The World, The Flesh and the Devil | |
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Directed by | F. Martin Thornton |
Written by | Laurence Cowen |
Produced by | Charles Urban |
Starring | Frank Esmond Stella St. Audrie Warwick Wellington |
Distributed by | Natural Color Kinematograph Company |
Release date |
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Running time | 50 minutes |
Country | United Kingdom |
Language | English |
The World, the Flesh and the Devil is a 1914 British silent drama film. Now considered a lost film,[ citation needed ] it was made using the additive color Kinemacolor process.
The title comes from the Litany in the 1662 Book of Common Prayer: "From all the deceits of the world, the flesh, and the devil, spare us, good Lord."[ citation needed ]
A very miserable woman hatches a plot to switch the babies of a poor family and a rich family. But the nurse hired to pull off this transfer refuses to go through with it, leaving each baby with its proper family. When the babies are grown, the man from the poor family (who has been led to believe that he did come from the rich family) goes to the house of the other and throws him out. The remainder of the film deals with the frustrations of mistaken identity.
It premièred at the Holborn Empire, High Holborn, London, on 9 April 1914 as part of a Kinemacolor season. [1] [2] It was one of the first natural colour feature films, preceded by With Our King and Queen Through India released in February 1912, and Making of the Panama Canal , also released in 1912.
Holborn is a district in central London, which covers the south-eastern part of the London Borough of Camden and a part of the Ward of Farringdon Without in the City of London.
Maurice Félix Thomas, known as Maurice Tourneur, was a French film director and screenwriter.
Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light. By extension, a panchromatic sensor is an image sensor sensitive to the whole visible spectrum. A panchromatic image is the resulting picture.
Charles Urban was an Anglo-American film producer and distributor, and one of the most significant figures in British cinema before the First World War. He was a pioneer of the documentary, educational, propaganda and scientific film, as well as being the producer of the world's first successful motion picture colour system.
Kinemacolor was the first successful colour motion picture process. Used commercially from 1909 to 1915, it was invented by George Albert Smith in 1906. It was a two-colour additive colour process, photographing a black-and-white film behind alternating red/orange and blue/green filters and projecting them through red and green filters. It was demonstrated several times in 1908 and first shown to the public in 1909. From 1909 on, the process was known and trademarked as Kinemacolor and was marketed by Charles Urban’s Natural Color Kinematograph Company, which sold Kinemacolor licenses around the world.
The Gulf Between is a 1917 American comedy-drama film that was the first motion picture made in Technicolor, the fourth feature-length color film, and the first feature-length color film produced in the United States. The film was destroyed in a fire on March 25, 1961. Today, the film is considered a lost film, with only very short fragments known to survive. These fragments are in the collections of the Margaret Herrick Library, George Eastman House Motion Picture Collection, and the Smithsonian National Museum of American History Photographic History Collection.
George Albert Smith was an English stage hypnotist, psychic, magic lantern lecturer, Fellow of the Royal Astronomical Society, inventor and a key member of the loose association of early film pioneers dubbed the Brighton School by French film historian Georges Sadoul. He is best known for his controversial work with Edmund Gurney at the Society for Psychical Research, his short films from 1897 to 1903, which pioneered film editing and close-ups, and his development of the first successful colour film process, Kinemacolor.
With Our King and Queen Through India (1912) is a British documentary film. The film is silent and made in the Kinemacolor additive color process.
Irving Cummings was an American movie actor and director.
Harry Benham was an American silent film actor.
Weston's Music Hall was a music hall and theatre that opened on 16 November 1857 at 242-245 High Holborn in London, England. In 1906, the theatre became known as the Holborn Empire.
Franklin Bryant Washburn III was an American film actor who appeared in more than 370 films between 1911 and 1947. Washburn's parents were Franklin Bryant Washburn II and Metha Catherine Johnson Washburn. He attended Lake View High School in Chicago.
George Guy Oliver was an American actor. He appeared in at least 189 silent film era motion pictures and 32 talkies in character roles between 1911 and 1931. His obituary gives him credit for at least 600. He directed three films in 1915.
Theodorus Maurita Frenkel was a Dutch film director, actor and screenwriter of the silent era. He worked in Britain under the name Theo Bouwmeester for the Natural Color Kinematograph Company, using the surname of his renowned mother and uncle, before working in Germany in 1913 and 1914 and then returning to the Netherlands, a neutral country, before World War I. He directed more than 200 films between 1908 and 1928. He also appeared in 21 films between 1911 and 1948. His nephew Theo Frenkel Jr. (1893–1955) was a film actor.
The World, the Flesh, the Devil is a 1932 British crime film directed by George A. Cooper and starring Harold Huth, Isla Bevan and Victor Stanley. It was based on a play by Laurence Cowen. It was shot at Beaconsfield and Twickenham Studios as a quota quickie for release by RKO Pictures.
Floyd Martin Thornton was an American screenwriter and film director active in the United Kingdom in the 1910s and 1920s. He also directed films for the Natural Color Kinematograph Company.
Little Lord Fauntleroy is a 1914 British silent drama film directed by Floyd Martin Thornton and starring H. Agar Lyons, Gerald Royston in the title role, and Jane Wells. It was based on the 1886 novel "Little Lord Fauntleroy" by Frances Hodgson Burnett. The film was produced by the Natural Color Kinematograph Company. It was distributed in the UK by Kineto Ltd. and released in the US by Shubert Feature Film in April of that year. It was one of the first feature-length films to be made in colour, using the Kinemacolor two-colour additive colour process.
The Natural Color Kinematograph Company was a British company formed by Charles Urban in 1909. It sold licenses and produced films in Kinemacolor, the first successful colour motion picture process.
The Kinemacolor Company of America was an American company founded in 1910 by Gilbert H. Aymar and James K. Bowen. It distributed and produced films made in Kinemacolor, the first successful color motion picture process.