The film was released on 7 May 1993, reaching 200 US screens at its widest release. It grossed $43 million worldwide,[4] which, despite failing to reach the mark set by Franco Zeffirelli's Romeo and Juliet, made it one of the most financially successful Shakespeare films. It was also entered into the 1993 Cannes Film Festival.[5]
Plot
Having just crushed an uprising by his half-brother Don John, Don Pedro of Aragon and his noblemen visit their friend Leonato in Messina. Accompanying Don Pedro is the witty Benedick, former acquaintance of Leonato's equally sharp-tongued niece, Beatrice. Also present are Benedick's friend Claudio, a young count; and Don John who, despite his rebellion, has apparently reconciled with his brother.
Claudio has been thinking of Leonato's beautiful daughter Hero since before he went to war, and returns to find her as attractive as ever. Don Pedro, learning of his friend's feelings, decides to act on his behalf and arranges the match at a party. An unrepentant Don John attempts to foil it, but unsuccessfully – the match is made. Needing something to pass the time until the wedding, Don Pedro decides to arrange a similar fate for Beatrice and Benedick, who seemingly hate each other.
Don Pedro, Leonato, and Claudio stage a conversation containing a false account of how much Beatrice loves Benedick, all the while knowing he is hiding within earshot. Hero and her gentlewomen Ursula and Margaret play the same trick upon Beatrice. Each of them believes the story they hear about the other.
Amidst all the good-natured scheming, Don John has been searching for ways to stop the marriage between Claudio and Hero. The night before the wedding, Don John's servant Borachio arranges a steamy liaison with Hero's gentlewoman Margaret at Hero's chamber window. Don John shows Don Pedro and Claudio this, and they believe that they are watching Hero's infidelity.
Against the revelry of the evening, the upright but incompetent constable Dogberry appoints a watch to keep the peace. The three hapless watchmen overhear Borachio bragging to his colleague Conrade about how he and Don John had succeeded in stopping the wedding. The watchmen apprehend Borachio and Conrade, and, in the morning, Dogberry attempts to have Leonato interrogate the prisoners. However, a hurried Leonato is unable to decipher what the bumbling Dogberry is trying to tell him.
At the wedding, Claudio publicly disgraces his would-be bride and storms away, along with most of the guests, except for Ursula, the Friar, Leonato, Beatrice, Antonio, and Benedick. They all agree to the Friar's plan to publish the tale that Hero, upon the grief of Claudio's accusations, suddenly died. Beatrice and Benedick linger a moment and eventually confess their love to one another.
In the wake of this declaration, Beatrice asks Benedick to do the one thing that will satisfy her outrage with what has just happened – kill Claudio. With a heavy heart, he agrees to challenge his friend. Meanwhile, Borachio and Conrade are interrogated by Dogberry and his men. Amidst the confusion, Don John quietly flees. Despite Dogberry's incompetence, the truth of Don John's sinister machinations is revealed.
Moments after Benedick's challenge to Claudio, Leonato is made aware of what really happened. Leonato continues to pretend to Claudio that Hero is dead. Claudio entreats him to impose whatever vengeance he sees fit for Claudio's part in Hero's disgrace and death. Leonato forgives Claudio on the condition that he publicly declare his wrongdoing and then marry Hero's cousin - his brother Antonio's daughter - the next morning. He agrees, and carries out the former by reciting an epitaph at Hero's tomb that night.
When the bride is brought forth the next day, she is revealed to be none other than Hero herself. She and Claudio profess their true, undying love for each other, as do Beatrice and Benedick, who agree to marry. Benedick renounces his challenge against Claudio and embraces him.
Moments later, Don John is marched in, having been captured before he could escape. Benedick advises that Don Pedro forget about him until tomorrow, after the weddings. Those gathered begin to dance, with the two happy couples at the middle. Don Pedro remains behind, still single, but happy for his friends.
Cast
Kenneth Branagh as Benedick, a nobleman in the court of Don Pedro. He is fairly arrogant but shows himself to have a good heart during the "wedding" scene, as he is the only man from Don Pedro's entourage who implicitly believes Hero. His vanity and brash persona make his interactions with Beatrice argumentative, but at the end of the film, Beatrice and Benedick agree to marry.
Emma Thompson as Beatrice, Leonato's niece, and Hero's cousin and chamber-mate. She is a strong-willed woman who charms and impresses all who know her with her wit and intelligence. She confesses her love for Benedick and agrees to marry him.
