John Knoll | |
---|---|
Born | |
Education | USC School of Cinematic Arts |
Occupation(s) | Visual effects supervisor, chief creative officer (CCO) |
Spouse | Jennifer Knoll |
Children | 4 |
Relatives | Thomas Knoll (brother) |
John Knoll (born October 6, 1962) is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). [1] One of the original creators of Adobe Photoshop (along with his brother, Thomas Knoll), he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact , as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects. [2]
Knoll has been praised by directors James Cameron, Gore Verbinski, Guillermo del Toro, and Brad Bird. Del Toro, who worked with Knoll for the first time on Pacific Rim , stated "He basically has the heart of a kid and the mind of a scientist, and that's a great combination." [3]
Knoll is also the inventor of Knoll Light Factory, a lens flare generating software inspired by his work at Industrial Light and Magic. [4] He was the Computer Graphics Project Designer on The Abyss , an achievement which earned ILM its tenth Oscar, and worked on two Star Trek episodes: Star Trek: The Next Generation 's pilot episode ("Encounter at Farpoint") and the Star Trek: Deep Space Nine episode "Explorers".
Knoll had a cameo appearance in Star Wars Episode I: The Phantom Menace as a fighter pilot, [5] helped pitch the story of Rogue One , a feature film set in the Star Wars series, for which he also worked as writer and executive producer. [6]
John Knoll reflected on his work with George Lucas on the Star Wars prequel trilogy: "I still feel like I owe George a lot to have been given that opportunity. On those three films, I feel like I got a whole career’s worth of experience packed into eight years. George never constricted his thinking to what he knew for sure the tools were capable of; his attitude was, “Yeah, well, I’m writing what I want to see, so you guys will figure it out.” I loved that he would constantly throw those challenges out with the confidence [that] you guys will figure it out. That was great." [7]
In 2016, John Knoll and his brother Thomas were inducted into the International Photography Hall of Fame and Museum. [8]
At the 2019 Oscars, John and his brother Thomas were awarded a Scientific and Engineering Award for the original architecture, design and development of Photoshop. [9]
Year | Title | Notes |
---|---|---|
1986 | Captain EO | Motion control camera operator |
Jared: The Movie | Motion control camera operator | |
1987 | Star Trek: The Next Generation | Motion control camera operator |
Empire of the Sun | Motion control camera operator | |
Innerspace | Motion control camera operator | |
1988 | Willow | Motion control camera operator |
1989 | The Abyss | CG supervisor |
1990 | Spaced Invaders | visual effects supervisor |
The Hunt for Red October | visual effects supervisor | |
1991 | Hook | visual effects supervisor |
Hudson Hawk | visual effects supervisor | |
1994 | Baby's Day Out | visual effects supervisor |
Star Trek Generations | visual effects supervisor | |
1996 | Mission: Impossible | visual effects supervisor |
Star Trek: First Contact | Visual effects supervisor | |
1999 | Star Wars: Episode I – The Phantom Menace | Visual effects supervisor, onscreen cameo |
Deep Blue Sea | Visual effects supervisor | |
2000 | Mission to Mars | visual effects supervisor |
2002 | Star Wars: Episode II – Attack of the Clones | Visual effects supervisor |
2003 | Pirates of the Caribbean: The Curse of the Black Pearl | Visual effects supervisor |
2005 | Star Wars: Episode III – Revenge of the Sith | Visual effects supervisor |
2006 | Pirates of the Caribbean: Dead Man's Chest | Visual effects supervisor |
2007 | Pirates of the Caribbean: At World's End | Visual effects supervisor |
2008 | Speed Racer | Visual effects supervisor |
2009 | Confessions of a Shopaholic | Visual effects supervisor |
Harry Potter and the Half-Blood Prince | Digital artist | |
2009 | Avatar | Visual effects supervisor |
2011 | Super 8 | Digital artist |
Rango | Visual effects supervisor | |
Hugo | Visual effects supervisor | |
Mission: Impossible – Ghost Protocol | Visual effects supervisor | |
2013 | Pacific Rim | Visual effects supervisor |
2015 | Tomorrowland | Visual effects supervisor |
2016 | Rogue One: A Star Wars Story | Visual effects supervisor, executive producer, story |
2018 | Ready Player One | Visual effects production |
The Other Side of the Wind | Visual effects supervisor | |
Aquaman | Production and technical support | |
2019 | 6 Underground | Additional visual effects supervisor |
2021 | Jungle Cruise | Visual effects supervisor |
2022 | The Batman | Visual effects production |
2023 | Indiana Jones and the Dial of Destiny | Additional visual effects supervisor |
Year | Title | Notes |
---|---|---|
2019-present | The Mandalorian | Additional visual effects supervisor |
2021-2022 | The Book of Boba Fett | Senior visual effects supervisor |
2024-2025 | Star Wars: Skeleton Crew | Visual effects supervisor |
Year | Organisation | Work | Category/award | Co-nominees | Result | Ref. |
---|---|---|---|---|---|---|
2019 | 91st Academy Awards | Photoshop | Scientific and Engineering | Thomas Knoll and Mark Hamburg | Won | [10] |
2017 | 89th Academy Awards | Rogue One | Visual Effects | Mohen Leo, Hal Hickel and Neil Corbould | Nominated | [11] |
2008 | 80th Academy Awards | Pirates of the Caribbean: At World's End | Visual Effects | Hal Hickel, Charles Gibson and John Frazier | Nominated | [12] |
2007 | 79th Academy Awards | Pirates of the Caribbean: Dead Man's Chest | Visual Effects | Hal Hickel, Charles Gibson and Allen Hall | Won | [13] |
