Reciprocity (photography)

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The specified times apply to black/white film.
Note that the times are approximate, and vary between different films and ASA numbers, but the table shows in general how the exposure time is adjusted. Tabell for reciprocitetsfaktorn - 2022.jpg
The specified times apply to black/white film.
Note that the times are approximate, and vary between different films and ASA numbers, but the table shows in general how the exposure time is adjusted.

In photography, reciprocity is the inverse relationship between the intensity and duration of light that determines the reaction of light-sensitive material. Within a normal exposure range for film stock, for example, the reciprocity law states that the film response will be determined by the total exposure, defined as intensity × time. Therefore, the same response (for example, the optical density of the developed film) can result from reducing duration and increasing light intensity, and vice versa.

Contents

The reciprocal relationship is assumed in most sensitometry, for example when measuring a Hurter and Driffield curve (optical density versus logarithm of total exposure) for a photographic emulsion. Total exposure of the film or sensor, the product of focal-plane illuminance times exposure time, is measured in lux seconds.

History

The idea of reciprocity, once known as Bunsen–Roscoe reciprocity, originated from the work of Robert Bunsen and Henry Roscoe in 1862. [1] [2] [3]

Deviations from the reciprocity law were reported by Captain William de Wiveleslie Abney in 1893, [4] and extensively studied by Karl Schwarzschild in 1899. [5] [6] [7] Schwarzschild's model was found wanting by Abney and by Englisch, [8] and better models have been proposed in subsequent decades of the early twentieth century. In 1913, Kron formulated an equation to describe the effect in terms of curves of constant density, [9] [10] which J. Halm adopted and modified, [11] leading to the "Kron–Halm catenary equation" [12] or "Kron–Halm–Webb formula" [13] to describe departures from reciprocity.

In chemical photography

In photography, reciprocity refers to the relationship whereby the total light energy – proportional to the total exposure, the product of the light intensity and exposure time, controlled by aperture and shutter speed, respectively – determines the effect of the light on the film. That is, an increase of brightness by a certain factor is exactly compensated by a decrease of exposure time by the same factor, and vice versa. In other words, there is under normal circumstances a reciprocal proportion between aperture area and shutter speed for a given photographic result, with a wider aperture requiring a faster shutter speed for the same effect. For example, an EV of 10 may be achieved with an aperture (f-number) of f/2.8 and a shutter speed of 1/125  s. The same exposure is achieved by doubling the aperture area to f/2 and halving the exposure time to 1/250 s, or by halving the aperture area to f/4 and doubling the exposure time to 1/60 s; in each case the response of the film is expected to be the same.

Reciprocity failure

For most photographic materials, reciprocity is valid with good accuracy over a range of values of exposure duration, but becomes increasingly inaccurate as this range is departed from: this is reciprocity failure (reciprocity law failure, or the Schwarzschild effect). [14] As the light level decreases out of the reciprocity range, the increase in duration, and hence of total exposure, required to produce an equivalent response becomes higher than the formula states; for instance, at half of the light required for a normal exposure, the duration must be more than doubled for the same result. Multipliers used to correct for this effect are called reciprocity factors (see model below).

At very low light levels, film is less responsive. Light can be considered to be a stream of discrete photons, and a light-sensitive emulsion is composed of discrete light-sensitive grains, usually silver halide crystals. Each grain must absorb a certain number of photons in order for the light-driven reaction to occur and the latent image to form. In particular, if the surface of the silver halide crystal has a cluster of approximately four or more reduced silver atoms, resulting from absorption of a sufficient number of photons (usually a few dozen photons are required), it is rendered developable. At low light levels, i.e. few photons per unit time, photons impinge upon each grain relatively infrequently; if the four photons required arrive over a long enough interval, the partial change due to the first one or two is not stable enough to survive before enough photons arrive to make a permanent latent image center.

This breakdown in the usual tradeoff between aperture and shutter speed is known as reciprocity failure. Each different film type has a different response at low light levels. Some films are very susceptible to reciprocity failure, and others much less so. Some films that are very light sensitive at normal illumination levels and normal exposure times lose much of their sensitivity at low light levels, becoming effectively "slow" films for long exposures. Conversely some films that are "slow" under normal exposure duration retain their light sensitivity better at low light levels.

For example, for a given film, if a light meter indicates a required EV of 5 and the photographer sets the aperture to f/11, then ordinarily a 4-second exposure would be required; a reciprocity correction factor of 1.5 would require the exposure to be extended to 6 seconds for the same result. Reciprocity failure generally becomes significant at exposures of longer than about 1 sec for film, and above 30 sec for paper.

