Mohen Leo | |
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Born | Mohen Ardnt Leo Berlin, Germany |
Occupation | Visual effects supervisor |
Years active | 1997–present |
Mohen Leo is a visual effects supervisor.
Leo has worked on films since 1997, he received a nomination at the 89th Academy Awards in the category of Best Visual Effects. This was for the film Rogue One: A Star Wars Story . His nomination was shared with Neil Corbould, Hal Hickel and John Knoll. [1]
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
Pixomondo (PXO) is an Academy and Emmy award-winning international visual effects and virtual production company with studios in Los Angeles, Frankfurt, Stuttgart, Vancouver, Toronto, Montreal, and London. The company provides virtual production and visual effects for feature films, television, and commercials. As of 2019, PXO employs over 655 people worldwide.
This is a list of winners and nominees for the BAFTA Award for Best Special Visual Effects for each year. This award is for special effects and visual effects and recognises achievement in both of these crafts. The British Academy of Film and Television Arts (BAFTA) is a British organisation that hosts annual awards shows for movies, television, children's movies and television, and interactive media.
Cinesite is an independent, multinational business which provides services to the media and entertainment industries. Its head office in London opened for business in 1994, initially offering services in visual effects for film and television, subsequently expanding to include animation.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
Dan Lemmon is a New Zealand visual effects supervisor. In 2012, he was nominated for an Academy Award for the movie Rise of the Planet of the Apes. This was in the category of Academy Award for Best Visual Effects, his nomination was shared with Daniel Barrett, Joe Letteri and R. Christopher White.
Guillaume Rocheron is a French visual effects supervisor who was born in 1981 in Paris. He began his career in 2000 at the Paris-based BUF Compagnie, and after five years there he got invited to work for the Moving Picture Company. He won the Academy Award during the 85th Academy Awards for the film Life of Pi in the category of Best Visual Effects. He shared his win with Donald R. Elliott, Erik-Jan de Boer and Bill Westenhofer. In 2020, he received his second Academy Award nomination for Best Visual Effects, and second win, for the 2019 film, 1917, at the 92nd Academy Awards.
Andrew Jackson is an English Australian visual effects supervisor. He has worked on various feature films, including 300 (2006), Knowing (2009), Mad Max: Fury Road (2015), Dunkirk (2017), The King (2019), Tenet (2020), and Oppenheimer (2023).
The 15th Visual Effects Society Awards was held in Los Angeles on February 7, 2017, in honor to the best visual effects in film and television of 2016. The nominations were announced on January 10, 2017. The Jungle Book took five awards at the ceremony.
Craig Hammack is an American special effects supervisor known for his works in Disney's visual effects company Industrial Light & Magic (ILM). Hammack has worked as a technical director, digital effects artist and VFX supervisor in films, Titanic (1997), Pearl Harbor (2001), Star Wars: Episode III – Revenge of the Sith (2005), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Red Tails (2012), Tomorrowland (2015), Deepwater Horizon (2016), and Black Panther (2017).
Adam Valdez is visual effects supervisor. Best known for his works on Oscar winning films The Lord of the Rings: The Fellowship of the Ring (2001) and The Lord of the Rings: The Two Towers (2002) as an animation head, though did not get the nomination. Valdez worked as lead visual supervisor in acclaimed films such as 10,000 BC (2008), The Chronicles of Narnia: Prince Caspian (2008), John Carter (2012), World War Z (2013), Maleficent (2014), The Jungle Book (2016) for which he won the Academy Award for Best Visual Effects at 89th Academy Awards. In 2020, he received his second Academy Award nomination for Best Visual Effects for The Lion King (2019).
Paul Lambert is an English visual effects supervisor at Wylie Co. He has won three Academy Awards for Best Visual Effects: one for the 2017 film Blade Runner 2049 at the 90th Academy Awards, one for the 2018 film First Man at the 91st Academy Awards., and his recent one in 2022, at the 94th Academy Awards, for his work on Dune.
The Cyclotron is a Canadian historical drama film, directed by Olivier Asselin and released in 2016. The film stars Lucille Fluet as Simone, an Allied spy in World War II who is trying to prevent German military officer König from obtaining the technology that would enable the Germans to build an atomic bomb.
Barefoot at Dawn is a Canadian drama film from Quebec, directed by Francis Leclerc and released in 2017. Written by Leclerc and Fred Pellerin as an adaptation of Félix Leclerc's semi-autobiographical novel Pieds nus dans l'aube, the film stars Justin Leyrolles-Bouchard as the young Félix Leclerc growing up in La Tuque, Quebec. Roy Dupuis and Catherine Sénart also appear as Félix's parents, Leo and Fabiola Leclerc, and Robert Lepage as his uncle Rodolphe.
The Prix Iris for Best Visual Effects is an annual film award, presented by Québec Cinéma as part of its Prix Iris awards program, to honour the year's best visual effects in films made within the Cinema of Quebec.