2004 | 76th Academy Awards | Pirates of the Caribbean: The Curse of the Black Pearl | Visual Effects | Hal Hickel, Charles Gibson and Terry Frazee | Nominated | [14] |
2003 | 75th Academy Awards | Star Wars: Episode II – Attack of the Clones | Visual Effects | Rob Coleman, Pablo Helman and Ben Snow | Nominated | [15] |
2000 | 72nd Academy Awards | Star Wars: Episode I – The Phantom Menace | Visual Effects | Dennis Muren, Scott Squires and Rob Coleman | Nominated | [16] |
Star Wars: Episode I – The Phantom Menace is a 1999 American epic space opera film written and directed by George Lucas in his first directorial effort since 1977. The film stars Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ahmed Best, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, and Frank Oz. It is the fourth film in the Star Wars film series, the first film of the prequel trilogy and the first chronological chapter of the "Skywalker Saga". Set 32 years before the original trilogy, during the era of the Galactic Republic, the plot follows Jedi Master Qui-Gon Jinn and his apprentice Obi-Wan Kenobi as they try to protect Queen Padmé Amidala of Naboo in hopes of securing a peaceful end to an interplanetary trade dispute. Joined by Anakin Skywalker—a young slave with unusually strong natural powers of the Force—they simultaneously contend with the mysterious return of the Sith. The film was produced by Lucasfilm and distributed by 20th Century Fox.
Industrial Light & Magic (ILM) is an American motion picture visual effects company and computer animation studio that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.
John Charles Dykstra, A.S.C. is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman & Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
Doug Chiang is an American film designer and artist. He is vice president and executive creative director of Lucasfilm and previous Chief Creative Officer (CCO) at Lucasfilm.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
Tom Bertino is a professional animator, formerly Animation Director and Visual Effects Supervisor at Industrial Light & Magic.
Hal T. Hickel is a visual effects animator for Industrial Light & Magic.
Shawn Kelly is an animator of movies and was a co-founder of the company Animation Mentor, an online animation school with student/mentor relationships at its core.
Bill George is a visual effects supervisor who is known for his work for Industrial Light & Magic on, amongst others, the Star Trek franchise.
James Morris is an American film producer, production executive and visual effects producer. He is currently general manager and president of Pixar. Previously, he held key positions at Industrial Light & Magic (ILM) for 17 years.
Habib Zargarpour is an Iranian visual effects supervisor, computer graphics supervisor, art director and creative director.
Scott Squires is an American visual effects supervisor and director. His first film project was Close Encounters of the Third Kind, where he developed the Cloud Tank Effect. In 1979 Squires, Hoyt Yeatman, Rocco Gioffre, Fred Iguchi, Tom Hollister and Bob Hollister co-founded Dream Quest Images, a visual effects house, which was later purchased by Disney. Squires was president of Dream Quest and left in 1985 to work for Industrial Light and Magic. Squires worked as visual effects supervisor and commercial director at ILM for 20 years and is now a freelance director and visual effects supervisor.
Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
Tom Bellfort is a sound editor. He has done sound editing on over 80 films since 1983.
Russell William Earl is a visual effects supervisor. He has been nominated for five Academy Awards and two British Academy Film Awards, among other awards.
Ben Snow is a special effects artist who has been nominated four times at the Academy Awards. He works at Industrial Light & Magic.
Rob Coleman is a Canadian animation director; he is currently the creative director at Industrial Light & Magic's Sydney branch. Previously, he was the Head of Animation at the award-winning Australian visual effects and animation studio, Animal Logic from 2012-2021.
Steve Gawley is a visual effects artist who was nominated at the 62nd Academy Awards in the category of Best Visual effects for his work on the film Back to the Future Part II. His nomination was shared with John Bell, Michael Lantieri and Ken Ralston.
Paul Kavanagh is a British visual effects artist who was nominated at the 82nd Academy Awards in the category of Best Visual Effects for his work on Star Trek. His nomination was shared with Burt Dalton, Russell Earl and Roger Guyett. In 2016, he and his colleagues Chris Corbould, Roger Guyett and Neal Scanlan received the BAFTA-Award in the category of Best Special Visual Effects for their work on Star Wars: The Force Awakens. They were also nominated for an Academy Award, but lost to Ex Machina.
Richard Bluff is an English visual effects supervisor. Known for his works in Disney's visual effects company Industrial Light & Magic (ILM) as a digital matte artist and visual effects supervisor in acclaimed films such as Star Wars: Episode III – Revenge of the Sith (2005), The Island (2005), Transformers (2007–11), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Avatar (2009), The Avengers (2012), Cloud Atlas (2012) Pacific Rim (2013), The Big Short (2015) and Doctor Strange (2016), for which he received an Academy Award for Best Visual Effects nomination at the 89th Academy Awards. He previously worked at Blur Studio as digital artist.