Robert Sean Leonard as Count Claudio, the best friend of Don Pedro and Benedick, and fiancé to Hero, with whom he has been in love since before the men went to war. He does not believe Hero when she protests her innocence, and humiliates her by publicly casting her off during their wedding ceremony. When Borachio finally confesses and Hero's innocence becomes clear, Claudio is devastated over his part in her "death" (which he is lead to believe). He agrees to marry Hero's cousin at Leonato's request, and is reunited with his love when it is revealed that "sweet Hero" is still alive and now his bride in truth.
Kate Beckinsale as Hero, the naïve, kind-hearted only child of Governor Leonato, who is in love with Claudio. She is falsely accused of being unfaithful to Claudio on the night before her wedding. At the end of the film, Don John's plot against her and Claudio is revealed and they are happily married as was planned in the beginning.
Denzel Washington as Don Pedro, Prince of Aragon; remarkable for being one of the few "marriageable" men in the piece who does not get married by the end of the play, though he does play matchmaker for others. In the second act, when he and Beatrice are alone, he quietly asks her, "will you have me, lady?", revealing his true feelings for her. Beatrice gently rebuffs his proposal, and the two remain friends. He believes, with Claudio, in Hero's alleged infidelity, but is likewise earnestly sorry when he learns the truth.
Keanu Reeves as Don John, Don Pedro's evil half-brother. After leading a failed rebellion against Don Pedro, he conspires with his men Borachio and Conrade to stop Hero and Claudio's wedding by ruining Hero's honor. When his plot is found out, he attempts to escape but is captured and imprisoned.
Richard Briers as Leonato, Governor of Messina and the father of Hero. He loves his daughter immensely, but upon hearing the false news of her infidelity, he wishes she had never been born. He eventually accepts the Friar's counsel and becomes party to the pretense that Hero has died, testing Claudio's remorse over disgracing Hero, before finally reuniting the two young lovers in the end.
Michael Keaton as Dogberry, the local constable. He is not as clever as he thinks, and is given to malapropisms. He and his men accidentally catch Borachio boasting about his involvement with separating Claudio and Hero. His men arrest Borachio and his conspiring friends. He ultimately saves the day by forcing Borachio to confess his part in Don John's plot.
Gerard Horan as Borachio, Don John's drunken henchman. He assists Don John in sabotaging Claudio's and Hero's wedding by making Hero appear unfaithful and initially succeeds, but is caught boasting about his crime by Dogberry's men and forced to confess.
Imelda Staunton as Margaret, Hero's waiting gentlewoman who is tricked by Borachio, and mistaken for Hero by Don Pedro and Claudio.
Brian Blessed as Antonio, the brother of Leonato. He is very friendly, but is incensed by the accusations leveled against Hero.
In 1990, Kenneth Branagh initiated efforts to adapt William Shakespeare's Much Ado About Nothing for the screen, marking his second Shakespearean project following 1989's Henry V. He opted for Much Ado About Nothing due to its accessibility, noting that the majority of the play is in prose, making it "very easy on the ear." However, upon circulation, the screenplay faced criticism from certain financiers for its heavy reliance on dialogue. Despite rejections from Walt Disney Pictures and Paramount Pictures, the Samuel Goldwyn Company stepped in to finance and distribute the film. This agreement was part of a larger two-picture deal that included Branagh's forthcoming release, Peter's Friends (1992).[6]
The production budget ranged between $10 million and $15 million, with Goldwyn holding global distribution rights except for the U.K., which were retained by Branagh's Renaissance Films. Although Goldwyn initially greenlit the project independently, additional funding came from American Playhouse Theatrical Films and Columbia TriStar Home Video. American Playhouse secured television broadcast rights for $550,000, while Columbia acquired home video rights for approximately $1.65 million, collectively covering around twenty percent of the production budget. Initial expenditures for prints and advertising totaled $2 million.[6]
The ensemble cast was compensated on a "most-favored nations" basis, receiving equal salaries along with a share of potential backend profits. Principal photography commenced on August 3, 1992, spanning eight weeks at the Villa Vignamaggio in Greve in Chianti, Italy. Filming conditions proved challenging, with temperatures often reaching 100 degrees Fahrenheit during the final month. Various sets, including a small chapel, an Etruscan-style open-air bathhouse, a fountain, and formal gardens, were constructed at the villa. Additionally, scenes set in a prison were shot in a converted wine cellar. Notably, the Villa Vignamaggio is where the Mona Lisa was believed to have been painted, and Branagh lodged in the same room where Lisa del Giocondo, the portrait's subject, purportedly stayed. Filming wrapped the week of September 21, 1992.[6]
