In optics, the aperture of an optical system is a hole or an opening that primarily limits light propagated through the system. More specifically, the entrance pupil as the front side image of the aperture and focal length of an optical system determine the cone angle of a bundle of rays that comes to a focus in the image plane.
In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time. 1⁄500 of a second will let half as much light in as 1⁄250.
In photography, exposure is the amount of light per unit area reaching a frame of photographic film or the surface of an electronic image sensor. It is determined by shutter speed, lens f-number, and scene luminance. Exposure is measured in units of lux-seconds, and can be computed from exposure value (EV) and scene luminance in a specified region.
An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is calculated by dividing the system's focal length by the diameter of the entrance pupil. The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and exposure of a photograph. The f-number is dimensionless and is usually expressed using a lower-case hooked f with the format f/N, where N is the f-number.
A light meter is a device used to measure the amount of light. In photography, an exposure meter is a light meter coupled to either a digital or analog calculator which displays the correct shutter speed and f-number for optimum exposure, given a certain lighting situation and film speed. Similarly, exposure meters are also used in the fields of cinematography and scenic design, in order to determine the optimum light level for a scene.
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system introduced in 1974. A closely related system, also known as ISO, is used to describe the relationship between exposure and output image lightness in digital cameras. Prior to ISO, the most common systems were ASA in the United States and DIN in Europe.
In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV. Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop.
In photography, light value has been used to refer to a "light level" for either incident or reflected light, often on a base-2 logarithmic scale. The term does not derive from a published standard, and has had several different meanings:
- An arbitrary value indicated by an exposure meter such as the Weston Master V, discussed in Adams. This may have been the origin of the term. The indicated light value was transferred to the meter's exposure calculator, which then was used to determine camera settings. Ray (2000) uses the term, with the acronym 'LV', in this sense. The Honeywell/Pentax 1°/21° spot meter indicated in "light level" ("LL"), with LL essentially exposure value (EV) for ISO 100 film speed. The later Pentax Spotmeter V and Digital Spotmeter indicated directly in EV for ISO 100, but they made no mention of "light level", "light value", or LV.
- A synonym for incident light value, from the Additive system of Photographic EXposure (APEX). Zakia and Stroebel (1993) and Stroebel, Compton, Current, and Zakia (2000) used the term in this sense. They used the APEX symbol , normally used for luminance value.
- An apparent synonym for luminance value, from APEX. Stroebel, Compton, Current, and Zakia (2000) referred to "scene illuminance" in the text of the article, but the example used units of luminance. The defining equation used the symbol . The table at the end of the article used units of illuminance and the symbol , as noted above.
- A synonym for exposure value (EV).
- A synonym for "EV at ISO 100 film speed". This usage appears on many web pages, usually without attribution of an authoritative source. Eads (2000) proposed a revised APEX in which luminance value was equal to EV for ISO 100 speed, but he did not use the term light value.
- Literally speaking, the English term light value could be translated as "Lichtwert" in German language, however, this is not what the term Lichtwert, as it was introduced by the German shutter manufacturer Friedrich Deckel in 1954 and defined as Belichtungswert in DIN 19010, is used for in German-speaking countries. Instead, the established term Lichtwert describes what became known as exposure value (EV) elsewhere.
In photography, bracketing is the general technique of taking several shots of the same subject using different camera settings, typically with the aim of combining the images in postprocessing. Bracketing is useful and often recommended in situations that make it difficult to obtain a satisfactory image with a single shot, especially when a small variation in exposure parameters has a comparatively large effect on the resulting image. Given the time it takes to accomplish multiple shots, it is typically, but not always, used for static subjects. Autobracketing is a feature of many modern cameras. When set, it will automatically take several bracketed shots, rather than the photographer altering the settings by hand between each shot.
The Nikon F6 is a 35 mm film single-lens reflex camera body manufactured by Nikon between 2004 and 2020. It was the sixth film camera in Nikon's 35mm F-series SLR line-up. Designed by Nikon, the model was manufactured at their Sendai plant.
The Pentax Auto 110 and Pentax Auto 110 Super were fully automatic single-lens reflex cameras manufactured by Asahi Pentax for use with Kodak 110 film cartridges. The Auto 110 was introduced with three interchangeable, fixed focal length lenses in 1978. A further three lenses were added in 1981 to coincide with the release of the Auto 110 Super the following year. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created.
When setting photoflash exposures, the guide number (GN) of photoflash devices is a measure photographers can use to calculate either the required f‑stop for any given flash-to-subject distance, or the required distance for any given f‑stop. To solve for either of these two variables, one merely divides a device's guide number by the other.
Aperture priority, often abbreviated A or Av on a camera mode dial, is a mode on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter. This is different from manual mode, where the user must decide both values, shutter priority where the user picks a shutter speed with the camera selecting an appropriate aperture, or program mode where the camera selects both.
The Canon T90, introduced in 1986, was the top of the line in Canon's T series of 35 mm Single-lens reflex (SLR) cameras. It is the last professional-level manual-focus camera from Canon, and the last professional camera to use the Canon FD lens mount. Although it was overtaken by the autofocus revolution and Canon's new, incompatible EOS after only a year in production, the T90 pioneered many concepts seen in high-end Canon cameras up to the present day, particularly the user interface, industrial design, and the high level of automation.
The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 was adopted by both casual photographers and professional photographers, the latter of those especially photojournalists covering the later half of the Vietnam War.
Autobracketing is a feature of some more advanced cameras, whether film or digital cameras, particularly single-lens reflex cameras, where the camera will take several successive shots with slightly different settings. The images may be automatically combined, for example into one high-dynamic-range image, or they may be stored separately so the best-looking pictures can be picked later from the batch. When the photographer achieves the same result by changing the camera settings between each shot, this is simply called bracketing.
APEX stands for Additive System of Photographic Exposure, which was proposed in the 1960 ASA standard for monochrome film speed, ASA PH2.5-1960, as a means of simplifying exposure computation.
The Minolta XD-7 is a 35mm SLR film camera manufactured by Minolta from 1977 until 1984.
Exposure compensation is a technique for adjusting the exposure indicated by a photographic exposure meter, in consideration of factors that may cause the indicated exposure to result in a less-than-optimal image. Factors considered may include unusual lighting distribution, variations within a camera system, filters, non-standard processing, or intended underexposure or overexposure. Cinematographers may also apply exposure compensation for changes in shutter angle or film speed, among other factors.
In lunar photography, the Looney 11 rule is a method of estimating correct exposures without a light meter. For daylight photography, there is a similar rule called the Sunny 16 rule. The basic rule is: "For astronomical photos of the Moon's surface, set aperture to f/11 and shutter speed to the [reciprocal of the] ISO film speed [or ISO setting]."
