16:9 is a widescreen aspect ratio with a width of 16 units and height of 9 units.
Once seen as an "exotic" aspect ratio, [1] since 2009, it has become the most common aspect ratio for televisions and computer monitors, and is also the universal standard image format for the universal 1080p, 2160p and 4320p formats.
16:9 or "sixteen-nine" is the universal widescreen standard format [2] and Wide-aspect Clear-vision. [3] Japan's Hi-Vision originally started with a 15:9 ratio but converted when the international standards group introduced the wider ratio 16:9. Many digital video cameras have the capability to record in 16:9, and this is the only widescreen aspect ratio natively supported by Blu-ray Disc. It is also the native aspect ratio of the Blu-ray Disc, but Blu-ray Disc producers can also choose to show even a wider ratio such as 2.40:1 within the 16:9 frame adding Letterbox black bars within the image itself.[ citation needed ]
Kerns H. Powers, a member of the SMPTE Working Group on High-Definition Electronic Production, first proposed the 16:9 (1.77:1) aspect ratio in 1984. [4] The popular choices in 1980 were 4:3 (based on TV standard's ratio at the time), 15:9 (5:3) (the European "flat" 1.66:1 ratio), 1.85:1 (the American "flat" ratio) and 2.35:1 (the CinemaScope/Panavision) ratio for anamorphic widescreen.
Powers cut out rectangles with equal areas, shaped to match each of the popular aspect ratios. When overlapped with their center points aligned, he found that all of those aspect ratio rectangles fit within an outer rectangle with an aspect ratio of 1.77:1 and all of them also covered a smaller common inner rectangle with the same aspect ratio 1.78:1. [5] The value found by Powers is exactly the geometric mean of the extreme aspect ratios, 4:3 and 2.40:1, ≈ 1.77 which is coincidentally close to 16:9. Applying the same geometric mean technique to 16:9 and 4:3 yields an aspect ratio of around 1.54:1, sometimes approximated as 14:9 (1.55:1), which is likewise used as a compromise between these ratios. [6]
While 16:9 (1.77:1) was initially selected as a compromise format, the subsequent popularity of HD broadcast has solidified 16:9 as perhaps the most common video aspect ratio in use. [7] Most 4:3 (1.33:1) and 21:9 video is now recorded using a "shoot and protect" technique that keeps the main action within a 16:9 (1.77:1) inner rectangle to facilitate 16:9 conversion and viewing. [8] Conversely it is quite common to use a technique known as center-cutting, to approach the challenge of presenting material shot (typically 16:9) to both an HD and legacy 4:3 audience simultaneously without having to compromise image size for either audience. Content creators frame critical content or graphics to fit within the 1.33:1 raster space. This has similarities to a filming technique called open matte.
In 1993, the European Union instituted the 16:9 Action Plan, [9] to accelerate the development of the advanced television services in 16:9 aspect ratio, both in PALplus (compatible with regular PAL broadcasts) and also in HD-MAC (an early HD format). The Community fund for the 16:9 Action Plan amounted to €228,000,000.
Over a long period in the late 2000s and early 2010s, the computer industry switched from 4:3 to 16:10 (1.60:1) and then to 16:9 as the most common aspect ratio for monitors and laptops. A 2008 report by DisplaySearch cited a number of reasons for this shift, including the ability for PC and monitor manufacturers to expand their product ranges by offering products with wider screens and higher resolutions, helping consumers to more easily adopt such products and "stimulating the growth of the notebook PC and LCD monitor market". [10] By using the same aspect ratio for both TVs and monitors, manufacturing can be streamlined and research costs reduced by not requiring two separate sets of equipment, and since a 16:9 is narrower than a 16:10 panel of the same length, more panels can be created per sheet of glass. [11] [12] [13]
In 2011, Bennie Budler, product manager of IT products at Samsung South Africa, confirmed that monitors with a native resolution of 1920 × 1200 were not being manufactured anymore. "It is all about reducing manufacturing costs. The new 16:9 aspect ratio panels are more cost-effective to manufacture locally than the previous 16:10 panels". [14]
In March 2011, the 16:9 resolution 1920 × 1080 became the most common used resolution among Steam's users. The previous most common resolution was 1680 × 1050 (16:10). [15] By July 2022, 16:9 resolutions are preferred by 77% of users (1920 × 1080 with 67%; 2560 × 1440 with 10%). [16]
16:9 is the only widescreen aspect ratio natively supported by the DVD format. An anamorphic PAL region DVD video frame has a maximum resolution of 720 × 576p, but a video player software will stretch this to 1024 × 576p.