Release
In early 1993, Warner Bros. Pictures executives viewed the film with interest in distributing it, but subsequent negotiations led Goldwyn to opt for self-distribution. The film competed at the Cannes Film Festival and was showcased at the annual Shakespeare Society of America convention in Atlanta, Georgia. Its Los Angeles premiere, held on May 10, 1993, at the Mann National Theater, raised $40,000–$50,000 for the Los Angeles County Museum of Art film department. Following this, it served as the closing night feature at the San Francisco International Film Festival on May 13, 1993, and was subsequently screened at the Seattle International Film Festival the following night. A platform theatrical release commenced on May 7, 1993, in New York City, expanding to Los Angeles on May 14, 1993, across eleven screens. The release broadened to over twenty screens in various other major cities over Memorial Day weekend, reaching 200 screens by the Fourth of July weekend and finally 400 screens by September 24, 1993.[6]
Internationally, the film had a rare four-week run at the American Trade Center in Moscow, Russia, where ticket sales were conducted in U.S. dollars. On September 29, 1993, Goldwyn launched a special educational promotion targeting high school and college students, offering discounted admissions and free study guides. Despite a $200,000 investment in an Academy Awards "for your consideration" campaign, the film did not receive any nominations. Nonetheless, commercially, it performed remarkably well for a Shakespeare adaptation.[6]
Reception
Critical response
On Rotten Tomatoes the film holds a 90% rating based on 49 reviews, with an average rating of 7.1/10. The site's consensus reads, "Kenneth Branagh's love for the material is contagious in this exuberant adaptation."[7] On Metacritic, it has an average score of 80 out of 100, based on reviews from 25 critics.[8]
Roger Ebert of the Chicago Sun-Times gave it three out of four, calling it "cheerful from beginning to end".[9]Vincent Canby of The New York Times also wrote the film a positive review, praising Branagh's direction and calling it "ravishing entertainment".[10]Desson Thomson of The Washington Post praised Branagh's cuts to the text as giving "wonderful import to this silliness from long ago" and stated that "Kenneth Branagh has, once again, blown away the forbidding academic dust and found a funny retro-essence for the '90s."[11] Online critic James Berardinelli gave the film a glowing four-star review, calling it a "gem of a movie", especially praising the accessibility of the humor, the performances, and Branagh's lively direction, of which he wrote, "This film cements Branagh's status as a great director of Shakespeare, and perhaps of film in general, as well."[12]
Much Ado About Nothing was ranked #11 on Rotten Tomatoes list of Greatest Shakespeare Movies.[15]
Box office
The film opened on 3 screens on 7 May 1993 in the United States and grossed $108,617 for the weekend and went on to gross $22.5 million at the US and Canadian box office.[2] In the United Kingdom, it opened on 27 August 1993 on 106 screens and grossed £450,520 for the weekend, placing fifth at the UK box office.[16] After 12 weeks in France, it had more than 70,000 admissions and 50,000 in Switzerland over the same period.[16] From four screens in Israel, it had 94,000 admissions in seven weeks.[16] It went on to gross $43 million worldwide.[4]
The film's score was composed by Patrick Doyle, a frequent Branagh collaborator. Doyle makes a brief cameo as Balthazar, singing "Sigh No More Ladies" and "Pardon, Goddess of the Night". The music soundtrack, released 4 May 1993 by Epic Soundtrax, features twenty-four compositions, running just under an hour.[18]
Sir Kenneth Charles Branagh is a British actor and filmmaker. Born in Belfast and raised primarily in Reading, Berkshire, Branagh trained at London's Royal Academy of Dramatic Art and served as its president from 2015 to 2024. His accolades include an Academy Award, four BAFTAs, two Emmy Awards, a Golden Globe Award, a Screen Actors Guild Award, and an Olivier Award. He was appointed a Knight Bachelor in the 2012 Birthday Honours, and was given Freedom of the City in his native Belfast in 2018. In 2020, he was ranked in 20th place on The Irish Times' list of Ireland's greatest film actors.
Sir Derek George Jacobi is an English actor. Jacobi is known for his work at the Royal National Theatre and for his film and television roles. He has received numerous accolades including a BAFTA Award, two Olivier Awards, two Primetime Emmy Awards, two Screen Actors Guild Awards, and a Tony Award. He was given a knighthood for his services to theatre by Queen Elizabeth II in 1994.
Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived. Scholars dispute whether it is a true lost work, possibly a sequel to Love's Labour's Lost, or an alternative title to a known Shakespeare play.
