing film in order to take and develop pictures properly.

<span class="mw-page-title-main">Photographic print toning</span> Recoloration of black-and-white photographs

In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints, or platinum or palladium prints. This darkroom process cannot be performed with a color photograph. The effects of this process can be emulated with software in digital photography. Sepia is considered a form of black-and-white or monochrome photography.

<span class="mw-page-title-main">History of photography</span>

The history of photography began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

<span class="mw-page-title-main">Hand-colouring of photographs</span> Manually applying colour to black-and-white photographs

Hand-colouring refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting.

<span class="mw-page-title-main">Digital photography</span> Photography with a digital camera

Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce images focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. It is a form of digital imaging based on gathering visible light.

<span class="mw-page-title-main">Ultraviolet photography</span> Photographic process using UV radiation

Ultraviolet photography is a photographic process of recording images by using radiation from the ultraviolet (UV) spectrum only. Images taken with ultraviolet radiation serve a number of scientific, medical or artistic purposes. Images may reveal deterioration of art works or structures not apparent under light. Diagnostic medical images may be used to detect certain skin disorders or as evidence of injury. Some animals, particularly insects, use ultraviolet wavelengths for vision; ultraviolet photography can help investigate the markings of plants that attract insects, while invisible to the unaided human eye. Ultraviolet photography of archaeological sites may reveal artifacts or traffic patterns not otherwise visible.

The following outline is provided as an overview of and topical guide to photography:

<span class="mw-page-title-main">Full-spectrum photography</span> Photography capturing visible and near-infrared light

Full-spectrum photography is a subset of multispectral imaging, defined among photography enthusiasts as imaging with consumer cameras the full, broad spectrum of a film or camera sensor bandwidth. In practice, specialized broadband/full-spectrum film captures visible and near infrared light, commonly referred to as the "VNIR".

<span class="mw-page-title-main">Leica M Monochrom</span> Camera model

The Leica M Monochrom is a full-frame digital rangefinder camera of Leica Camera AG, and features a monochrome sensor. The camera was announced on May 10, 2012. Delivery started September 2012 in black finish only. A Leica M Monochrom in Silver was announced May 22, 2014.

References

  1. 1 2 3 Lambrecht, Ralph W.; Woodhouse, Chris (2011). Way beyond monochrome: advanced techniques for traditional black & white photography (2nd ed.). Amsterdam: Focal press. ISBN   978-0-240-81625-8.
  2. Graves, Carson (2000). "Chapter 8 - Toning". Elements of black and white printing (2nd ed.). Oxford: Focal. pp. 100–115. ISBN   978-0240803128.
  3. 1 2 3 Langford, Michael (2000). Basic Photography (7th ed.). Oxford: Focal Press. ISBN   0-240-51592-7.
  4. Upton, Barbara London, Jim Stone, John Upton (2008). Photography (9th ed.). Upper Saddle River (N. J.): Pearson Prentice Hall. ISBN   978-0131752016.{{cite book}}: CS1 maint: multiple names: authors list (link)
  5. "Definition: Grayscale". www.techtarget.com. Retrieved 18 November 2014.
  6. "Black and White Photographs, January 16, 2015" . Retrieved 2015-04-20.
  7. "Monochrome vs. Black and White Photography: Is There A Difference?" . Retrieved 2017-08-22.
  8. Gibson, Andrew. "7 Black and White Photoshop Conversion Techniques – Envato Tuts+ Photo & Video Tutorial". Photo & Video Envato Tuts+. Archived from the original on 17 January 2016. Retrieved 26 January 2016.
  9. Beardsworth, John (2007). Advanced digital black & white photography (1st ed.). New York: Lark Books. ISBN   978-1600592102.
  10. 1 2 Bowe, Tucker (2018-05-02). "The Best Cameras for Black and White Photography". Gear Patrol. Retrieved 2023-07-27.
  11. Mulcahey, Matt (2022-09-22). "Chayse Irvin on Shooting Blonde in Digital Black and White and God's Creatures in 35mm Color". Filmmaker. Retrieved 2023-07-27.
  12. "The Best Cameras for Black and White Photography". Gear Patrol. 2018-05-02. Retrieved 2019-10-01.
  13. Schneider, Jason (2023-04-21). "The Pentax K-3 III Monochrome is so Popular, Ricoh Can't Keep it in Stock". Petapixel. Retrieved 2023-07-27.
  14. Gray, Jeremy (2023-05-24). "Pentax K-3 III Monochrome Review: A DSLR Just for B&W Photo Lovers". Petapixel. Retrieved 2023-07-27.
  15. "Best Filters to Use with Black and White Photography". ExpertPhotography. Retrieved 2019-10-01.
  16. "5 essential filters for black and white photography you should own". ImageExplorers. 2018-08-06. Retrieved 2019-10-01.
  17. Morison, Ian (2017). "The use of narrow band filters such as S II, H-alpha and O III to eliminate light pollution and produce images using the Hubble Palette". Cambridge University Press: 191–198.
  18. Detta, Harinnita; Samsulhadi, Zulaikha Shabrina; Jonathan, Georgius; Syarib, Ahmad Iqbal (2024-04-20). "Effect of Colorful Food Photography and Consumer Intentions to Purchase Food and Beverages". Eduvest - Journal of Universal Studies. 4 (4): 1678–1688. doi:10.59188/eduvest.v4i4.1056. ISSN   2775-3727.

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