Reciprocity also breaks down at extremely high levels of illumination with very short exposures. This is a concern for scientific and technical photography, but rarely to general photographers, as exposures significantly shorter than a millisecond are only required for subjects such as explosions and in particle physics, or when taking high-speed motion pictures with very high shutter speeds (1/10,000 sec or faster).

Schwarzschild law

In response to astronomical observations of low intensity reciprocity failure, Karl Schwarzschild wrote (circa 1900):

"In determinations of stellar brightness by the photographic method I have recently been able to confirm once more the existence of such deviations, and to follow them up in a quantitative way, and to express them in the following rule, which should replace the law of reciprocity: Sources of light of different intensity I cause the same degree of blackening under different exposures t if the products are equal." [5]

Unfortunately, Schwarzschild's empirically determined 0.86 coefficient turned out to be of limited usefulness. [15] A modern formulation of Schwarzschild's law is given as

where E is a measure of the "effect of the exposure" that leads to changes in the opacity of the photosensitive material (in the same degree that an equal value of exposure H = It does in the reciprocity region), I is illuminance, t is exposure duration and p is the Schwarzschild coefficient. [16] [17]

However, a constant value for p remains elusive, and has not replaced the need for more realistic models or empirical sensitometric data in critical applications. [18] When reciprocity holds, Schwarzschild's law uses p = 1.0.

Since the Schwarzschild's law formula gives unreasonable values for times in the region where reciprocity holds, a modified formula has been found that fits better across a wider range of exposure times. The modification is in terms of a factor the multiplies the ISO film speed: [19]

Relative film speed

where the t + 1 term implies a breakpoint near 1 second separating the region where reciprocity holds from the region where it fails.

Simple model for t > 1 second

Some models of microscope use automatic electronic models for reciprocity failure compensation, generally of a form for correct time, Tc, expressible as a power law of metered time, Tm, that is, Tc=(Tm)p, for times in seconds. Typical values of p are 1.25 to 1.45, but some are low as 1.1 and high as 1.8. [20]

The Kron–Halm catenary equation

Kron's equation as modified by Halm states that the response of the film is a function of , with the factor defined by a catenary (hyperbolic cosine) equation accounting for reciprocity failure at both very high and very low intensities:

where I0 is the photographic material's optimum intensity level and a is a constant that characterizes the material's reciprocity failure. [21]

Quantum reciprocity-failure model

Modern models of reciprocity failure incorporate an exponential function, as opposed to power law, dependence on time or intensity at long exposure times or low intensities, based on the distribution of interquantic times (times between photon absorptions in a grain) and the temperature-dependent lifetimes of the intermediate states of the partially exposed grains. [22] [23] [24]

Baines and Bomback [25] explain the "low intensity inefficiency" this way:

Electrons are released at a very low rate. They are trapped and neutralised and must remain as isolated silver atoms for much longer than in normal latent image formation. It has already been observed that such extreme sub-latent image is unstable, and it is postulated that ineffiency is caused by many isolated atoms of silver losing their acquired electrons during the period of instability.

Astrophotography

Reciprocity failure is an important effect in the field of film-based astrophotography. Deep-sky objects such as galaxies and nebulae are often so faint that they are not visible to the un-aided eye. To make matters worse, many objects' spectra do not line up with the film emulsion's sensitivity curves. Many of these targets are small and require long focal lengths, which can push the focal ratio far above f/5. Combined, these parameters make these targets extremely difficult to capture with film; exposures from 30 minutes to well over an hour are typical. As a typical example, capturing an image of the Andromeda Galaxy at f/4 will take about 30 minutes; to get the same density at f/8 would require an exposure of about 200 minutes.

When a telescope is tracking an object, every minute is difficult; therefore, reciprocity failure is one of the biggest motivations for astronomers to switch to digital imaging. Electronic image sensors have their own limitation at long exposure time and low illuminance levels, not usually referred to as reciprocity failure, namely noise from dark current, but this effect can be controlled by cooling the sensor.

Holography

A similar problem exists in holography. The total energy required when exposing holographic film using a continuous wave laser (i.e. for several seconds) is significantly less than the total energy required when exposing holographic film using a pulsed laser (i.e. around 2040 nanoseconds) due to a reciprocity failure. It can also be caused by very long or very short exposures with a continuous wave laser. To try to offset the reduced brightness of the film due to reciprocity failure, a method called latensification can be used. This is usually done directly after the holographic exposure and using an incoherent light source (such as a 25–40 W light bulb). Exposing the holographic film to the light for a few seconds can increase the brightness of the hologram by an order of magnitude.

Related Research Articles

Aperture Hole or opening through which light travels

In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane.

Camera Optical device for recording images

A camera is an optical instrument that captures a visual image. At a basic level, cameras consist of sealed boxes, with a small hole that allows light through to capture an image on a light-sensitive surface. Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera. The aperture can be narrowed or widened. A shutter mechanism determines the amount of time the photosensitive surface is exposed to light.