Producers can also choose to show even wider ratios such as 1.85:1 and 2.4:1 within the 16:9 DVD frame by hard matting or adding black bars within the image itself. Some films which were made in a 1.85:1 aspect ratio, such as the U.S.-Italian co-production Man of La Mancha and Kenneth Branagh's Much Ado About Nothing , fit quite comfortably onto a 1.77:1 HDTV screen and have been issued as an enhanced version on DVD without the black bars. Many digital video cameras also have the capability to record in 16:9.
Common resolutions for the 16:9 ratio:
Width | Height | Name |
---|---|---|
640 | 360 | nHD |
854 | 480 | FWVGA |
960 | 540 | qHD |
1024 | 576 | WSVGA |
1280 | 720 | HD |
1366 | 768 | FWXGA |
1600 | 900 | HD+ |
1920 | 1080 | Full HD |
2560 | 1440 | QHD |
3200 | 1800 | QHD+ |
3840 | 2160 | 4K UHD |
5120 | 2880 | 5K |
7680 | 4320 | 8K UHD |
A computer monitor is an output device that displays information in pictorial or textual form. A discrete monitor comprises a visual display, support electronics, power supply, housing, electrical connectors, and external user controls.
Anamorphic widescreen is a process by which a widescreen image is horizontally compressed to fit into a storage medium with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible.
The display resolution or display modes of a digital television, computer monitor, or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays and projection displays using fixed picture-element (pixel) arrays.
PALplus is an analogue television broadcasting system aimed to improve and enhance the PAL format by allowing 16:9 aspect ratio broadcasts, while remaining compatible with existing television receivers, defined by International Telecommunication Union (ITU) recommendation BT.1197-1. Introduced in 1993, it followed experiences with the HD-MAC and D2-MAC, hybrid analogue-digital widescreen formats that were incompatible with PAL receivers. It was developed at the University of Dortmund in Germany, in cooperation with German terrestrial broadcasters and European and Japanese manufacturers. The system had some adoption across Europe during the late 1990s and helped introduce widescreen TVs in the market, but never became mainstream.
In television technology, Wide Screen Signaling (WSS) is digital metadata embedded in invisible part of the analog TV signal describing qualities of the broadcast, in particular the intended aspect ratio of the image. This allows television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format, by displaying them in full screen, letterbox, widescreen, pillar-box, zoomed letterbox, etc.
480i is the video mode used for standard-definition digital video in the Caribbean, Japan, South Korea, Taiwan, Philippines, Myanmar, Western Sahara, and most of the Americas. The other common standard definition digital standard, used in the rest of the world, is 576i.
576p is the shorthand name for a video display resolution. The p stands for progressive scan, i.e. non-interlaced, the 576 for a vertical resolution of 576 pixels. Usually it corresponds to a digital video mode with a 4:3 anamorphic resolution of 720x576 and a frame rate of 25 frames per second (576p25), and thus using the same bandwidth and carrying the same amount of pixel data as 576i, but other resolutions and frame rates are possible.
14:9 is a compromise aspect ratio between 4:3 and 16:9. It is used to create an acceptable picture on both 4:3 and 16:9 TV, conceived following audience tests conducted by the BBC. It has been used by most UK, Irish, French, Spanish, Colombian and Australian terrestrial analogue networks, and in the US on Warner Bros. Discovery' HD simulcast channels with programming and advertising originally compiled in 4:3. Note that 14:9 is not a shooting format; 14:9 material is almost always derived from either a 16:9 or 4:3 shot.
