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Tom Wood is an English visual effects supervisor.
Sara Bennett is an Oscar-winning Visual Effects Supervisor and co-founder of Milk - a visual effects studio headquartered in London. Bennett was born in Worcestershire in the West of England.
The Moving Picture Company (MPC) is a British multinational company providing visual effects, CG, animation, motion design and other services for the film, TV, brand experience and advertising industries.
Christian Manz is a British visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Harry Potter and the Deathly Hallows – Part 1. He has also been nominated for three British Academy Film Awards. He is represented by the visual effects studio, Framestore, where he also serves as a creative director in the film division.
Matt Kasmir is a British visual effects supervisor. He was nominated for an Academy Award in the category Best Visual Effects for the film The Midnight Sky.
References
- ↑ "86th Academy Award" . Retrieved August 27, 2014.
- ↑ "The Martian | Computer Graphics World". www.cgw.com. Retrieved 2024-04-17.
- ↑ "88th Academy Awards". Academy of Motion Picture Arts and Sciences . Retrieved January 18, 2016.
- ↑ "Framestore Delivers Spectacular Character Effects for Disney's 'Christopher Robin'". Animation World Network. Retrieved 2024-04-17.
- 1 2 "Christopher Robin: Making Magic with Mixed Formats - The American Society of Cinematographers (en-US)". theasc.com. Retrieved 2024-04-17.
- ↑ "How the 'Midnight Sky' VFX team pulled off the film's most shocking scene". befores & afters. 2020-12-28. Retrieved 2024-04-17.
- ↑ "The Stellar Visuals in 'IF' Are Anything but Imaginary". Animation World Network. Retrieved 2024-09-11.
- ↑ "Demanding VFX at the Center of 'The Midnight Sky' | Computer Graphics World". www.cgw.com. Retrieved 2024-04-17.
- ↑ "Post Magazine - VFX: Kingsman: The Golden Circle". www.postmagazine.com. Retrieved 2024-04-17.
- ↑ "Making Space | Computer Graphics World". www.cgw.com. Retrieved 2024-09-11.
