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Night photography (also called nighttime photography) is the capturing of images outdoors between dusk and dawn. Night photographers generally have a choice between using artificial lighting and using a long exposure, exposing the shot for seconds, minutes, or hours in order to capture enough light to record an image. With the progress of high-speed films, higher-sensitivity digital sensors, wide-aperture lenses, and the ever-greater power of urban lights, night photography is increasingly possible using available light.
Despite the very long exposure times of early photographic processes, photography at night was attempted by early photographers. The development of mechanical clock drives meant cameras attached to telescopes could eventually capture successful images of celestial objects.
The first known attempt at astronomical photography was by Louis Jacques Mandé Daguerre, inventor of the daguerreotype process which bears his name, who attempted to photograph the Moon in 1839. Tracking errors in guiding the telescope during the long exposure meant the photograph came out as an indistinct fuzzy spot. John William Draper made the first successful photograph of the moon a year later on March 23, 1840, taking a 20-minute-long daguerreotype image using a 5-inch (13 cm) reflecting telescope.
In the early 1900s, photographers including Alfred Stieglitz and William Fraser began working at night. The first photographers known to have produced large bodies of work at night were Brassai and Bill Brandt. In 1932, Brassai published Paris de Nuit, a book of black-and-white photographs of the streets of Paris at night. During World War II, British photographer Brandt took advantage of the blackout conditions to photograph the streets of London by moonlight.
Photography at night found several new practitioners in the 1970s, beginning with the black and white photographs that Richard Misrach made of desert flora (1975–77). Joel Meyerowitz made luminous large format color studies of Cape Cod at nightfall which were published in his book Cape Light (1979). Jan Staller's twilight color photographs (1977–84) of abandoned and derelict parts of New York City captured the urban landscape lit by sodium vapor street lights.
By the 1990s, British-born photographer Michael Kenna had established himself as the most commercially successful night photographer. His black-and-white landscapes were most often set between dusk and dawn in locations that included San Francisco, Japan, France, and England. His subjects included the Ford Motor Company's Rouge River plant, the Ratcliffe-on-Soar Power Station in the East Midlands in England, and many of the Nazi concentration camps scattered across Germany, France, Belgium, Poland and Austria.
Moonlight photography (capturing scenes on Earth illuminated by moonlight) greatly differs from lunar photography (capturing scenes on the Moon illuminated by direct sunlight). The Moon has an effective albedo of approximately 0.12, comparable to worn asphalt concrete. Since the Moon is essentially a dark body in direct sunlight, photographing its surface needs an exposure comparable to what a photographer would use for ordinary, mid-brightness surfaces (buildings, trees, faces, etc.) with an overcast sky.
The sunlight reflected from the full Moon onto Earth is about 1/250,000 of the brightness of direct sunlight in daytime. Since log2(250,000) = 17.93..., full-moon photography requires 18 stops more exposure than sunlight photography, for which the sunny 16 rule is a commonly used guideline. [1]
Flash photography is the process of using artificial lighting to illuminate an object or scene. [2] Flashes are used it is to stop a moving object in motion. Typically this is done with wireless strobes strategically placed to control the spread of light on a scene. These light have radio receivers and is triggered by a transmitter placed in the cameras hotshoe and sends a signal once the cameras shutter is pressed. Before modern DSLR cameras and electronic flashes, flashes were wired for power and trigger signal. These lights sometimes had 1-25 individual lightbulbs. These lightbulbs were only good for one-time use. After the photo they would have to be replaced. [3]
One notable flash photographer was O. Winston Link. In the late 1940s early 1950s, O. Winston Link was fascinated by the big steam locomotives of the Norfolk and Western Railway (N&W). [4] Around the mid 1950s, Norfolk and Western Railway, the last class one railroad to run steam locomotives in revenue service, announced their start of transitioning to diesel-electric locomotives. Link wanted to document the last remaining golden years of steam railroading before it disappeared. He would spend hours planning the scene and setting up several lights just to get one shot of a train on film. [5] One of his most notable pictures is titled "Hotshot Eastbound", really captured the culture of the mid 1950s. [6] Links work continues to inspire millions of people to continue pushing the limits of night photography with bigger and bigger setups.
This section includes significant night photographers who have published books dedicated to night photography, and some of their selected works.
A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century.
Astrophotography, also known as astronomical imaging, is the photography or imaging of astronomical objects, celestial events, or areas of the night sky. The first photograph of an astronomical object was taken in 1840, but it was not until the late 19th century that advances in technology allowed for detailed stellar photography. Besides being able to record the details of extended objects such as the Moon, Sun, and planets, modern astrophotography has the ability to image objects outside of the visible spectrum of the human eye such as dim stars, nebulae, and galaxies. This is accomplished through long time exposure as both film and digital cameras can accumulate and sum photons over long periods of time or using specialized optical filters which limit the photons to a certain wavelength.
In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time. 1⁄500 of a second will let half as much light in as 1⁄250.
In photography, exposure is the amount of light per unit area reaching a frame of photographic film or the surface of an electronic image sensor. It is determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in units of lux-seconds, and can be computed from exposure value (EV) and scene luminance in a specified region.
A flash is a device used in photography that produces a brief burst of light at a color temperature of about 5500 K to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV. Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop.
Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving, but can be done while diving on surface supply, snorkeling, swimming, from a submersible or remotely operated underwater vehicle, or from automated cameras lowered from the surface.
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
A photographic studio is often a business owned and represented by one or more photographers, possibly accompanied by assistants and pupils, who create and sell their own and sometimes others’ photographs.
Light painting, painting with light,light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the camera itself during exposure of light sources. Practiced since the 1880s, the technique is used for both scientific and artistic purposes, as well as in commercial photography.
Michael Kenna is an English photographer best known for his unusual black and white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass.
Banquet photography is the photography of large groups of people, typically in a banquet setting such as a hotel or club banquet room, with the objective of commemorating an event. Clubs, associations, unions, circuses and debutante balls have all been captured by banquet photographers.
Long-exposure, time-exposure, or slow-shutter photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements. Long-exposure photography captures one element that conventional photography does not: an extended period of time.
Most digital cameras support the ability to choose among a number of configurations, or modes for use in various situations. Professional DSLR cameras provide several manual modes; consumer point-and-shoot cameras emphasize automatic modes; amateur prosumer cameras often have a wide variety of both manual and automatic modes.
Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects, potentially changing aspects of the photograph such as clarity, tone and saturation to create an accurate rendition of the scene.
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.
Todd Hido is an American photographer. He has produced 17 books, had his work exhibited widely and included in various public collections. Hido is currently an adjunct professor at the California College of the Arts in San Francisco.
John Divola is an American contemporary visual artist and educator, living in Riverside, California. He works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific. He is a professor in the art department at University of California Riverside.
Maciej Dakowicz is a Polish street photographer, photojournalist and gallerist. He is from Białystok in North East Poland. Dakowicz is best known for his series of photographs of Cardiff night-life titled Cardiff after Dark. He and others set up and ran Third Floor Gallery in Cardiff and he was a member of the In-Public street photography collective.
Mark Christopher Steinmetz is an American photographer. He makes black and white photographs "of ordinary people in the ordinary landscapes they inhabit".