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A miniature effect is a special effect created for motion pictures and television programs using scale models. Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer. The use of miniatures has largely been superseded by computer-generated imagery in contemporary cinema.
Industrial Light & Magic (ILM) is an American motion picture visual effects company that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.
John Knoll is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). One of the original creators of Adobe Photoshop, he has also worked as visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects.
Michael Lantieri is a special effects supervisor.
Hal T. Hickel is a visual effects animator for Industrial Light & Magic.
Kenneth Ralston is an American visual effects artist, currently the Visual Effect Supervisor and Creative Head at Sony Pictures Imageworks. Ralston began his career at the commercial animation and visual effects company, Cascade Pictures in Hollywood, where he worked on over 150 advertising campaigns in the early 1970s. In 1976, he was hired at Industrial Light & Magic by Dennis Muren to help George Lucas create the effects for Star Wars. He remained at ILM for 20 years before joining Sony Pictures Imageworks as president. Ralston is best known for his work in the films of Robert Zemeckis.
Doug Drexler is an Oscar winning visual effects artist, designer, sculptor, illustrator, and a makeup artist who has collaborated with such talents as Al Pacino, Dustin Hoffman, James Caan, Meryl Streep, and Warren Beatty. He began his career in the entertainment industry working for makeup artist Dick Smith on such films as The Hunger and Starman. He has also contributed to Three Men and a Little Lady, The Cotton Club, FX, Manhunter and Dick Tracy. Dick Tracy earned Drexler an Oscar, as well as The British Academy Award and the Saturn Award for his special makeup effects on characters such as Big Boy Caprice and Mumbles. Two Emmy nominations in the same field followed for three years working on Star Trek: The Next Generation, where he performed such tasks as aging Captain Picard for "The Inner Light". His final make-up job for the series was the Mark Twain makeup worn by Jerry Hardin in the two part episode "Times Arrow"
James Morris is an American film producer, production executive and visual effects producer. He is currently general manager and president of Pixar. Previously, he held key positions at Industrial Light & Magic (ILM) for 17 years.
Simulator rides are a type of amusement park or fairground ride, where the audience is shown a movie while their seats move to correspond to the action on screen.
Harold "Howie" S. Weed is an American visual and special effects artist known for his work on Hollywood films and franchises. His most notable works have been Star Wars: Episode V The Empire Strikes Back, Star Trek, and Pirates of the Caribbean: The Curse of the Black Pearl. Weed started his career in films in the 1980s with an uncredited model making job for the film Gremlins.
Kenneth F. Smith is a special effects artist. He works at ILM as well. He also won 2 Academy awards.
Russell William Earl is a visual effects supervisor. He has been nominated for five Academy Awards and two British Academy Film Awards, among other awards.
Ben Snow is a special effects artist who has been nominated four times at the Academy Awards. He works at Industrial Light & Magic.
Rob Coleman is a Canadian animation director; he is currently the creative director at Industrial Light & Magic's Sydney branch. Previously, he was the Head of Animation at the award-winning Australian visual effects and animation studio, Animal Logic from 2012-2021.
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Lorne Peterson is a Canadian special effects artist most known for the Indiana Jones and Star Wars films.
Terry Frazee is an American special effects artist. He was nominated at the 76th Academy Awards in the category of Best Visual Effects for his work on Pirates of the Caribbean: The Curse of the Black Pearl. He shared his nomination with Charles Gibson, Hal Hickel and John Knoll.
Paul Kavanagh is a British visual effects artist who was nominated at the 82nd Academy Awards in the category of Best Visual Effects for his work on Star Trek. His nomination was shared with Burt Dalton, Russell Earl and Roger Guyett. In 2016, he and his colleagues Chris Corbould, Roger Guyett and Neal Scanlan received the BAFTA-Award in the category of Best Special Visual Effects for their work on Star Wars: The Force Awakens. They were also nominated for an Academy Award, but lost to Ex Machina.
John Bell is a special effects artist who was nominated at the 62nd Academy Awards in the category of Best Visual effects for his work on the film Back to the Future Part II. His nomination was shared with Steve Gawley, Michael Lantieri and Ken Ralston.
Donald R. Elliott is a visual effects supervisor. He won at the 85th Academy Awards for his work on the film Life of Pi. This was in the category of Best Visual Effects. He shared his win with Erik-Jan de Boer, Guillaume Rocheron and Bill Westenhofer.
References
- ↑ "The 62nd Academy Awards (1990) Nominees and Winners". Academy of Motion Picture Arts and Sciences . AMPAS. Retrieved April 1, 2014.