Béatrice et Bénédict is an opéra comique in two acts by French composer Hector Berlioz. Berlioz wrote the French libretto himself, based in general outline on a subplot in Shakespeare's Much Ado About Nothing.
Dogberry is a character created by William Shakespeare for his play Much Ado About Nothing. The Nuttall Encyclopædia describes him as a "self-satisfied night constable" with an inflated view of his own importance as the leader of a group of comically bumbling watchmen. Dogberry is notable for his numerous malapropisms, sometimes called "dogberryisms" or "dogberrys". The character was created for William Kempe, who played comic roles in Shakespeare's theatre company the Lord Chamberlain's Men.
ShakespeaRe-Told is the umbrella title for a series of four television adaptations of William Shakespeare's plays broadcast on BBC One during November 2005. In a similar manner to the 2003 production of The Canterbury Tales, each play is adapted by a different writer, and relocated to the present day. The plays were produced in collaboration by BBC Northern Ireland and the central BBC drama department. In August 2006 the four films aired on BBC America.
A ghost character, in the bibliographic or scholarly study of texts of dramatic literature, is a term for an inadvertent error committed by the playwright in the act of writing. It is a character who is mentioned as appearing on stage, but who does not do anything, and who seems to have no purpose. As Kristian Smidt put it, they are characters that are "introduced in stage directions or briefly mentioned in dialogue who have no speaking parts and do not otherwise manifest their presence". It is generally interpreted as an author's mistake, indicative of an unresolved revision to the text. If the character was intended to appear and say nothing, it is assumed this would be made clear in the playscript.
Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599. The play was included in the First Folio, published in 1623.
Bernard J. Taylor is a writer and composer of musicals and stage plays. His stage works have been produced around the world and translated into German, Romanian, Polish, Hungarian, Spanish and Italian. He is also the writer of 14 novels and three non-fiction books.
The Law Against Lovers was a dramatic adaptation of Shakespeare, arranged by Sir William Davenant and staged by the Duke's Company in 1662. It was the first of the many Shakespearean adaptations staged during the Restoration era.
Much Ado About Nothing is an opera in four acts by Charles Villiers Stanford, to a libretto by Julian Sturgis based on Shakespeare's play Much Ado About Nothing. It was the composer's seventh completed opera.
Viel Lärm um nichts is an East German film based on William Shakespeare's play Much Ado About Nothing. It was released in 1964.
Much Ado About Nothing is a 2012 American romantic comedy film written, produced, directed, edited and composed by Joss Whedon, based on William Shakespeare's play of the same name. The film stars Amy Acker, Alexis Denisof, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Sean Maher and Jillian Morgese.
Don Pedro, Prince of Aragon, is a fictional character from William Shakespeare's play Much Ado About Nothing. In the play, Don Pedro is a nobleman who visits his friend Leonato in Messina, Italy, after a successful military conquest. Don Pedro helps Claudio to woo Hero and helps set up Benedick and Beatrice who together form the two key couples in the play.
Imogen Says Nothing: The Annotated Life of Imogen of Messina, last sighted in the First Folio of William Shakespeare's Much Adoe About Nothing is a three-act play by Aditi Brennan Kapil inspired by a ghost character in Shakespeare's Much Ado About Nothing. The play premiered on January 20, 2017 at the Yale Repertory Theatre.
Much Ado About Nothing is a 1973 Soviet romantic comedy film directed by Samson Samsonov based on William Shakespeare's play of the same name.
Beatrice is a fictional character in William Shakespeare's play Much Ado About Nothing. In the play, she is the niece of Leonato and the cousin of Hero. Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a protofeminist character. During the play, she is tricked into falling in love with Benedick, a soldier with whom she has a "merry war", after rumours are spread that they are in love with each other.
Miriama McDowell is a New Zealand actor, director and playwright. She is a graduate of Toi Whakaari.
Hero is a fictional character in William Shakespeare's play Much Ado About Nothing. She is the daughter of Leonato, a governor in Messina, and cousin to Beatrice. In the play, Hero falls in love with Claudio, who, under the influence of Don John, wrongfully accuses her of adultery; this leads her to fake her death. Hero is ultimately proven innocent, and reconciles with Claudio at the play's conclusion.
↑ Wilson, John (4 December 2005). "Nominees & Winners". Fourteenth Annual RAZZIE® Awards (for 1993). Golden Raspberry Award Foundation. Archived from the original on 9 July 2013. Retrieved 9 July 2010.
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