Pinhole camera Type of camera

A pinhole camera is a simple camera without a lens but with a tiny aperture —effectively a light-proof box with a small hole in one side. Light from a scene passes through the aperture and projects an inverted image on the opposite side of the box, which is known as the camera obscura effect. The size of the images depends on the distance between the object and the pinhole.

Shutter speed Length of time when the film or digital sensor inside a camera is exposed to light

In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time. 1500 of a second will let half as much light in as 1250.

Exposure (photography) Amount of light captured by a camera

In photography, exposure is the amount of light per unit area reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region.

f-number Measure of lens speed

In optics, the f-number of an optical system such as a camera lens is the ratio of the system's focal length to the diameter of the entrance pupil. It is also known as the focal ratio, f-ratio, or f-stop, and is very important in photography. It is a dimensionless number that is a quantitative measure of lens speed; increasing the f-number is referred to as stopping down. The f-number is commonly indicated using a lower-case hooked f with the format f/N, where N is the f-number.

Flash (photography) Device producing a burst of artificial light

A flash is a device used in photography that produces a brief burst of light at a color temperature of about 5500 K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.

Flash synchronization Synchronizing the firing of a photographic flash

In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor.

Exposure value Measure of illuminance for a combination of a cameras shutter speed and f-number

In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV. Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop.

Enlarger

An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies.

Push processing Film developing technique

Push processing in photography, sometimes called uprating, refers to a film developing technique that increases the effective sensitivity of the film being processed. Push processing involves developing the film for more time, possibly in combination with a higher temperature, than the manufacturer's recommendations. This technique results in effective overdevelopment of the film, compensating for underexposure in the camera.

The science of photography is the use of chemistry and physics in all aspects of photography. This applies to the camera, its lenses, physical operation of the camera, electronic camera internals, and the process of developing film in order to take and develop pictures properly.

Latent image An invisible image produced by the exposure of a photosensitive material to light.

A latent image is an invisible image produced by the exposure to light of a photosensitive material such as photographic film. When photographic film is developed, the area that was exposed darkens and forms a visible image. In the early days of photography, the nature of the invisible change in the silver halide crystals of the film's emulsion coating was unknown, so the image was said to be "latent" until the film was treated with photographic developer.

Guide number

When setting photoflash exposures, the guide number (GN) of photoflash devices is a measure photographers can use to calculate either the required f‑stop for any given flash-to-subject distance, or the required distance for any given f‑stop. To solve for either of these two variables, one merely divides a device's guide number by the other.

Shutter (photography) Component of a photographic camera

In photography, a shutter is a device that allows light to pass for a determined period, exposing photographic film or a photosensitive digital sensor to light in order to capture a permanent image of a scene. A shutter can also be used to allow pulses of light to pass outwards, as seen in a movie projector or a signal lamp. A shutter of variable speed is used to control exposure time of the film. The shutter is constructed so that it automatically closes after a certain required time interval. The speed of the shutter is controlled by a ring outside the camera, on which various timings are marked.

Neutral-density filter Device in optics that reduces light intensity

In photography and optics, a neutral-density filter, or ND filter, is a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter, and is denoted by Wratten number 96. The purpose of a standard photographic neutral-density filter is to reduce the amount of light entering the lens. Doing so allows the photographer to select combinations of aperture, exposure time and sensor sensitivity that would otherwise produce overexposed pictures. This is done to achieve effects such as a shallower depth of field or motion blur of a subject in a wider range of situations and atmospheric conditions.

Image noise Visible interference in an image

Image noise is random variation of brightness or color information in images, and is usually an aspect of electronic noise. It can be produced by the image sensor and circuitry of a scanner or digital camera. Image noise can also originate in film grain and in the unavoidable shot noise of an ideal photon detector. Image noise is an undesirable by-product of image capture that obscures the desired information.

Night photography

Night photography refers to the activity of capturing images outdoors at night, between dusk and dawn. Night photographers generally have a choice between using artificial lighting and using a long exposure, exposing the shot for seconds, minutes, or even hours in order to give photosensitive film or an image sensor enough time to capture a desirable image. With the progress of high-speed films, higher-sensitivity digital sensors, wide-aperture lenses, and the ever-greater power of urban lights, night photography is increasingly possible using available light.

Long-exposure photography Photography using a long-duration shutter speed

Long-exposure, time-exposure, or slow-shutter photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements. Long-exposure photography captures one element that conventional photography does not: an extended period of time.

Photographic hypersensitization refers to a set of processes that can be applied to photographic film or plates before exposing. One or more of these processes is often needed to make photographic materials work better in long exposures.

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