1080p is a set of HDTV high-definition video modes characterized by 1,920 pixels displayed across the screen horizontally and 1,080 pixels down the screen vertically; the p stands for progressive scan, i.e. non-interlaced. The term usually assumes a widescreen aspect ratio of 16:9, implying a resolution of 2.1 megapixels. It is often marketed as Full HD or FHD, to contrast 1080p with 720p resolution screens. Although 1080p is sometimes referred to as 2K resolution, other sources differentiate between 1080p and (true) 2K resolution.
The pillarbox effect occurs in widescreen video displays when black bars are placed on the sides of the image. It becomes necessary when film or video that was not originally designed for widescreen is shown on a widescreen display, or a narrower widescreen image is displayed within a wider aspect ratio, such as a 16:9 image in a 2.39:1 frame. The original material is shrunk and placed in the middle of the widescreen frame.
A Pixel aspect ratio is a mathematical ratio that describes how the width of a pixel in a digital image compared to the height of that pixel.
1440p is a family of video display resolutions that have a resolution of 1440 pixels along one side. In a display with a landscape orientation, 1440p refers to the vertical resolution. The p stands for progressive scan, i.e. non-interlaced. The 1440 pixel vertical resolution is double the vertical resolution of 720p, and one-third more than 1080p. QHD or WQHD is the designation for a commonly used display resolution of 2560 × 1440 pixels in a 16:9 aspect ratio. As a graphics display resolution between 1080p and 4K, Quad HD is often used in smartphone displays, and for computer and console gaming.
16:10 (1.6:1), also known as the equivalent 8:5, is an aspect ratio commonly used for computer displays and tablet computers. It is equal to 8/5, close to the golden ratio, which is approximately 1.618. Video editing applications are commonly designed to allow editing of 16:9 content with the editing interface occupying the lower tenth of the display, allowing editing using a single display with the video occupying the full width.
The technology of television has evolved since its early days using a mechanical system invented by Paul Gottlieb Nipkow in 1884. Every television system works on the scanning principle first implemented in the rotating disk scanner of Nipkow. This turns a two-dimensional image into a time series of signals that represent the brightness and color of each resolvable element of the picture. By repeating a two-dimensional image quickly enough, the impression of motion can be transmitted as well. For the receiving apparatus to reconstruct the image, synchronization information is included in the signal to allow proper placement of each line within the image and to identify when a complete image has been transmitted and a new image is to follow.
The display aspect ratio (DAR) is the aspect ratio of a display device and so the proportional relationship between the physical width and the height of the display. It is expressed as two numbers separated by a colon (x:y), where x corresponds to the width and y to the height. Common aspect ratios for displays, past and present, include 5:4, 4:3, 16:10, and 16:9.
"21:9" is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27, designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant display height when displaying other content with a lesser aspect ratio.
4K resolution refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several different 4K resolutions. In television and consumer media, 3840 × 2160 with a 16:9 aspect ratio is the dominant 4K standard, whereas the movie projection industry uses 4096 × 2160.
A display resolution standard is a commonly used width and height dimension of an electronic visual display device, measured in pixels. This information is used for electronic devices such as a computer monitor. Certain combinations of width and height are standardized and typically given a name and an initialism which is descriptive of its dimensions.
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography.
5K resolution refers to display formats with a horizontal resolution of around 5,000 pixels. The most common 5K resolution is 5120 × 2880, which has an aspect ratio of 16∶9 with around 14.7 million pixels, with exactly twice the linear resolution of 1440p and four times that of 720p. This resolution is typically used in computer monitors to achieve a higher pixel density, and is not a standard format in digital television and digital cinematography, which feature 4K resolutions and 8K resolutions.