Related Research Articles
Framestore is a British animation and visual effects studio based on Chancery Lane in London, England. The company was founded in 1986. Framestore specialises in effects for film and prestige TV, advertising, rides and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne and Mumbai.
Wētā FX, formerly known as Weta Digital, is a New Zealand–based digital visual effects and animation company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy and the Avatar series. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs. The company is named after the New Zealand wētā, one of the world's largest insects, which was historically featured in the company logo.
Pixomondo (PXO) is an Academy and Emmy award-winning international visual effects and virtual production company with studios in Los Angeles, Frankfurt, Stuttgart, Vancouver, Toronto, Montreal, and London. The company provides virtual production and visual effects for feature films, television, and commercials. As of 2019, PXO employs over 655 people worldwide.
DNEG is a British-Indian visual effects, computer animation and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio was led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
BUF Compagnie is a French visual effects company, specializing in CGI for feature films, commercials, and music videos.
Cinesite is an independent, multinational business which provides services to the media and entertainment industries. Its head office in London opened for business in 1994, initially offering services in visual effects for film and television, subsequently expanding to include animation.
Alexis Mickael Wajsbrot is a French film director, producer, and visual effects supervisor best known for his 2016 horror film Don't Hang Up.
Ben Grossmann is a visual effects supervisor in Los Angeles, California. He won an Oscar award for Hugo in 2012, and an Emmy award for The Triangle in 2006. He is the co-founder and CEO of Magnopus, a cross-reality experience company.
SilhouetteFX began as a rotoscoping tool for the visual effects industry. SilhouetteFX has been expanded to include capabilities facilitating paint, warping and morphing, 2D to 3D conversion and alternative matting methods. As of V6, SilhouetteFX retains all of the aforementioned capabilities now embedded in a node-based digital compositing application.
Chris Lawrence is a visual effects supervisor. Lawrence and his fellow visual effects artists received an Academy Award for Best Visual Effects for the 2013 film, Gravity. In 2016, Lawrence received his second Academy Award nomination for his work on the film, The Martian, at the 88th Academy Awards. In 2018, he received his third Academy Award nomination for his work on the film, Christopher Robin, at the 91st Academy Awards, and received his fourth nomination in 2021, at the 93rd Academy Awards for the 2020 Netflix film The Midnight Sky. He is the eldest son and heir apparent of Sir Henry Lawrence, 7th Baronet of Lucknow.
Christopher Townsend is a Visual Effects Supervisor. He has worked in the visual effects industry for nearly 30 years. For over a decade, he was an artist and supervisor at Industrial Light and Magic, and in 2007 became a freelance visual effects supervisor. He worked on Journey to the Center of the Earth, the first ever stereoscopic motion picture shot and released digitally, The Wolverine, Ninja Assassin, Percy Jackson & the Olympians: The Lightning Thief and Captain America: The First Avenger. He was nominated for a BAFTA and an Academy Award for Best Visual Effects for his work on Iron Man 3, oversaw nearly 3000 shots on Avengers: Age of Ultron and was the overall supervisor for Guardians of the Galaxy Vol. 2, for which he received his second nomination for an Academy Award for Best Visual Effects. He was the overall Production VFX Supervisor on Captain Marvel, and following that, for his work on Shang-Chi and the Legend of the Ten Rings, was once again nominated for an Academy Award for Best Visual Effects. For his first foray into television and streaming, in 2024 he was nominated for an Emmy, for his overall VFX Supervising on the second season of the Disney+ show Loki.
Tim Alexander is a visual effects supervisor.
Gary Brozenich is a visual effects supervisor. Brozenich and his fellow visual effects artists were nominated for an Academy Award for Best Visual Effects for the 2013 film The Lone Ranger. After 22 years at MPC, Gary joined Framestore as a visual effects supervisor in October 2023.
Sara Bennett is an Oscar-winning Visual Effects Supervisor and co-founder of Milk - a visual effects studio headquartered in London. Bennett was born in Worcestershire in the West of England.
Dane Allan Smith is a film and television producer, and visual effects producer. Smith manages daily operations as founding partner of Daneiam Inc., a studio through which Smith has served as visual effects producer for films including Hellboy II: The Golden Army (2008), Sinister 2 (2015), Deadpool, Star Trek Beyond, and Star Wars: The Last Jedi (2017). He has also worked as a visualization executive producer, and founded Artificial Intelligence + ML Visual Effects resource Parts + Labor in 2023.
On-set virtual production (OSVP) is an entertainment technology for television and film production in which LED panels are used as a backdrop for a set, on which video or computer-generated imagery can be displayed in real-time. The use of OSVP became widespread after its use in the first season of The Mandalorian (2019), which used Unreal Engine, developed by Epic Games.
Christian Manz is a British visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Harry Potter and the Deathly Hallows – Part 1. He has also been nominated for three British Academy Film Awards. He is represented by the visual effects studio, Framestore, where he also serves as a creative director in the film division.
The Australian Effects & Animation Festival (AEAF) is an annual international festival of visual effects (VFX), animation games and immersive media. The event, which includes an awards ceremony known as the AEAF Awards, a program of speakers, and technology showcase, is streamed live. The inaugural event was in 2000.
Ryan Tudhope is an American visual effects supervisor represented by Framestore. He was nominated for an Emmy Award for his work on the 2014 series Cosmos: A Spacetime Odyssey. He was also nominated for an Academy Award in the category Best Visual Effects for the film Top Gun: Maverick.
References
- ↑ "Oscar Win for Catz Alum"
- ↑ "Tim Webber: the man who put Sandra Bullock in space". Evening Standard. Retrieved 17 January 2014
- ↑ "Tim Webber - Magician of the Year". Empire magazine. Retrieved 17 January 2014
- ↑ "Flite by Tim Webber". Short of the Week. Retrieved 29 April 2024.
- ↑ Lodderhose, Diana (21 May 2023). "Technologies Like AI & Unreal Engine Are A Having Big Impact On The Entertainment Business, But Where Will It Go From Here?". Deadline. Retrieved 29 April 2024.
- ↑ Giardina, Carolyn (9 May 2023). "First Look at 'Gravity' VFX Supervisor's Virtual Production 'Flite'". The Hollywood Reporter. Retrieved 29 April 2024.
- ↑ "Watch: Oscar Winner Tim Webber's Award-Winning Futuristic 'Flite'". Animation World Network. Retrieved 29 April 2024.